TORSO JAR

Shigaraki stoneware jar with its neck removed, Japan, 20th century. Approx. D 33 × H 30 cm (13 × 11.8 in)...

1920's Japanese Celadon Shishi Okimono Marked Makuzu Kozan

It is 5.1 inches (13 cm) tall by 6.3 inches (16 cm) wide. It is 1.7 lb.

It has surface wears (as seen in the photos).

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This exceptional bowl exemplifies the celebrated nigoshide body perfected by Kakiemon workshops during the height of Arita production. The milky, almost translucent white ground—likened to freshly polished rice—provides a brilliant canvas for the delicate overglaze enamel decoration. Around the exterior are finely balanced sprays of seasonal blooms rendered in the distinctive Kakiemon palette of soft iron-red, turquoise, and blue, interspersed with small fluttering butterflies...

With awards too numerous to mention, Yanagihara (b. 1934) is still producing masterpieces into his 9th decade. The piece seen here is from a series he did in the 70’s known as “Kin-gin-sai” noted for its incorporation of silver and lustrous glazes. Not only an artist but an academic, Yanagihara spent several years lecturing in the US on the west coast where he organized a number of exhibitions of his work...

A rare and striking Kyomizu koro masterfully modeled as a samurai’s kabuto helmet. Rendered in rich tones of deep cobalt blue and celadon green. The boldly sculpted form captures the elegant curves and formidable presence of traditional Japanese armor. A finely detailed frontal maedate crest and sweeping fukigaeshi flaps. The high-gloss glaze exhibits subtle variations in tone, pooling in the incised lines to emphasize the ribbed dome and decorative motifs...

A finely modeled pottery ox from the Han Dynasty (206 BC – 220 AD), standing four-square with its head slightly raised and mouth open in a lifelike expression. The figure is crafted with a strong, rounded body, carefully detailed horns curving upward, and incised lines defining the muzzle and facial features...

An architectural form incised and inlayed with colored clay by Kishi Eiko enclosed in the original signed wooden box titled Saiseki Zogan-ki. It is 32 x 25.5 x 19.5 cm (13 x 10 x 8 inches) and in perfect condition.
Kishi Eiko (b. 1948, Nara, Japan) is a contemporary ceramic artist renowned for her saiseki-zōgan (“colored stone inlay”) technique, in which pigmented clay is meticulously carved and inlaid to create intricate, mosaic-like surfaces...

There is a lot of drama and tension between the various facets of this ash encrusted Shigaraki outcrop by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Mentori Hanaire. (Faceted Vase). Every angle offers a unique view, texture, glazing, form, a vase which you can never grow tired of. I see it with an angular branch of plum blossoms, or perhaps Nandina loaded with red berries. It is 30 cm (12 inches) tall and in excellent condition, directly from the artist...

A striking square-form Imari porcelain kōro from the late Edo period, masterfully executed in vibrant underglaze blue, iron red, gilt, and enamels...

Crafted from locally sourced Bizen clay, this Edo period vase features an engraving of the jolly gift-giver, Hotei. Said to be based on a historical Chinese Zen monk (Budai) who lived around the 10th century, Hotei is one of the 7 lucky gods of Japanese folklore. Known for symbolizing generosity, abundance, and good fortune; the placing of his image on a work such as this implies that sharing sake with this flask will bring those who imbibe good fortune and camaraderie...

A turquoise gem clings tremulously between shell impressions in the oxidized ash which has solidified in rivulets of ocher and pale green on this finger scored maccha tea bowl by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Chawan. The bowl is spectacular, the azurite bead a very unusual affect. It is 12.5 x 12 x 9.5 cm (roughly 5 inches diameter, 4 inches tall) and in perfect condition, directly from the artist this year...

LAUGHING DAIKOKU

Pottery figure of Daikokuten (or Daikoku), the Japanese god of wealth and prosperity. Early 20th century...

An exemplary museum quality work covered in thick, foamy colors by Kodai Ujiie enclosed in the original signed wooden box titled Urushi Kannyu-sai Hakuyu Ōtsubo (Lacquer penetration color, white glaze, large vase). It is 46 cm (18 inches) diameter, 42 cm (17 inches) tall and in excellent condition.
Due to size the cost of shipping will be accrued separately.
Kodai Ujiie was born in Sendai, Miyagi Prefecture in 1990, and graduated advanced studies at the Tohoku University of Art an...

A fabulous image of two long beaked birds huddling together by Miyagawa (Makuzu) Kozan enclosed in the original singed wooden box titled Hakuto Soro (Two White Ceramic Herons). It is 12 x 9 x 10.5 cm (5 x 3-3/4 x 4 inches) and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head of the Kyoto pottery family Miyagawa Chozo. The Kozan (Makuzu) kiln as we kn...

A signature shape by Takauchi Shugo enclosed in the original signed wooden box titled Tetsu-e Oribe Te-Oke Hanaire. It is 15 x 17 x 46 cm (6 x 7 x 18 inches) and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937, opening his kiln in Mashiko at the age of 31. He has exhibited at the Nihon Dento Kogeiten National Traditional Crafts Exhibition, Nihon Togeiten National Ceramics Exhibition and as well as Gendai Nihon Togeiten National Modern Ceramics Exhibition in addition to in...

A superb set of five shallow Nabeshima porcelain bowls from the late Edo period. Each bowl is finely crafted high-fired porcelain and meticulously decorated in vibrant colors. Use of color as seen on these pieces is quite rare for late Edo period Nabeshima. Each bowl features a graceful Ho-o, a mythical bird symbolizing imperial virtue, rebirth, and harmony, rendered with exquisite detail in rich shades of red and blue. The Ho-o soars amidst stylized cloud forms, delicately brushed in soft and...

Edo Period Ca. 1860 Shigaraki tea leaf storage jar. Wood fired in anagama kiln in Shigaraki, the primary storage and transport source for Uji produced tea leaves at the time. Rich patina. Great condition.19" high x 15" in diameter. Ask for shipping quote.

A finely crafted incense burner in the shape of a cricket cage with a bound bamboo handle covered in flowering vines, the sides pierced with hexagonal lattice designs. It contains a brass insert with a silvered brass lid pierced and engraved with smoke clouds. It comes enclosed in a period wooden box titled Ko-Satsuma Mushi-kago Koro. Inside it is dated 1935 after a long inscription detailing its receipt as a gift. It is 10 cm (4 inches) diameter, 20 cm (8 inches) tall and in excellent conditio...