A sheer porcelain Koro in the shape of a goose dating from the later 19th to early 20th centuries, (Meiji-Taisho period and hailing from the porcelain kilns of Kyushu. It is 23.5 x 14.5 x 21 cm (9-1/2 x 5-3/4 x 8-1/4 inches) and in excellent condition, enclosed in an old wooden storage box titled Mizutori Koro.

An elegant squared bowl in pale glaze decorated with iron florals by Kitaoji Rosanjin made for his Hoshigaoka restaurant enclosed in the original wooden box titled E-Seto Hachi and bearing the Hoshigaoka stamp inside. It is 19.5 x 19 x 7.5 cm (8 x 7-1/2 x 3 inches) and is in excellent condition...

1960's Japanese Imaemon XIII Nabeshima Ware Plate 今泉今右衛門 十三代

It is 1.8 inches (4.5 cm) tall by 12 inches (30.5 cm) wide. It is 2.8 lb.

It has surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A huge flower basin in rich copper green torn from the earth by legendary Takauchi Shugo enclosed in the original signed wooden box titled Oribe Tetsuki Hachi. It is 38 x 32.5 x 34 cm (15 x 13 x 13-1/2 inches) and is in excellent condition.
Due to size the cost of shipping will be accrued separately.
Takauchi Shugo was born in Tokyo in 1937, opening his kiln in Mashiko at the age of 31...

A bold architectural form in pale white by Kiyomizu Rokubei VIII enclosed in the original signed wooden box titled Kihaku-yu Kokusen Koro. It is 20 x 23 x 17.5 cm and in excellent condition.
Kiyomizu Masahiro was born in Kyoto in 1954son of the sculptor and future 7th head of the Kiyomizu family Kyūbei (at that time known as Hiroshi). Masahiro graduated with a degree in Architecture from the prestigious Waseda University in 1979...

LUCKY TEA KETTLE TANUKI

A unique and charming vintage pottery okimono of a tanuki (raccoon dog) emerging from a whimsical tea kettle. Shōwa period, 20th century, Japan. Approx. 35 × 32 × H 31 cm (13.8 × 12.6 × 12.2 in). References the Japanese folktale 'Bunbuku Chagama', in which a rescued tanuki transforms into a tea kettle and brings great fortune to its benefactor...

DOUBLE TANUKI JAR

Shigaraki stoneware jar featuring lovely faces of a couple of tanuki (raccoon dogs) in high relief. Showa period, 20th century, Japan. Approx. H 36 × D 30–32 cm (14.2 × 11.8–12.6 in)...

This is beautiful example of a middle (Genroku/Enpo) Edo period Kakiemon porcelain plate, displays the characteristic aesthetic elements that made this Japanese ceramic tradition so renowned.

Delicately potted with a gently lobed rim, this plate is decorated in the refined Kakiemon palette on a luminous nigoshide body. The central motif depicts a vividly painted butterfly in soft cobalt and turquoise, hovering above a flowering branch in iron red and green enamel...

Crossed “Fence” patterns are scored about the shoulder of this ash encrusted vase by Kishino Kan enclosed in the original signed wooden box titled Iga Yakishime Higakimon Uzukumaru Tsubo. It is 11 cm (4-1/2 inches9 diameter 13.5 cm 5-1/2 inches) tall and in excellent condition.
Kishino Kan was born in Kyoto in 1975, and after graduating art school apprenticed under Fukumori Masatake at the Doraku Kiln in Mie in 1994. He established his own kiln in 2004 in Iga city...

A squat, eroded form covered in a horrendous blast of natural ash glaze y Kishino Kan enclosed in the original signed wooden box titled Iga Yakishime Uzukumaru Tsubo. It is 12 cm (5 inches) diameter, 11.5 cm (4-12 inches) tall and in excellent condition.
Kishino Kan was born in Kyoto in 1975, and after graduating art school apprenticed under Fukumori Masatake at the Doraku Kiln in Mie in 1994. He established his own kiln in 2004 in Iga city...

A new radical cup deeply scored by the fingers of Murakoshi Takuma as he raised it on the wheel, half covered in murky green enclosed in the original signed wooden box titled Haiyu Shochu Nomi. Truly a wonderful work with so much texture and variation in color it is a pleasure to both hold and view. It is 13 x 12.5 x 10.5 cm (5 x 5 4 inches) and is in excellent condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...

A spawn cluster of embryonic spheres in galactic reds tinged with blue by Konno Yusuke enclosed in the original signed wooden box titled Yosei (Larva). The colony of globular orbs masses together, not dead, not alive—just potential thickening; seeds of something quietly multiplying, as if the universe itself began to brood… Each hollow sphere is created uniquely, joined together with a tiny shared pinhole, allowing the superheated oxygen to exchange inside the kiln without bursting...

This teapot exemplifies the refined craftsmanship of the Mikawachi kilns in Hirado, which were renowned for producing porcelain of exceptional whiteness and delicacy. The globular body rises gracefully from a recessed foot, its pure, luminous white porcelain providing the perfect ground for both painted and applied decoration.

The domed lid and shoulders bear applied chrysanthemum blossoms (kiku), each carefully modeled with radiating petals and accented with cobalt blue, accompanied ...

A pair of Japanese Arita porcelain vases, hexagonal in truncated-pyramid form, decorated with refined naturalistic and geometric motifs. The surface features the vivid palette characteristic of the Imari tradition: white, blue, red, and precious gilt details. On the underside appears the mark of the renowned Fukagawa workshop, among the most celebrated producers of Arita porcelain. Period: Meiji, late 19th century Dimensions: 15 × 10.5 × 9 cm Condition: Excellent condition, with minor ...

An architectural form incised and inlayed with colored clay by Kishi Eiko enclosed in the original signed wooden box titled Saiseki Zogan-ki. It is 16.5 x 19 x 9 cm (6-1/2 x 7-1/2 x 3-1/2 inches) and in perfect condition.
Kishi Eiko (b. 1948, Nara, Japan) is a contemporary ceramic artist renowned for her saiseki-zōgan (“colored stone inlay”) technique, in which pigmented clay is meticulously carved and inlaid to create intricate, mosaic-like surfaces. Educated at Kyoto Seika Universit...

BLUE-AND-WHITE SWIRLING LARGE BOWL

Possibly a scarce example of old Hirashimizu ware from the Yamagata area (or at least a rare local mingei folk pottery bowl from elsewhere in the Tōhoku region, Japan), featuring unusual auspicious motifs of nejiri (swirling design) and shimenawa (Shintō ritual twisted-rope pattern). Early–mid 20th century. Approx. 31 × 12 cm (12.2 × 4.7 in). Age-related wear, firing marks, and aesthetic imperfections, as shown in the ph...

A large basin inlayed with a haunting white bloom by Wada Morihiro enclosed in the original signed wooden box titled Tsukihana-mon Hachi. Tsukihana is a metaphor for elegant and refined things or something one prizes, delights in, or cherishes.The bowl dates rom early in his career. It is 31.5 cm (12-1/2 inches) diameter, 5.6 cm (just over 2 inches) tall and in excellent condition.
Wada Morihiro (1944-2008) was born in Hyogo prefecture and apprenticed under Kyotos Tomimoto Kenkichi before...

TORSO JAR

Shigaraki stoneware jar with its neck removed, Japan, 20th century. Approx. D 33 × H 30 cm (13 × 11.8 in). Natural kiln marks and age-related wear, as seen.


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. T...