An interesting dish of barbed, lotus petal, form with a bulls eye base, janome, decorated in Nanga style, monochrome (sumi-e) landscape paintings in the Chinese Literati tradition of Southern China, a school particularly associated with the Nagasaki area and the work of the Kameyama kiln, where it is believed artists of this school provided designs for use on their wares. The dish is in the style of the Kameyama kiln, but is marked with a simple two character mark in seal form reading “tama-y...

A cloisonné belt ornament from Southern China with flora and bird design. The cloisonné is identical on both sides with very high quality workmanship. Age: Late Qing, 19th century. Size: L.30cm. W. 7cm. Condition: No repairs.

Rare antique Tibetan painted chest with a trapezoid form, with lift away lid, and leather straps. The front of the chest is hand-painted in pigments of red, green, yellow, depicting a mythical creature with conch shell and flowers.

Mid to Late 18th Century

Dimensions: 54" L (widest point) 40" L (narrowest point), 17 1/2" D x 26" H

Chinese porcelain water coupe, with a monochrome oxblood red underglaze. The rounded, half circle form has a short, fluted neck, and flattened recessed base with blue signature.

Republic Period

Dimensions: 5 1/4" x 4" H

Japanese two section isho tansu (clothing chest) from the Sado Island area. Original dark reddish lacquer finish. With hand-forged iron hardware, decorative plating incised with motifs of cranes and turtles with many tails, both symbols of longevity. The lower unit holds a corner safe box with two small drawers concealed inside.

Meiji Period (1868-1912)

Dimensions: 41" L x 16" D x 41" H

A namasu or serving dish of unusual quadrilobed form with scalloped suhama style rim; a stylization of a wave washed beach. An auspicious form referencing Horai-san, the isle of the Immortals and therefore a wish for a long life. The bowl is decorated with a central mon of a stylised Lotus motif, perhaps also containing elements of the aoi-mon, and karakusa. Surrounded by four panels containing an unusual four toed Water dragon emerging from stylised waves. Each panel separated by columns of pe...

Erotic porcelain Tengu sake cup with a well done erotic scene painted on the inside. Last photo has been covered for publication. Tengu are mountain and forest goblins with both Shinto and Buddhist attributes. Their supernatural powers include shape-shifting into human or animal forms, the ability to speak to humans without moving their mouth, the magic of moving instantly

A moulded water dropper in the form of a monkey with baby. White stoneware body with cobalt blue decoration, covered with a transparent glaze. Annamese ware ( Vietnam ) fifteenth century. H : 6,4 cm. Condition: Perfect, with smaller areas of spalling to the otherwise wonderful glossy glaze ( please look at the images ).

A small, most beautiful and very rare vase. Fine shugary white porcelain body, covered with an translucent Aquamarin-coloured glaze. Song Dynasty, 12th - 13th century. H : 6,8 cm. Condition : Perfect. ( It seems there is a small missed area to the irregularly shaped, unglazed foot-area. The glazed area of the vase is in an absolutely perfect condition.)

A Laotian figure of Buddha Shakyamuni, made of cast bronze with dark patina. Depicted seated in meditation on an undecorated pedestal, the right hand in bhumisparsa and the left in dhyana mudra. The curly hair is ending in the ushnisha with flame ornament, his face in the typical naive style. Condition: old small loss to the flame and one foot of the pedestal (therefore not perfectly even). Backside with some casting flaws. Dimension: c. 24.1 cm high x 12.5 cm wide x 8.5 cm deep, weight: 1800 g.

Chinese Export Blue and White covered deep serving Tureen or Dish, Ca. 1800-1820, 5 1/2" high, 9 1/4" x 8 1/4" wide, with cut corner shape and Pine Cone Knob on top, very nice soft underglaze blue with sampan floating in the lake, pavilion and pagoda under willow tree next to bridge. Underglaze blue is just right for the type of Canton ware for early period. The condition is good.

Chinese Export Blue and White Porcelain Canton design covered deep serving Tureen or Dish, Ca. 1800-1820, 5 1/2" high, 9 1/4" x 8 1/4" wide, with cut corner shape, Pine Cone knob on top, very nice soft underglaze blue decorated with Pavillion on lakeside, Sampan floating next to bridge, willow tree and pagoda on the other side of the lake. Inside the underglaze blue decoration is slightly darker than top of the cover, all hand painted underglaze blue design. Glaze shrinkage under the cover, an...

Japanese kayaki wooden hibachi in the form of natural wood.

Hibachi is a traditional Japanese heating device.

Age: Japan, Edo Period, 19th Century
Measurement: Height 37 C.M. / Width 64 C.M. / Length 73 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Authentic Tang tomb guardian wearing a typical warrior's uniform standing on an evil creature with remains of the original pigments an white slip. Age: Tang Dynasty 618 - 907 AD. Size: H.58cm. W.21cm Condition: No repairs. Small piece missing from the back of his skirt. See photo.

Massive late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official seated on a draped armchair over a floral rug decorated with Buddhist swastikas and dressed in formal attire. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue fur surcoat. The bird appears to be a silver pheasant, indicating an official of the 5th rank. He wears a hat with a clear stone insignia (consistent with...

A beautiful and rare micro blue glass bead necklace from South China. Can be made into two necklaces. Age: 100 BC Size:Total Length 118cm (46 inches)

A fine Japanese ikebana basket hand-woven from bamboo, cane, cedar root, and urushi lacquer. Signed by artist Jiro Yonezawa (b.1956). Jiro Yonezawa attended the Beppu Vocational Arts Training Center in 1981 and spent a year as an apprentice to Masakazu Ono. Later on, he continued his training at the Oita Prefectural Beppu Industrial Art Research Institute. He lived and worked in the United States from 1989 to 2007. In 2008 he returned to Japan and built a new studio in Oita Prefecture.
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Lilian Miller
Father Kim of Korea
Date: 1920.
Numbered: 257
Size: Approximately 8 x 6.25 inches.
Self-published.
Signed and sealed by the artist.
Condition: Excellent. Left margin has small nick.