Late Edo Period Takeda Ningyô of Kabuki Actor Dolls Portraying Benkie and Yoshitune. It is rare to find this type in such fine condition. This wonderfully mesmerizing work of art is so striking in its posing and expression, positioned on a lacquered and wood platform. A fascinating find for the Japanese theater enthusiast. 14h x 23w inches, 35.5h x 58.5w cm.

Rare Edo Period Kokin-bina Style of Empress & Emperor. Minor wear, fading to textile, otherwise fine condition. A classic, very early example of a Dairi-bina Imperial Couple for the Hina-matsuri Girl's Day celebration. The Emperor and Empress are seated atop a woven ungenberi fronted dais. They are a very fine early example. The emperor is wearing a lacquered court cap and tail, holding a shaku scepter, the me-bina lady is wearing a spectacular crown, and has a fabulous painted fan. All formal...

Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day) celebration. Just a wonderful grouping: a chanter, flute player, two hand drummers and a floor drummer, each with an expressive and well-modeled face, finely carved fingers and hands in precise gestures for their individual instruments, sumptuous silk brocade costumes, short swords, silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari ...

A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

From our Southeast Asia Collection, this is the second offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal comp...

Large Chinese basket, tall stacking carrying basket, made of bamboo with iron handle, three compartments, outfitted with removable glass top so that it may be used as an end table or stand, the basket has a large character on the top and woven patterns on all sides, the tiered basket sits in a large bamboo frame with handle, Republic Period. Size: 37" high total (30 1/4" high to top of stand) x 18 1/2" wide x 18 1/2" deep.

This is a very rare round hole coin known as a Yuan, as identified by the single character on the right. Yuan was a city in the state of Liang in ancient China. This coin has not been acid treated nor artificially aged, it is well worn and has the verdigris that is natural and impossible to scrape off by conventional means. These range in size and weight from 41.2 to 43 mm, and range 8.8 to 10.7 grams). Condition is fine. Date: about 300 B.C.E. Warring states period. This coin measures 1 3/8" ac...

A lucky ammer in red decorates the inside of this large bowl by Mamiya Eishu enclosed in a period wooden box. It appears to read Kishoho or Kishohon (the method to satisfaction or the root of satisfaction respectively). The bowl is 7-1/2 inches (19 cm) diameter and in excellent condition. Eishu (1871-1945)entered the priesthood at the age of nine at Ryutakuji Temple under the training of the priest Tengan. 13 years later he was sent to one of the main temples, Tenryu-ji, in Kyoto to study un...

From our Southeast Asia Collection, this is the first offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal com...

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

Tibetan Tiger Mask, 10x9x7 inches, 25.5x23x18 cm.

Bhutanese Bon Deity Kyung Mask of Papier Mache, 15 inches, 38 cm.

Phurba from Sikkim, 12.5 inches, 31.5 cm.

Kukpa Mask from Sherdukpen, Arunachal Pradesh, collected by Eric Chazot, 7.5 inches, 19 cm.

Tharu, Nepal Mask, collected by Eric Chazot, 11 inches, 28cm.

Mongolian Priest Mask from Humia, Nepal, collected by Eric Chazot, 9.5 inches, 24 cm.

Terai, Nepal Monkey Mask, 14 inches, 35.5 cm.