Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Beautiful large Japanese standing Amida Buddha, finely carved wood with red, black and gold lacquer, flowing drapery. Standing on base carved to look like rock and lotus and painted with a gold lacquer, inlaid glass eyes. Early Meiji Period (1868 - 1912) Size: 42" high x 19 1/4" wide x 14 1/2" deep.

From our Southeast Asia Collection, a massive Indonesian teak wood carved panel executed in high-relief, depicting a scene from the Ramayana.

Indonesia, like Burma, has a long standing and very accomplished woodcarving tradition where generations of craftsmen have been producing great woodwork for decades. This particular piece is especially large and animated with great depth to the carving, and makes for a very dramatic statement in any room where it is displayed.

Size and Con...

Yamakawa Shuho (1898 - 1944)
Premonition of Snow, 1927
Size: Oban, approximately 15.0 x 10.5 inches.
Publisher: Bijutsusha
Condition. Unframed. This print has had tears and toning professionally restored.
An intriguing bijin image with an unusual title.

A gorgeous Japanese brazier with excellent high quality enamel work, this treasure is contrasted in color from the dark silvered with areas of gold lid and the bronzed tone copper base, making it a visual treat. Dated to the late 19th century this can still used for fragrant dried flowers on a desk top or table. It measures 6.5" diameter x 5.5" high.

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor. The scene here is famous from the noh play, Shakkyo (stone bridge) ...

From our Southeast Asia Collection, this is the fourth and last offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in char...

#021228b-S, The size of Small Stand: 4"L x 3" W x 4 1/2" H,

#021228b-M, The size of Medium Stand: 4 1/2" L x 3 1/4" W x 5" H,

#021228b-L, The size of Large Stand: 5 1/8" L x 4" W x 6" H,

Small stand fit for 6" Plate, little larger or little smaller. Medium stand fit for Namasu Bowl around 6" Large Stand fit for 8" Plate, little larger or little smaller. High quality wooden stand for your valuable antiques. Any question, please e-mail to us.

Description:
A Huali wood covered box was preserved in a very good condition.
By sound structure and well track-moved lid, the wood box was yielded with charming brownish patina on the surface inside and out.
Darken hue was accumulated in portions due to enduring age.
In quite good size, it was used as a storage box for scholar’s utensils.

Date: Qing Dynasty, late 19th Century.

Dimensions: 22cm x 18.5cm x 7.2cm.

17 x 9 x 7 inches, 43 x 23 x 18 cm. Rare 18th Century Korean Animal Hide Box. There is a similar 18th Century example in the Tenri University Sankokan Museum, illustrated in the book The Korean Relics in Japan Volume 4, page 339.

Antique Chinese fan with two lovely women hand painted on feathers. The body of the fan appear to be made of bone. The colors of the peacock feathers are beautiful.The light reflected in gold (frame), took away the age. All and all, It has more antique look than shown in the photos. We just had the nails (that hold the glass to the wooded frame) checked, and hanging wire and brackets changed. 30 1/4" W x 18 1/4" H x 2 1/4"D

From our Southeast Asia Collection, this is the third offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal compa...

A set of 12 lacquered panels depicting scenes of the 12 months by 12 different and important artists including Living national Treasures Terai Naoji and Komo Kanzan as well as Pioneering female artist Tenno Bundo, all in the original wooden box signed individually by each artist and dated Showa 24 (1949) and stated to have been assembled under Honma Maika. A list of the artists by month follows: January-Katsuta Seisho, (1890-1975), February-Rokkaku Eiyu, March-Living National Treasure Terai Nao...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854. The ce...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche w...

The inscription on the back reads: Inori (Meditation) by Kinugawa Masayoshi (born 1912 in Higemi, Hyogo) of the Bijyutsuin Inyuu art organization. Japanese Two Panel Screen painting of Kannon Bodhisattva, the Goddess of Compassion and Mercy. The painting is a masterpiece, using the technique whereby minerals and semi-precious stones are ground into the paint, creating the most spectacular effects. Also, gold and black lacquer add highlights. This marvelous piece will stand out in any environmen...

Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant image is finely painted with floating gold leaf clouds, pine and willow trees, and brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.

Pair of Carved Wooden Koma Inu Temple Dog Figures, each seated in the traditional posture. These are a very rare find from the early Heain Period, and could be even earlier, possibly Nara Period. The wood is aged to a beautiful patina. There are not many works of art of the period that come up for sale. There has been some conservation and restoration to stabilize these fantastic and rare pieces. 18.75 and 17.5 inches (47.5 and 44.5 cm) H, 13 and 12 inches (33 and 30.5 cm) W, 10 and 9 inches ...