Exceptional antique Japanese small personal box made with beautiful keyaki (zelkova) wood burl. Two small drawers on the top, one of which is outfitted with interior lidded compartments. Below, are 3 full-width drawers of gradating depth. Patinated bronze hardware with square drawer pulls on the larger drawers and flower bud pulls on the top drawers. A matching square handle on the top for carrying...

Antique Japanese ikebana basket for flower arranging. Woven of both wide and narrow split bamboo with a gnarled root wood rim and handle. Tall and narrow with elegant natural form.

Age: Meiji Period (1868-1912)

Dimensions: 21" high x 9 1/2" wide

Antique Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history. Inscription dates the bell to Meiwa 4, 1767, during the Edo period. Commissioned by Ninomiya Juemon, village head and rest of villagers...

A rarely encountered Japanese shin hanga woodblock print titled "Fishing Boat" by Ishiwata Koitsu (1897-1987) dated in the left margin December of Showa 10 (1935). The artist's black ink signature and red circular seal are at the lower left corner of the image. This is a first edition impression bearing the Kato Junji publisher's seal in the right margin. Paper size: 10 7/8" x 15 1/2" (image size: 9 3/8" x 14 3/16"). Very good overall condition...

Antique Japanese 2-section isho tansu (chest on chest for clothing) made all of kiri (paulownia) wood. The top section has two large drawers and the bottom section has two large drawers and two small drawers on the lower right hand side. Iron hardware includes large round lock plates on the large drawers and matching small round lock plates on the small drawers.

Meiji period (1868-1912)

Dimensions: 41 1/2" high x 34" wide x 15 3/4" deep

Antique Japanese 2-section isho tansu (chest on chest for clothing), made all of kiri (paulownia) wood. Top section has two large drawers and the lower section has two large drawers and a safe box in the lower right hand side. The safe is opened by a hinged door to reveal two small interior drawers. Iron hardware with unusual daikon (radish) shaped lock plates. Lovely foliated iron corner bracing and safe door hardware...

Takahashi Shotei (Hiroaki)(1871-1945)
Title: Totsuka
Print size: Approximately 6.825 x 4.825 inches (17.4 x 11.8 cm). Dimensions without borders: 16.2 x 10.9 cm.
Publisher: Watanabe Shozaburo.
Shotei seal at upper right.
Date: Prior to the Great Kanto Earthquake of 1923, in which the original blocks were destroyed...

Araki Nobuyoshi, silver gelatine print, untitled, Signed on the back and dated ’09. Measurements: 27 x. 40 cm. Perfect condition. Nobuyoshi Araki (b. May 25, 1940) is a well known photographer and one of the most prolific Japanese artist, primarily known for his photographies that blend eroticism and bondage. His works are in Museums and private collections. Inquire for price.

Japanese Red Lacquer Sake Dish, Meiji period, Ca. 1900, 6 1/4" diameter, 1 1/2" high, representing Japanese Makie Lacquer techniques used, Gold Castle, Silver Lacquered wall, trees and Mountains with peaceful fishing boat in the lake. This Sake Dish is "as is" small chip on top, two(2) areas on the side restored, please see photos.

Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians...

Buddhist shrine, or zushi. Inside stands Jizo bosatsu, holding a wish-granting jewel (hoju no tama) in his left hand and his staff in the right. Very elaborate wooden carving with thick layers of lacquer on top of which gilding. Unusual face with down cast eyes. Metal staff with moving rings.
Height 11.2 inches (29.2 cm).
Japan, Edo period, 18th century...

It is Japanese antique Tsutsugaki yogi cotton kimono textile dyed with natural indigo Edo Period (1830-1867). The big Uchiwa (japanese washi fan) and family crest are very impressive. A Cotton is a thick hand-spun item and wonderful hand-spun cotton with a warm feel. There are indigo fading in several places. There are repair marks in several places, but overall the condition is good. It is the largest size among Tsutsugaki textile items...

This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton. It is a very nice cotton hand spun with warm hands. It is drawn with Tsutsugaki and with natural indigo dye. There are slight stains, but they are not noticeable. There is a slight rubbing mark. The state can be worn well. Length 93 cm / 36.6inch　Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F

Tsuchiya Koitsu
Nara Kofukuji
Date: 1937.
Size: Oban. Approximately 17.0 x 11.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Artist's signature and seal at lower right.
This indicates an early postwar edition.
Reference: Koitsu catalog TK-DH-44.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu (1870 - 1949)
Spring Snow at Maruyama Park
Date: 1936.
Size: Oban. Approximately 16.875 x 11.0 inches.
Publisher: Doi Hangaten with Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early postwar edition.
Koitsu catalog no. TK-DH-30
Condition: Slight fading.

Toshi Yoshida (1911-1995)
Cherry Blossoms by the Gate
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1951. Pencil-signed first edition.
Medium: Japanese woodblock print.
Condition. Excellent. Upper left margin corner bend.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints. The collector's notes will be included.

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years...

A powerful work of Shino pottery by one of the veterans of Mino ceramics. Vibrant lines of white feldspar contrast sharply with the iron rich clay and glaze to bring out this abstract depiction of field grasses swaying in the breeze...