A harmonious blend of traditional craftsmanship and contemporary artistic expression, this extraordinary sake cup (guinomi) encapsulates the essence of Oribe pottery while infusing it with a fresh and modern interpretation. The surface is adorned with a striking interplay of colors and textures. Vibrant and richly glazed, it displays a fusion of deep emerald greens, ferrous reds, sumi blacks, and pearlescent whites. These glazes are skillfully applied to create captivating patterns a...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

Kondō Yuzō is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelains), he did not settle on this style until well into his potting career that lasted nearly seven decades. The pieces shown here then would be from an earlier period and are evidence of his competency with varied styles and glazes—not just the ones he is most well-known for. The intricate brushwork on ea...

Japanese shin hanga woodblock print titled "Hirosaki Castle" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #192. Paper measures 15 3/4" x 10 1/2" (image size: 14 5/8" x 9 5/8"). C...

Shamanic mask, with minimalist features, probably representing a demon. Wood, with fine dark brown glossy patina. Nepal, mid 20th century. Height: 28 cm. The mask is nicely mounted on a custom stand. Very good condition.

Crafted with meticulous attention to detail, each pewter cup showcases a unique luster that this metal alloy is revered for; highlighting its historical significance and enduring appeal. In Japanese fashion, the cups feature a sleek and minimalist design with asymmetrical balance, adding character perfect for formal yet relaxed quarters and offering a unique and refined way to savor the delicate flavors of sake.

The talented metal-caster who created this charming set of...

Superb sutra book (Kammavaca) made of two book covers made of teak wood and 16 pages made of palm wood. The pages are written recto/verso, in Pali script lacquered with black tamarind seed on a gilt background and illuminations. The two covers are with red drawings representing celestial beings on a gilt background. Burma, early 19th century. Dimensions: length: 62 cm, height: 12 cm. Some signs of wear and use, tiny chip on one page (see photo), otherwise very good condition. Acquired from an an...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Antique Japanese extra large bronze vase. Dramatic baluster form with foliate rim, fluted neck and chimera handles. Archaic motifs around the neck and shoulders. The body of the vase is decorated with highly raised scenes of birds including songbirds and a peacock. The flared foot of the vase has a dragon and crashing waves.

Age: Meiji Period (1868-1912)

Dimensions: 32 3/4" high x 13" wide

Antique Japanese bronze Buddhist temple lantern. The finial is a flaming jewel and the corners of the roof are hung with bells. A dragon is coiled around the lower portion of the lantern stand. Many areas are decorated with colorful cloisonné clouds, flowers and cranes. Electrified.

Age: Meiji Period (1868-1912)

Dimensions: 25 1/2" high x 13" wide

Antique Japanese bronze vase with Chinese archaic motifs. The shape is a traditional ancient Chinese form with flared rim and incised scrolling archaic designs. Fudog handles. Dark patina with areas of deep red. On a carved wooden stand.

Age: Edo Period (1603-1867)

Dimensions: 13 1/8" high x 9 1/2" wide

Antique Japanese copper censer with handles. The pierced copper lid has a repousse design of a dragon in swirling storm clouds with lightening. The body of the censer is hammered copper and has two warabite shaped handles on either side.

Age: Meiji Period (1868-1912)

Dimensions: 7" high x 11" wide (including handles)

Chinese tomb pottery shrine decorated with Sancai glaze in yellow and green with red slip painted details. The shrine is sculpted with lattice doors and filigree roof.

Age: Ming Dynasty (1366 – 1644)

Dimensions: 17" high x 14 1/2" wide x 8 1/2" deep

Chinese antique group of 5 pottery court attendant figures and palanquin. Sancai glaze with green, yellow and black. The faces and hands are painted with slip. The palanquin is similarly glazed and has nice yellow drips.

Age: Ming Dynasty (1366 – 1644)

Dimensions: Figures: 10 1/2" high x 4 1/4" wide x 4 1/2" deep. Palanquin: 15" high x 5 1/4" wide x 5 1/2" deep

Japanese shin hanga woodblock print titled "A Glimpse of Ueno Park" by Hiroshi Yoshida (1876-1950) dated Showa 12 (1937). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature in the margin below it. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #218. Paper measures 16 1/8" x 11" (image size: 14 3/4" x 9 3/4"). Very ...

Leonard Tsuguharu Foujita (1886-1968)
White Cat
Date: 1929
Signed by the artist in the image in English and Japanese.
Matte size: 23.25 x 19.375 inches. Matte window: 17.5 x 12.75 inches.
Frame: 24.25 x 21 inches.
Medium: Japanese woodblock print with gauffrage embossing on the cat (seen in indirect light).
Condition: Woodblock print is sealed inside matte and is possibly adhered to board. Some creasing visible in side lighting.

Large rinpa school painting depicted Deer. Painted with ink and pigments on a fan. Sealed. Circa late Edo period, 19th C.

Rinpa was born as a merchant culture in Kyoto, the capital of Japan, by Tawaraya Sotatsu(1570-1643) the early 17th century and Ogata Korin(1658-1716) in the early 18th century.In the early 19th century, Rinpa was developed by Sakai Hoitsu(1761-1829) and Suzuki Kiitsu(1796-1858) as a culture in Edo (present-day Tokyo) and was welcomed by court nobles and upper-class town...