ROPPONGI HILLS

Anonymous Japanese oil painting on canvas, after 2003, 53 x 45.5 x 2 cm (20.86 x 17.91 x 0.78in), as Tokyo Story of today with a metropolitan scenery with skyscrapers behind Mori Garden (ref. https://en.wikipedia.org/wiki/Roppongi_Hills).


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A striking vision of black blasted with ocjer glaze wrapping in rivulets around to a single beaded drop by Oiwa Tomoyuki enclosed in the original signed wooden box titled unpretentiously Chawan. It is 13.5 x 12 x 10 cm (roughly 5 x 5-1/2 x 4 inches) and in excellent condition.
Oiwa Tomoyuki was born in Hyogo prefecture in 1977, and graduated the Bizen Ceramic Center in 2004. The following year he came to study under the outsider Kakurezaki Ryuichi, where he would remain for 8 years, garne...

Japanese netsuke of a Kappa. A whimsical  folklore creature that looks like a  turtle with a face suppose to be around lakes and streams. Made of boxwood sitting on a lotus pad, delightfully carved. Signed on back. Dates from the Showa age c 1950.

166 different Chinese coloured woodcuts with their accompanying poems and seals bound into 8 volumes. Printed in colour from handcut woodblocks. Complete except for the illustrations of the plum series of 20 woodcuts, although the poems are included. Size of individual volumes 32x29 cm. The woodcuts have been dis- bound sometime in the past and pasted separately onto Chinese paper and now rebound. This is the 1879 Shanghai edition and has been identified by the leading scholar. See Thomas Eb...

An absolutely and definitely rare Tobi Seiji vase decorated with similar to "DAVID" vase in the British Museum, carved incised with a Dragon swirling to the body and with iron brown spots and connected stand. Very special pieces which found in Indonesia archipelago. Condition is perfect, no any crack, no any chip and free from any restoration. Yuan Dynasty 13th-14th Century. Height: 22,3 cm

Unique cricket box with glass front, wire mesh cover and copper repoussé image of crickets and “Eight Horses-八駿全圖 ” after the style of China’s most famous 20th century artist Xu Beihong -徐悲鴻. Hand crafted this is a charming and functional vintage piece from the 70s or 80s. L: 11cm/4.6in W: 4cm/1.6in and H: 6.5cm/2.6in

Antique Japanese six-panel screen painting (byobu) with a design of fans on silver leaf ground. Each fan is an intricate scene of sections carefully salvaged from even older paintings. Fans with battle scenes, peonies, maples, pines, bamboo, waves and more. Painted in mineral colors and gold leaf on paper. The silver leaf of the screen has beautifully oxidized over time.

Age: Edo Period (1603-1867)

Dimensions: 66" high x 148" long

A Chinese Buddhist prayer table made entirely of Rosewood. Elaborately hand carved side panels and surrounded by a beautiful apron. The top of the table was designed with a floating panel.

Age: 1950's

Dimensions: 33 1/2" Wide by 12 3/4" High by 20" Deep

Antique Japanese unusual Buddhist shrine pagoda. Made of lacquered wood with gilt copper hardware. The shrine has six sides and an elegant sloping roof. Carved details of waves and mist. A tall multi-storied finial on top.

Age: Edo Period (c.1850's)

Dimensions: 26" high x 16" wide

Pair of Chinese antique candlesticks. Glazed in a dark green pigment with dark tones throughout. Each retains their export wax stamps indicating there older then 100yrs old at time of export. Ready to be enjoyed.

Age: 19th Century

Dimensions: 7 1/2" high x 5 1/2" wide

An antique 2 panel Japanese screen titled Scholar in Summer Landscape. Painted in sumi on paper, mounted on a wooden core frame with paper hinges, textile border and lacquered molding. Signature & seal: JUZAN (Nagamura Senzan, 1820-1862) who was a Nanga painter.

Age: Edo Period mid 19th century

Dimensions: 67 3/4" high by 74 1/2" wide.

Pair of Japanese shokudai candlesticks made of copper with chrysanthemum shaped base and crown. Original warm patinas finish consistent of its age. Each is quite sturdy and ready to be used once again to light a sacred space.

Age: Meiji period (1868 - 1912)

Dimensions: 27" high x 7" wide (base)

An antique Chinese ancestral hall chair made of Hongmu wood. Decorated with inlaid mother of pearl, the back splat features a bat, a pair of Ruyi scepters, a deer and a crane. The armrests have carved foliated carvings. The front apron also has a pair of Ruyi sceptors with stretchers on all four legs.

Age: Late Quing Dynasty 19th C

Dimensions: 25 3/4" Wide by 39" High by 19" Deep

Chinese Qing dynasty Kangxi period oval form jar decorated in underglaze blue with four alternating four-clawed dragon and phoenix roundels set against a white ground with fine vertical ribs. A band holding precious objects is at the bottom and a band of four blue floral cartouches set against a geometric ground surrounds the wide mouth. An unreadable square mark within two double circles is on the glazed base. The stepped foot is unglazed. Very heavily potted (weighs 6 lbs.). 8 5/8" high. ...

Twisting Dragon painted in 2002 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Frame: 29 x 15.5 inches, 74 x 39 cm. Painting: 25.5 x 12.5 inches, 65 x 32 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual market value. Don Ahn was a pioneer of Korean art in America. In the 1950s ...

A very charming root wood figure of a dog turning its head. Made from a natural piece of gnarled, root wood w. only minor modifications. The ears attached separately. Japan, Meiji (1868–1912). H 9.5 cm, L 8.5 cm. Condition: Perfect.

A rare and very unusual ritual vase (Bumpa) of painted clay with stylised chrysanthemum flowers for use in Tantric offerings. H 27 cm. Tibet, 18–19th cent. Condition: Fair. Good colors. Some losses.

Splendid Aka Raku Chawan by greatest 13th generation Raku Kichizaemon Seinyu. It is a half cylinder shaped (Hanzutsu) Chawan with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red glaze was applied. The red glaze turned to grey where it got in contact with charcoal in the kiln.

It is signed next to the foot ring with Seinyû's seal and comes with its originally signed wooden box which is bearing the two ...