This piece was fired in anagama for 10 days, so melted natural ashes made beautiful glass glaze. Size: 6.1cm(D) 4.8cm(H) Accessary: wooden box signed by artist.

This piece was fired in anagama for 10 days with madara glaze that is made of rice straw ashes, very refine cup. Size: 6.8cm(D) 5.2cm(H) Accessary: wooden box signed by artist.

This piece was fired in anagama for 10 days with chosen-karatsu glaze, it has very quiet atmosphere. The front is seemed a face of bird. It would be used as a pouring bowl for sake or dressing. Size: 11.5cm(length) 8.6cm(wide) 8.7cm(height)

This piece is fired in anagama for 10 days with Chosen-kararsu glaze, it is seemed a scenery of Mt. Fuji. YouTube movie: https://www.youtube.com/watch?v=Lwoe2ZzB8Gc Size: 10.1cm(D) 15.0cm(H) Accessary: wooden box signed by artist.

(After) Imanaka Soyu (1886-1959)
Pheasant
Dated August 13th, 1936.
Size: 7.5 x 5.375 inches (19 x 13.6 cm).
A cover of a menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print after a Soyu painting...

Polychrome ivory okimono depicting the study of a peeled banana, finely carved in real and natural details. Period: Meiji – Taisho, early 20th century. Dimensions: 10 x 3.5 x 2 cm. Conservation status: Excellent condition

Vase in metal and cloisonné enamel with a yellow monochrome background, decorated with three flying butterflies with the Ando Company brand. Period: Taisho 1920 ca. Dimensions: 21 x 10 cm. Conservation status: Excellent condition

A very unusual Shuchu sake server made in box-like form with an angular spout, brass handle and wooden lid accompanied by a cubic Guinomi sake cup by Bizen master potter Isezaki So enclosed in the original compartmentalized signed wooden box titled simply Bizen Kaku Shuki (Squared Sake Vessels). Both feature burnished raw red clay with a smattering of ocher colored ash and red veins of hidasuki. The cup is 5 x 5 x 5.5 cm (2 inches) tall...

Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal...

Boxwood netsuke with three opposing Noh theater masks, including Okame, Usofuchi and an Oni. Period: Edo 19th century Dimensions: 3.7 x 3.7 x 2.4 cm. Conservation status: Excellent condition

Meiji (1868-1912) Japanese Satsuma Bowl by Hiramatsu Genzan 平松元山 with Temple Heaven Scene of Gods & Figures

It is 2.4 inches (6.2 cm) tall by 6 inches (15.2 cm) wide. It is 0.7 lb.

It has rubbing of gold, stains at the bottom, and surface wears and scratches (as seen in the photos).

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An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies...

An unusual and rare Arita Chawan and cover in late 18th century Qianlong Canton high footed style decorated with an "over the wall" "guogianzhi" pattern of a four toed Chinese dragon. Its full body obscured by the rim and continued in the interior of bowl and under the dish cover. Similar patterns appear on Chinese porcelain dating from the Yongzheng period...

A pair of sometsuke underglaze blue san kaku-gata choku, three sided cups, decorated with contrasting patterns of a pair of "Dutch" figures set against a diaper brocade ground, a scene of Chinese boys, karako, one playing with a standard, the other holding a double gourd form tokkuri, and an auspicious kara hana (literally Tang flower) inset within an arabesque of kara-kusa (Tang grasses) painted in kakiwake style. This form of cup is rare and apparently only occurs with this pattern...

Small-size chagama, kettle to boil water for the tea ceremony. Tapering body made of cast iron with slightly raised relief décor of a dragon winding its body between stylized clouds and in the rain around the kettle while holding high a sacred, flaming jewel in one of its claws...

PHALLUS

As a dedicatory wood carving ‘Goshintai’ (lit. ‘Body of Kami (God)’) based on Japanese folk phallus worship, 20th century, H 38 x D 12.5-11.3 cm (14.96 x 4.92 x 4.44in)...

Antique Japanese hand-colored photograph of two beautiful young ladies in a garden. One uses a bamboo ladle to scoop water from a fountain. The other stands on the path behind her. Tall bamboo fences and manicured pants enclose the scene.

Meiji period (c. 1870)

Dimensions: Frame: 25 3/4" high x 19 1/2" wide. Image: approx. 10" high x 8" wide

Antique Japanese woodblock print of a Kabuki actor with an ornately lacquered cart, scene from play. Signed Gototei Kunisada ga. From 1811-1844 Utagawa Kunisada I (Toyokuni III) used the name Gototei Kunisada.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school. He became his apprentice, officially adopting the name Kunisada around 1807...