Hemp cloth for child's ceremonial kimono with katazome (stencil-resist-dye) and hand-painting, the technique is called Kata-Yuzen. The weft and warp are hand plied. Both long cloths have cuts in the center for the neck and front cloth is narrower than back cloth. Generally, in good condition except for a bit of color fading. 19th century. Two short pieces, W:35.6cm, L:49cm, A short piece, W:35cm x 134cm, Two long pieces for a body part, W:35cm &27.5cm, L:236cm

Woman's juban (under kimono) made of recycled cloth such as hand-spun cotton with Hinode shibori, which is vegetable indigo dye for the lower part, and cotton with katazome, for the top part. The first half of the 20th century. In excellent condition except for a few light stains in the white cotton lining. 124cm x 126cm

Hanten work wear (noragi( made of hemp, both warps and wefts are hand-plied. Sleeves are tsutsusode (tubular shape). In excellent condition except for a mending (5mm) The first half of the 20th century. 120cm x 61cm

Kataginu, a top part of kamishimo which is a formal wear of samurai, worn over summer kimono. It is made of hemp and vegetable indigo dye. The weaving technique is "mojiri-ori" (warp crossing). Family crest design is faded but in good condition. 19th century. 66cm x 66cm

A fisherman's work wear hand-woven of hemp for both wefts and warps. Both natural color and indigo stripes are hemp yarn, which are hand plied. It is from Tsushima in Nagasaki prefecture, an island located between Korean Peninsula and north Kyushu, and the textile is called Tsushima-asa. It had been woven till 1930s, but haven't been woven since then, so it is precious, especially in this excellent condition one. The first half of the 20th century, 110cm x 116cm

This is a japanese antique indigo dye kasuri hemp kimono.It is in very good condition with no stains or damage.Size: Length: 143cm (56.2inch) Sleeve to Sleeve 122cm (48inch)

This is yosegire Patchwork silk katazome kimono textile in Edo period(1603-1867). All are originals from the Edo period. There are four kinds of itajime-katazome, and seven kinds of katazome is included. The part of the sleeve is yuzen-dye that is drawn by the hand and dyed. The lower side is stripes of the silk in Edo period.The lining is red silk and has discoloration. There are no damage on the surface...

This is a Japanese antique indigo stencil dyed thick cotton kimono from the Meiji period (1868-1912) with a rare weave. It is a very beautiful indigo stencil dyeing. There is a thin stain. It has one small hole, but is in very good condition. Made from hand-spun cotton and naturally dyed. Size: Length 140cm (55.1inch) Sleeve to sleeve: 123cm ( 48.4inch) Box.2

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition...

Sakiori sodenashi (vest) handwoven of strips recycled from old cotton cloth for wefts, and hemp yarn for warps. Sakiori hanten and sodenashi were made mainly in districts along the Japan Sea of the mainland, where they have much snow and cold climate in winter. Piping cloth is indigo dye cotton. In excellent condition. The first half of the 20th century. W:49cm, L:86cm

This is a tsutsugaki silk children's kimono from the Edo period. It is a simple and auspicious design of treasure. No stains. There is one small 1mm hole on the back, but it is not noticeable. This is a hitoe kimono with no lining. size:: Length :110cm / 43.3" Cuff to cuff, across the back: 108cm / 42.5"

This is a tsutsugaki yuzen dye silk children's kimono from the Edo period.(1800-1867) The design of beautiful cherry blossom trees and herds of horses is gorgeous, elegant and lively. It can be seen that the influence of samurai culture remains strong. There is a light stain, but it is not noticeable. No damage. It is an item that can be recommended for collection. Size Length 103cm Cuff to cuff, across the back: 87cm

This is a a japanese antique edo Period Tsutsugaki Children's Silk Kimono of a large herd of frolicking horses. A children's kimono made in the Edo period to celebrate the men's festival of wealthy merchant families. A herd of horses with various patterns is strongly expressed in ink with Tsutsugaki for children's wear, Movement is brisk.There is a light stain, but it is not noticeable. No damage, very good condition. 　Size ::length 79cm (31.1inch) /sleeve to sleeve width 78cm(30.7inch)

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...

Chirimen (crepe) silk kimono imprinted with Okinawa bingata design of irregular bands of flowers and plants of the seasons, in roundels, on waves, on vines etc. The outlines and basic forms are in brown, ochre and brown-red, while the flowers and leaves are colored in the red, yellow, green, and purple. Along the bottom is a band of stylized waves in red and brown.

On the inside white silk or rayon lining in top half...

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition...

A silk fukuro obi sash. In jacquard weave with 2 hues of gold-thread and red, green, yellow and brown silk. Clematis meandering upwards against a yellow-golden background, partially obscured by copper-golden stylized flower shapes.

The back of the obi is plain cream-colored silk, as is about 1.5 meters on the front, which would be invisible when wrapped around the body. The last 16.5 inches of the obi seamlessly fit onto the rest of the design.

Japan, Showa era, ca...

A silk fukuro obi sash. On a background of woven gold-thread and cream-colored silk is a repeating diamond-shaped pattern of stylized flowers and feathers in gold-thread brocade and brightly colored silk (orange, yellow, green, blue, red and white).

Woven-in manufacture mark turned inside and obscured by the seam.

Japan, Showa era, ca. 1960s-1990s

L 169 x W 11.75 in. (ca...