A North Indian steel Katar, known as a push or punch dagger. 19th century.This form of weapon is found only in India and was considered to be a high status weapon.

Constructed from steel it is a very strong weapon. The chiseled blade widens in thickness towards the tip to strengthen it when used against chain mail or armour...

A North Indian steel Katar, known as a push or punch dagger. 19th century.This form of weapon is found only in India and was considered to be a high status weapon.

Constructed from steel in one piece it is a very strong weapon. The deeply fullered blade widens in depth towards the tip to strengthen it when used against chain mail or armour.

Just over 40cm length, the blade is 24cm (and sharp!) Good condition. It has an old armourer’s brazed repair to one arm...

Antique Himalayan tall yak butter lamp. Made of hand hammered copper with gilt bronze applied details depicting Buddhist auspicious symbols. The butter would have melted and burned for a measured amount of time depending on the size and the amount in the lamp. A small hole in the bottom of the cup would have held a sort of wick to provide a long lasting light. Overall repouse details are in great detail. Original patina...

Bhutanese colorful Bamboo Bangchung covered Food Basket, 8 3/4" diameter, 3 1/2" high include top cover, hand woven colored Bamboo, yak skin pull or handle is attached to bottom basket on the side to pull open, usually this type of baskets closes very tight to store food, leather handle on the side is helpful to open top and bottom apart. The condition is good.

The expression of Sakyamuni is beautiful and serene. Clearly carved by a master artist. The image is made of one single piece of precious, dark purplish zitan wood. These type of wood images were made of different parts and assembled ( it can be seen by the holes where the various parts would have been stacked together ). Unfortunately the arms and lower part of the body has been lost but it is still a very charming piece! Fixed on a newer hardwood stand. Tibet, 16–17th cent...

Tibetan thangka depicting Amitayus, the Buddha of Longevity, seated cross-legged on a variegated lotus throne with hands in the lap in dhyana mudra holding the pot of amṛta, the nectar of immortality. A halo surrounded by flowers is behind the figure and green mountains and water are in the background...

An exceptionally detailed, well cast bronze devotional lamp ("Sukunda") depicting Ganesh (Ganesha)flanked by two lions, seated underneath a seven-headed cobra whose sinuous back proceeds down the lamp and is integrated into the handle, which is surmounted by a kneeling figure, possibly the devotee who commissioned the piece. In exceptional original condition. The piece stands some 12-3/4" in height and is quite heavy. A beautiful and substantial devotional item.

Tibetan hand made Hard Silver Bangle Bracelet, mid 1900's, 2 5/8" wide, 1" high, 1 1/2" wide opening, with raised Tibetan Script on top of the Filigree design.

Turkish Tribal Wool Runner, mid 1900's, 8'6" long, 2'4" wide, hand made wool and cotton web. The condition is very good.

Turkmenistan Tekke Bokhara Trible Rug, Before 1910, approximately 6' x 4', all wool hand knotted and flat weave like kilim, beautiful tiny Tekke Bokhara designs throughout the entire rug, the tiny knots are so fine and exact, back side is almost like front, all 4 side edges are in good condition, no worn spots anywhere and very clean.

An antique bronze Yama Dharmaraja. Yama Dharmaraja is an emanation of Manjushri and is a Tantric Buddhist deity and a protector deity. The name means 'Lord of Death, King of the Law. Dharma is the law of cause and effect (karma).

Date: 18th Century (early to mid 1700's)

Dimensions: 6.5" tall X 5" wide X 2" deep

Tibetan Repousee raised Silver on Burlwood Tea Bowl, Tsampa Tea Bowl, Ca. early 1900, 4 3/8" diameter-top rim, 2 5/8" high, 2 1/2" diameter-bottom rim, smooth silver lining over the top of the Burlwood rim, raised intricate hand hammered design on the side, continue on with intricate silver work over the high raised foot, and cover the entire sunken bottom with large Silver Conch Shell. This is high quality Tea Bowl, the condition is good.

Large mezzotint on thick paper showing Muhammad Ali Khan Nawab of Arcot and the Carnatic. 1771, published 1772. Size 63x40cm. This print was made after an oil painting by Francis Swain Ward of 1763. Pencil annotations at base. Crease upper right side, small margin tears. Can be viewed in central London and shipped worldwide. See the example in the Royal Collection Trust ref number RCIN 618757. That was recently exhibited at The Queens Gallery, London

Tibetan Himalayan Shigatze Wool Rug with two(2) Dragons chasing Flame in cream color 100% wool on cotton backing, bordered with wide floral branches in the separate Cartouches, thick heavy weight, 72"(6') x 36"(3'), owner purchased in Shigatze in Tibet around 1980. Cloth label in the back and in good condition.

Himalayan Metal Chop with Brass Conch Shell Buddhist symbol inlaid, early 1900's, 1 3/4" high, 1/2" diameter-bottom, steel inlaid star design on the bottom, two(2) holes on the side mid section for the rope carrying on their belt. Some rust remain on the metal area.

An antique Nepalo-Tibetan White Tara cast in bronze with gold gilt and a ruby stone mounted on the crown. White Tara is seen as a protective deity. This is a fragment to a large shrine which included a Green Tara, central Buddha and White Tara.

Date: 18th C

Dimensions: 8.75"

Strand of “drum” shaped white glass beads from the Nyishi ethnic group of Aranchal Pradesh, north east India, strung on hand made hemp cord. These are old beads and will date them conservatively pre 1950, please note the two round shaped beads are Chinese “Peking” glass beads 19th century. A few have chips but 90% are in excellent condition. Total length 68cm/27in, please note these are all the same size, individually: D: 8mm- L: 6mm ea

A rare Jain Indian sandstone Stele with carved image of the 11 Jain disciples from the Gujarat or Rajasthan regions. Seated figures of Jain teachers are always sculpted with hands folded in meditation. Thie central Mahavira Swami has an auspicious diamond-shaped mark on his chest. The Swami is seated on a lotus with a halo above his head. Underneath the Swami are two mythological lions...