Title: Tokumochi
Artist's signature not read. The second kanji in the signature is read "haru" or "shun."
Print size: Approximately 5.125 x 3.375 inches.
Date: ca. 1930s.
Publisher: Takemura Hideo.
Medium: Japanese woodblock print tipped along its top edge onto a 6.625 x 4.75-inch greeting card containing a signed message.
Condition: Print excellent. Card is discolored.

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave. There are a few pin holes but noting egregious (one small repair w...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on double lotus base.

Age: Burma, Shan Period, 16th Century
Size: Height 31.7 C.M. / Width 18.6 C.M. / Depth 13 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Special offer: 4 Tang Dynasty terra cotta statues, all have had repair i.e. heads glued back on- (two are not the original heads). The amber glazed figure has the original sancai glaze though not very shiny. Dimensions note in enlargement text.

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay. Embracing the flawed and broken aspects of an object through kintsugi is a way to appreciate the passag...

Length: 10.5 cm (4.2 in)
Height: 6 cm (2.4 in)
Depth: 3.9 cm (1.7 in)

Quality Japanese carved okimono of an elephant; natural material; finely carved throughout; minor restoration; good condition

Title: Mountain Temple and Snow
Artist: Not known.
Print size: Approximately 5.675 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is tipped along its top edge to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

This is an authentic Neolithic Hongshan jade object, described in the literature as "hoof-shaped." Current scholarly opinion is that it was used to hold the individual's hair, based on where these objects have been found in excavated tombs. The piece measures 4-1/2" in height and is 2" in diameter. As with most published examples, it has two holes near the base which would have allowed the insertion of a "pin" to hold the hair in place. The stone is a mottled green with both lighter and darker i...

Japanese Black Cast Iron Sake warming Pot with Red Lacquered wood Cover, Ca. 1920, 7 1/2" high with handle up, 9" wide with spout included, very ornate Bronze knob on top of the old original Red Lacquered top. Impressed various flowers, whisteria, iris and maple leaves decoration inside fan shape enclosures. Very slow leaks from the bottom supported by 3 small feet, this is for decoration purpose only

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm

Kake-Fukusa, a gift cover made of tapestry weave silk with carp and stream design. It is used to cover a gift on the auspicious event. The family crest (kamon) is Umebachi-mon. Four tassels are metal yarn. Generally, in good condition, but has light stains in blue ground and white waves. Meiji period (1868~1912) 63xm x 63cm

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

An exquisite hand-formed koro, the tri-legged form hammered from a single sheet of copper gilded with gold and signed on the base Goro. The top is created in the same manner pierced with three holes, and it has an insert of the same alloy to keep heat away from the softly gleaming body. It is 13 cm (5 inches) diameter and in excellent condition.
Uchidashi is a traditional Japanese metalworking technique that involves hammering or embossing designs onto the surface of metal objects. This...

A pair of Japanese bronze vases with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 19.1 C.M. / Width 10.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Mixed collection of old beads… as follows the silver beads are old Sri Lanka beads as are the two cut cobalt blue crystal glass, two Khotan nephrite natural pebbles, one bowenite bead and two old banded agates. Scale is metric in enlargements. Free shipping.

Lovely hand silk embroidered alter “skirt” with the Eight Chinese Immortals and three double happiness roundels at the top. I recently acquired this with a group of other vintage textiles; this is in perfect condition with a lovely palate of colors. Late 20th century, this would have been hung in in front of a temple altar table’s legs. H: 100cm/40in x W: 94cm/37in. Appears never to have been used.

Ensemble of 6 pieces of vintage jackets. The are hand sewn silk, probably from the 1970's (+/-). Dimensions and condition in enlargement text.

This is an example of the "disc-shaped" (squarish) bi discs illustrated by Jessica Rawson in her definitive work on Chinese jades, at page 113. (Chinese Jade From the Neolithic to The Qing, British Museum Press, 1995).As noted (ibid), most are slightly squared. This piece is made from a pale celadon stone with darker inclusions and veining. Please examine the high resolution photographs, as they are part of this description.An examination of the holes, in particular, will clearly show just how a...