Up for sale is this special example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

This particular chawan (tea bowl) was made by the 12th bearer of the Raku name, Raku Kichizaemon Konyu (1857-1932), whose works are not very diversified but who created seren...

Another Kamakura (end of Heian Period 1100-1300) Yama chawan from our collection made of unglazed pottery.

This is an excavated tea bowl from the Seto area (Aichi Prefecture).

Very good antique condition and atmosphere.

Size: 2 inches height, 6.2 inches width, 6.1 inches length.

Shipping included

A museum quality koro covered in soft pink glaze decorated with chickens in raised relief surmounted with a woven silver lid by Kiyomizu Rokubei enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) diameter and in excellent condition. For a piece decorated in the same style see the collection of the Museum of Modern Art, Kyoto.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei...

A small yet resplendent Japanese four panel folding screen. In Japan, small screens are often referred to as, Hina Byobu. The view is showing a waterfall with different flora and fauna.The work has the distinct characteristics of the Kano school which was the dominant school of painting in Japan. Age: 19th century Size: Length 31.75" Height 17.75"

A fine Japanese ranma or transom with an image of a bush warbler perched on a flowering plum tree. Often bush warblers are a symbol of the coming of spring. Age: 20th century. Size: Length 73.25" Height 14.8"

Kawase Hasui
Hida Kamagatake
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933. This is a lifetime edition published between 1946 and 1957.
Publisher: Watanabe Shozaburo. Bears the red 6mm seal.
Condition: Very good. The tonal difference at the lower right corner appears to be an impression flaw, rather than a matte line.
A rarely seen Hasui image.

Something I have never seen before, a set of pillows for one couple from Shimabara, one of the oldest pleasure districts of Kyoto, enclosed in the original Kiri-wood storage box. The man’s pillow is a simple roundel of soft leather. The woman’s, made for a geisha and her elaborate coiffure, is a small tapering black lacquered box with a drawer for a hair pin, to the top of which is secured a brocade pillow with a silk chord...

A tetsu-yu chawan by greatest Kanjiro Kawai with signed box.

Mint, no cracks or repairs.

Size: 8,6 cm height, 13,1 cm diameter.

No ceramic artist of the Showa approached Kanjiro Kawai (1890-1966) for creativity and artisanship. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

Takeji Asano
Moon light in Wakanoura, Wakayama
Date: 1952. This edition is later.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Unsodo.
Condition: Excellent. No flaws.

Lovely black lacquer Japanese vase with 2 crickets. On the back side is a red dot (2 gold dots are on the front), a very interesting and subtle design element. Note in the photos, there is some minor chipping around base. Measures: 8.5" high, 4.25" across shoulder.

Japanese red lacquer on wood and brocaded Silk Obi Fabric top Folding Stand, 17 1/2" high, 18" wide, 14 1/2" deep-maximum(when opened), and 24" high, 14 1/2" deep(when closed), later part of Meiji period early 1900's, silk fabric has no open seam, all one(1) piece of silk Obi fabric, woven for this stand when it was made. The eight(8) metal caps have impressed design. There are some dull lacquer area from the usage but no damage.

Lovely lacquerware inro, decorated with fish an seashells. With a coral ojime and a carved cinnabar lacquer netsuke. Meiji period (1868-1912). Signed at the bottom. Measurements: the inro 6x5,5 cm, the netsuke 3x2 cm.

Antique Japanese Boxwood Persimmon and Chestnut Netsuke, these edible objects arranged together are the charming symbols of the fall season. This bibelot has a softly rubbed and smoothed surface and it's himatoshi has unequally sized holes. Size 1.25"High x 1.25" Wide, Edo Period, circa pre 1850s.

An antique Japanese bronze water pot or ewer decorated and shaped in the style emulating Chinese Shang dynasty bronzes. The tripod leg often is referring to the ding where it was thought that these vessels were used to serve wine. Has a Kanji charactor on base that can be translated to men "to offer". Age: Meiji Period Size: Diameter 11.5" Height 13.5"

A Japanese iron garden lantern often referred to as a toro. Often these lanterns are placed within a garden setting to guide guests towards a tea house or an entrance to a building. The iron lantern contains a short inscription with the date when the piece was made (first year of Taisho, 1912) and that the lantern was made by Yojiro. Age: Taisho Period Size: Height 19" Diameter: 18.5"

Simple yet refined Japanese patinated bronze vase. The mouth of the vase is cut in a way that appears like a flower in full bloom. The vase contains a signature by an artist named Seifu. The vase comes with a wooden stand. Age: Showa Period Size:Height 13.5" Diameter 9.5"

A turquoise biscuit-glazed stoneware, or possibly porcelain, Okinomo of a tiger made in Japan in the late Edo period (1600-1868). ...

Running up to the end of our 60s and 70s ceramics, here is a great piece by a student of Yagi Kazuo, Yoshitake Hiromu (Hiroshi) enclosed in the original signed wooden box and dating from the late 60s or early 70s encapsulating the feeling of rage against conformity then rupturing the Japanese ceramic world. It is 6 x 14 x 16 inches (15 x 35 x 40 cm) and is in fine condition. Due to size and weight the cost of shipping will be accrued separately for this piece...