An otherworldly form from the age of Sputnick by important artist Morino Taimei exhibited at the 1959 Nitten National Art Exhibition and published in the Nittenshi (vol. 22). It is signed in romanized characters H. Morino (His given name is Hiroaki). It is roughly 12 inches (30 cm) tall, 15 inches (38 cm) diameter and in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year befor...

Burmese wooden seated disciple on double lotus base, with gilded gold.

Age: Burma, Shan Period, 17th - 18th Century
Measurement: Height 51.5 C.M. / Width 23.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese sumi-e calligraphy on hand-made paper by French artist Jacques Decaux (1918-2003) titled "White Bird and Clouds do Fly Together" dated 1984. Decaux was a resident of Taiwan and a member of the Taipei Art Guild. Framed with 100% archival materials and UV Plexiglas in a black lacquer frame. Framed size: 34" high x 57 1/2" wide x 2" deep (painting: 48” x 24”). Purchased in Taiwan in 1987 from the Taipei Art Guild. Jacques Decaux came to art through calligraphy, the route of the tra...

Japanese oversized limited edition sosaku hanga woodblock print on gold leaf by Tadashi Nakayama (1927-2014) titled “Armored Horse (A).” This rare early image was created from six blocks, nine colors, and nine stages of printing. The vertical image is pencil-signed “T. Nakayama,” numbered 47/65, and dated 1969 in the bottom margin. The red kanji Nakayama seal is on the back. A color illustration of this image can be found on plate 129 of “T. Nakayama” published in 1989. Paper si...

A beautiful 19th C. Chinese rose canton porcelain mug with flower birds & people scene in excellent conditions. H: 14cm $385

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves. There are small holes on every leaf to put a string to bind ...

A well made Tang dragon handle vase .The vase has two well made dragon handles with a gargoyle type face on the body of the vase with an unusual glaze. Size: H.30cm. W. 17cm.

A Rare Han Dynasty large oval glass bead in shades of very pale blue to dark sky blue. Most of the front side of the bead has developed an intriguing beige patina. There are bi-toned (dark green & light blue) curvey line designs which are imbedded in the glass surface. The light blue line is now iridescent with age. The bead has two holes in the center for stringing.

Han Dynasty .

Size: Length = 5 cm, Width = 3.6 cm

Condition: Very good.

A Japanese Mokugyo wooden temple bell, carved from kusunoki (camphor) wood in the form of a lifelike human skull. Used to accompany chants (sutras) in Taoist and Buddhist ceremonies. The base of the skull is signed "Bononshi", with matching tomobako.

Dimensions: 5 1/2" x 4 1/4" x 4 1/2" H

This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described on the box as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece, and a number of others came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often found fossilized today. The inside of the bowl is ...

Japanese Antique keyaki (em) wood isho tansu (clothing chest) from the Sendai area. Top portion of the chest has two small drawers (a rare configuration). There are 7 exterior drawers of various sizes and a safe box with a hinged door (with key) covering three small interior drawers. Hardware includes large lock plates with chrysanthemum mon and ornate pierced carved leaves.

Meiji Period (1868-1912)

Dimensions: 35" high x 46 3/4" wide x 17" deep

Antique Japanese two section clothing tansu, constructed of Kiri (paulownia) wood with hand-forged iron hardware and plates. The upper unit holds two drawers with two iron pulls each. The lock plate of each drawer overlaid with brass turtle and kiri leaves. The lower unit holds two staggered larger drawers with small safe door.

Meiji period (1868-1912)

Dimensions: 37 1/4" x 16" x 39 3/4" H

A Rare pair of Qingbai small vases, each decorated with molded incised Dragons on the waves design, and Phoenix head handles. Southern Song Dynasty in perfect condition, no any chip, no any crack and free from any restoration. Each Height : 10 cm.

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Antique Japanese choba tansu (merchant's chest) with negoro lacquer finish (distressed red and black lacquer). Made of sugi (cryptomeria) wood. This chest has 10 drawers of various sizes and a compartment opened by sliding panels with one interior shelf. Extensive iron hardware includes round lock plates and warabite shaped drawer pulls. From the Matsumoto area of Japan.

Meiji Period (1868-1912)

Dimensions: 41 1/2" high x 31 1/2" wide x 14" deep

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field. Ak...

The best one of Tobi Seiji Qingbqi glazed jar and original cover I ever had, decorated with formation of triple brown spots surrounded the body and cover. The glazed is absolutely pristine and very clean like new from the kiln site, really a gem from Chinese ceramics. Yuan Dynasty 13th-14th century in excellent condition, no any chip, no any crack and free from any restoration. Height: 6,8 cm.

A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.

This treasure was part of the exhibition "The artists who searched for Mingei".

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English st...