A breathtaking four-tiered stacking box emblazoned with overlapping Imperial Chrysanthemum on the lid, each tier uniquely decorated in gold and mother of pearl enclosed in an old lacquered wooden box titled Jidai Maki-ga Ga-gae Jubako with a label reading Yon-ju Monyo-gae Makiga. The inside of each box is completely covered in clouds of gold dust. The outside shows various natural patterns, with varied techniques in gold and mother of pearl. Enclosed with it are receipts from the Kanazawa Bijuts...

Japanese Edo period woodblock print by Kikugawa Eizan (1787-1867) featuring a high ranking courtesan (oiran) in the licensed quarter squatting down to read a letter by the light of a lamp from the series "Eight Views of Events in the Yoshiwara" published by Kawaguchiya Uhei circa 1814-1817. Two barely visible rubbed seals are at the lower left. Signed "Kikugawa Eizan ga" at the lower right. Tipped at the top to a backing bearing the authentication seal of S. M. Shiba of Miyanoshita. The red ...

A Very Beautiful Korean Inlaid Celadon/White Slip Shallow Bowl-12th C.: Korea, Goryeo dynasty, 12th century A beautiful celadon glazed shallow bowl inlaid with a chrysanthemum interiors and exteriors, blueish celadon glazed evenly, with 3 spurs on base. It is in very condition, its measures: 14cm x 4,5cm h.

A Rare Korean Celadon with 2 Ear Loops/Cup-Mouth-Shape Bottle-11th C.: Korea, Goryeo dynasty, 11th century. The globular porcelain bottle on a slightly flaring ring foot with trump neck with sharply angled cup-shaped mouth decorated with two ear loops on the bottom of the neck, beneath a light greyish celadon glaze, 5 spur marks on base. It is in fine condition but have some celadon glaze untouched, it measures 21.5cm h x 12.5cm d.

A Kano School Triptych of Fukurokuju, Attributed to Kano Isenin (1775–1828), Ink on Silk Hanging Scrolls. Edo Period.

This elegant triptych depicts Fukurokuju, one of the Seven Gods of Good Fortune, revered as a symbol of longevity, prosperity, and wisdom. Rendered with refined ink work, the composition carries a quiet, auspicious presence. The flanking scrolls introduce gentle seasonal notes—a hibiscus blossom on the right and wild chrysanthemums on the left—painted with restrained...

An unusual and fine three case round gold and silver lacquer inro depicting a pagoda in a fog. The other side is with a pair of birds in flight. 3.5 ” x 0.75” (8.5 x 2 sm).

Japanese kushi (hair comb), an antique piece made of lacquered boxwood. The decoration appears to be applied using maki-e (lacquer decorated with sprinkled gold or silver powder). It features designs of a praying mantis and a flower. 5.35 ” x 1.75” (13.3 x 4.7 sm).

1st edition Japanese shin hanga woodblock print by Hiroshi Yoshida (1876-1950) titled "Yoshikawa" dated Showa 10 (1935). The jizure (self-printed) seal is faintly visible at the upper left margin and can be seen clearly in the enlargement. The artist's black ink signature and red seal is at the lower right. The print is titled in the lower left margin and pencil-signed in the lower right margin. Paper: 10 3/4" x 16" (image: 9 1/2" x 14 5/8"). Very good overall condition with full margins. Th...

Japanese antique tobacco pouch made of gourd and keyaki (elm) wood and decorated with a cricket and the crescent moon on one side. The green enamel cricket sits on a long blade of grass. On the other side of the box is a scene of a butterfly and wild flowers made with lacquer and inlaid with mother of pearl. The top of the box is held on with thin cord which fits through holes in the lid made of bone. The a purple glass ojime bead helps to tighten or loosen the cord in order to open or close...

Important Tibetan caldle holder made of silver, with embossed decoration showing elaborate and numerous details, among which are the eight Buddhist symbols inserted in frames around the cup, and stylised lotus along the stem. Fine age patina. Tibet 19th century. Height: 21.7 cm. The object is heavy. Very good condition.

OLD MUKUROJI PRAYER BEADS

Old Japanese prayer beads made from mukuroji (soapberry) seeds, traditionally used as gyōja juzu—practical rosary beads associated with Shugendō ascetic practitioners. Japan, Meiji period to early Shōwa period (late 19th–early 20th century). Total length when fully extended approx. 170+ cm (66.9+ in). Composition: 1 main bead, 2 intermediate beads, 14 large beads, and 11 small beads.

Mukuroji literally means “child wit...

TANABATA FIGURES

Pair of wooden board festival figures used for Tanabata, the traditional Japanese celebration held on July 7. Japan, Nagano Prefecture, circa 1960s. Approx. 54.5 × 12 cm (21.5 × 4.7 in). Condition as shown, with age-related wear consistent with time.


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VINE CUBE

A geometric cube formed from woven organic vine. Japan, Shōwa period (20th century). Each side approx. 46–49 cm (18.1–19.3 in). Age-related wear consistent with time.


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Spectacular Samurai Jingasa Hat with Gilded Crests, Edo Period (17th–18th Century)

An impressive and highly unusual samurai jingasa (war hat), dating to the Edo period, circa 17th–18th century.
The exterior is finished in a deeply textured black lacquer surface, boldly decorated with circular gilded crests, creating a striking contrast and strong visual presence.

The hat remains in good original condition, showing expected abrasions, surface wear, and small losse...

KAMIDANA

Wooden Shinto household altar set including a small amulet from Ise Grand Shrine and a stone, Japan, circa 1970s. Large: approx. 35 × 30 × D 10.5 cm (13.8 × 11.8 × 4.1 in); Small: approx. 9 × 8 × D 3.3 cm (3.5 × 3.1 × 1.3 in). In Japanese custom, a kamidana is ideally placed facing south. Condition as shown.


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Wisdom embedded in each angle of this ancient celadon sage. Jurojin is one of the seven lucky gods and is modeled after a Taoist Immortal as the god of longevity. Holding the sacred 'Hoju'gem of the void. With original box. Excellent condition. H:38cm x W: 22cm x Depth: 16cm. Ask for shipping quote from CA.

Exceptional, twisted contemporary Bizen vase by Yamamoto Izuru, b.1944. He is the son of Toshu Yamamoto (1906-1994) designated as a Living National Treasure. The apple certainly didn't fall far from the tree. This is a masterpiece. H: 45cm x W:34cm x depth: 26cm. Great condition and very heavy. Ask for shipping quote from CA.

The blade is signed by Ujifusa, a renowned swordsmith active in the 17th century. It is in perfect condition, kept separately in a shirasaya (a type of wooden holster). The tang has numerous holes from repeated remounting. The scabbard is lacquered in dense nashiji of the finest orange. The hilt is made of shakudo inlaid with solid gold Kirimon, not simply gilded as is more common. The Kirimon is the emblem of the Imperial family of Japan; however, the Kirimon on this aikuchi have five petals on...