This is hand painted imari plate 7 7/8 in diameter is in very good condition with no damage. It has nice hand painted work from Edo 18 th century Mark to the bottom If you have any question please let me know

This is beautiful hand painted Japanese nippon Noritake box 1 3/4 in height 2 3/4 in diameter is in very good condition with no damage Only some age wear and green color wear otherwise no hair line chip or repair. Old Nippon mark to the bottom If you have any question please let me know Shipping cost will provide with your shipping address Thank you

A Pair of Kutani Vases. Each decorated with a scene of a figure and two attendants on a terrace. The reverse with floral panels on a red ground. Nine character mark to base. Meiji period 19/20thC Height; 13.2 cm; Condition; excellent

This is beautiful Japanese Satsuma koro stand 4 1/4 in height 5 2/4 in diameter is in very good condition with No damage. No hair line chip or damage.only some old age gold wear The koro has master hand painted work use a lot of gold with very fine detail If you have question please let me know Only PayPal payment use Shipping cost will provide with your shipping address Thank you

This is beautiful Japanese Satsuma incense koro 5 2/4 iin diameter x 4 1/4in height ; The koro has master hand painted work with a lot of gold.condition I’d very fine only has age gild wear no chip or repair.if you have any question please email Thank you

HIDA HIDA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Hida Hida’ is a perticular Japanese onomatopoeia and would be somehow translated to “So frilled” in English. H 4 x W 10.5 x D 12cm (1.57 x 4.13 x 4.72in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully...

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 17.5 x W 17.5 x D 17.5cm (6.88 x 6.88 x 6.88in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully...

A voluminous Tsubo decorated with autumn grasses scored into the clay with a gold moon rising up behind on the tarnished silver glaze, a spectacular combination by veteran Karatsu potter Nakazato Yoshitaka enclosed in the original signed wooden box titled Ginsai Tataki Tsubo. It is 33.5 cm (13 inches) diameter and in excellent condition. Nakazato Yoshitaka was born in 1958, a descendant of the famous Nakazato Tarouemon family of Karatsu...

Blue and white Hirado porcelain reticulated incense burner (kôro). Handles in the shape of komainu lion-guardians (also called shishi in Chinese) and blue geometric foliage decoration.

Hirado porcelain (平戸焼, hirado-yaki) is made in Mikawachi, Nagasaki prefecture (it is also known as Mikawachi-yaki). Its names come from the former Hirado feudal estate...

The size of Vase: 7 1/2" High x 5 1/8" Wide x 3" Deep
Top 1 1/2" x 1 3/8". Bottom 2 3/8” x 2 1/8”
This is very lovely Japanese Porcelain Vase in the shape of square vase. The decoration are all under glazing in blue Sometsuke as well as iron Work. Front and back has flower design in the center. Top are with crescent like White area design. All works done in Hakeme (brush) work. It is well excuting Hakeme works...

Small octagonal hard porcelain vase. Decor enamelled with a landscape fenced with hedges of dry branches, there are a prunus, a pine and on the ground young bamboo shoots which would signify the symbolic presence of the "three friends", on the collar is represented a Ho-ho (phoenix) which in Japan symbolizes the Empress. Some details are gold. The style is kakiemon but this small vase is atypical. It is difficult to date and also to locate with precision...

The size of Shigaraki Vase: 13 3/4" High x 9 5/8" Dia 350 mm x 245 mm
This is very old and rare Japanese Shigaraki Vase from Early Edo (Edo Zenki) 17th Century. Please see the history of Shigaraki and what is Shigaraki at separate paragraph. The condition of Vase, please note there are two Kizu (damage spot) at the top rim area as photo showing.The lower body of line indentation is Hera (spatula) marking.and Kama kizu (kiln flaw). Otherwise great shape for the age from 17th century...

A classic angular silhouette in vivid Oribe coloration pierced by a jagged handle by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Te-oke. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook...

An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family.
Furutani Taketoshi was born the son of ...

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers. The small building on stilts se...

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect. The style and quality are th...