Japanese Satsuma Signed "Hakuzan" Earthenware Dragon and Rankan decorated Cup and Saucer, Ca. 1920, Cup-4 3/8" wide include handle and 1 3/4" high, Saucer-5 3/8" diameter, small bruise and hairline on top rim about 1/4" wide, condition of the saucer is good.

A large sometsuke style bowl of auspicious Yuanbao form imitating the form of a boat shaped gold ingot decorated in underglaze blue with an elaborate lappet border to the base incorporating Pomegranate and Lotus motifs and a variety of geometric and contrasting karakusa patterns to the narrow border to the rim, repeated both to the interior and the exterior...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

A Hirado ware porcelain figure of a kirin (in Chinese, qilin). The mythical creature is part lion with the body of a dragon and the hooves of a deer. It represents good fortune, protection, prosperity, longevity and fertility. The recumbent kirin figure is executed with masterful attention to detail and form.

Meiji Period (1868 - 1912)

Dimensions: 5 1/2" x 1 3/4" x 3 1/2"

A dish of moulded octagonal form with vertical raised edges decorated with a Peony leaf scrolling arabesque ground inset with shaped reserves containing auspicious Dragons and Chinese lions. The rim decorated with a stylised wave border with alternating pairs of claw waves and, gobenka, five petal flowers placed in the corners both to the interior and the exterior of the rim...

A good Nabeshima dish from the Nabeshima clan’s Okawachi kiln of oval boat shaped form, perhaps inspired by the boat shaped ingots, sychee or yuanbao, and decorated with an auspicious pattern of a pair of Goldfish swimming amongst water weeds. This particular pattern and shape belongs to a group of wares that were approved by the Shogun Ieharu in 1774 and were produced throughout the late Edo period for the consumption of the Shogunate. (See Nabeshima Porcelain for the Shogunate)...

A shell shaped swirling form by young female artist Takatsu Mio enclosed in the original signed wooden box. It is 6-1/2 inches (16.5cm)wide, roughly 7 inches (18cm) tall and in excellent condition.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited works were in 1999, and then again in Tokyo in 2001...

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

Four(4) Japanese Imari Porcelain Soba Noodle Cups, Ca. mid 1800's, late Edo or early Meiji period, 3 1/8" diameter-cup top rim, 2 5/8" high, decorated Lotus, Peony and other floral design on the Rock garden, in underglaze Blue and White plus some red, green used, highlighted with Gold touch. Two(2) hairline on the glaze, one(1) bruise about 1/4" long, one(1) cup is in good condition. this lot is same decoration as lot #3A13.

Six(6) Japanese Imari Porcelain Soba Noodle Cups, Ca. mid 1800's, late Edo or Early Meiji period, 2 3/8" diameter-top rim, 1 3/4" high, decorated with blue and white and some green and red, Lotus, Peony and some other floral and foliage in the Rock Garden. One(1) glaze hairline on the cup, outside only, not inside, two(2) or three(3) frits on the rim of the cup.

Wow! Is what comes to mind the first time you see this daring silver glazed organic Kake Hana-ire by Okumura Hiromi. The clay folds about onto itself, forming a seed-like pod, with an opening in the top and wings extending out both sides. A wire loop is affixed to the back for wall hanging. A signed and stamped wooden plackard by the artist accompanies the piece. It is 11 x 14 x 5 inches (28 x 36 x 13 cm) and is in fine condition...

An exquisite vase decorated with crashing waves and plovers in blue by Seifu Yohei dating from the Taisho era. It is 12 inches (31 cm) tall and in excellent condition. Quite large for a work by Seifu, it is marked on the base with an incised signature...

Japanese “Gosho Ningyo” doll of a plump male child in a kneeling position holding a colorfully painted rooster in his right arm. The boy is wearing a fabric bib with painted designs that has 2 ties in the back. He wears a black crinkled eboshi hat that’s secured by a thin rope that is tied in a bow under the chin. The eyes, eyebrows, and hair accents are painted in black while the pursed lips are accented in red...

The second Living National Treasure of Mashiko. The first was his teacher Shōji Hamada.

A ash-glazed stoneware box and cover with an intaglio design of grasses filled with white slip. Shimaoka’s seal within the foot-rim.

Approximately 11.5 cm high, 10.3 diameter...

An otherworldly form from the age of Sputnick by important artist Morino Taimei exhibited at the 1959 Nitten National Art Exhibition and published in the Nittenshi (vol. 22). It is signed in romanized characters H. Morino (His given name is Hiroaki). It is roughly 12 inches (30 cm) tall, 15 inches (38 cm) diameter and in excellent condition...

Pair Japanese Blue and White Porcelain Soba Noodle Cups, Showa period, early 1900's, 3 1/8" high, 2 5/8" diameter-top rim, with transfered blue design on white, signed on the bottom. The condition is good, some missed glaze spots on the rim.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height