Archaic Chinese round jade carving, dated from the Warring States Period (475 - 221 BC), with a white calcification covering the entire surface which is known as "chicken bone". This white calcification is due to the jade being burned in very ancient rituals revolving around life and death. Both sides of the jade are carved with archaic spiral patterns and two single rings...

Archaic Chinese round jade carving, dated from the Warring States Period (475 - 221 BC), with a white calcification covering the entire surface which is known as "chicken bone". This white calcification is due to the jade being burned in very ancient rituals revolving around life and death. Both sides of the jade are carved with archaic spiral patterns and two single rings...

Chinese Neolithic jade carving, dated of the Hongshan culture period (4700-2900 BC), in the form of a three prong wheel with strong orange coloration throughout.

Starting from about 18,000 years ago, the Neolithic Age marked the end of the Stone Age in Chinese history. During the period, great changes took place in all aspects of humans’ life. Human beings in the Neolithic Age no longer lived only on collecting foods directly from nature...

Originally this stick mand had wooden arms and silk clothing. These figures were only used for members of the imperial family and were forbidden for ordinary people. H. 58 cm. (60 cm. incl. stand). With TL-report from Ralf Kotalla.

A rare old cigarette poster advertising cigarettes showing pretty girls. These posters were used in the 1920s and 30s. Very difficult to find original posters today. Size: H:71cm W:52cm. Condition: Some repairs. See photos

A unusual yellow six sided Nonya plate with a peach and bats for good luck. Nyonya wares are over-glaze polychrome enamelled porcelains made in Jingdezhen in the Kiangsi province of China for the Straits Chinese, or Babas, whose female counterparts are called Nyonyas, hence the term Nyonya ware. Nonya wares were mainly reserved for festive occasions and special functions. Size: W. 15.2cm. Condition: No repairs or chips.

Rare Chinese Neolithic Pottery Jar (Xindian)

This rare pottery jar was made around 3,000 years ago. Although we are not certain from which Neolithic culture it originates, it does have similarities to pottery of the Xindian Culture (c. 1200 - 500 BC). It is fairly "heavily-potted" and the surface colour of the pottery varies considerably due to uneven conditions in the kiln during firing. It a has a convex base with two wide loop handles and a castellated rim...

Rare Chinese Neolithic Pottery Jar (Xindian)

This rare pottery jar was made around 3,000 years ago. Although we are not certain from which Neolithic culture it originates, it does have similarities to pottery of the Xindian Culture (c. 1200 - 500 BC). The surface colour of the pottery varies considerably due to uneven conditions in the kiln during firing. It a has a convex base with two wide loop handles and a castellated decorative band around both sides of the mouth...

Chinese green glazed pottery stove with silvery surface.

The silvery surface is also called "mercury glaze". This silvery precipitation is the result of chemical changes in the lead glaze caused by prolonged burial in the tomb. Greenware became popular during the Eastern Han period.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Measurement: Height 19.7 C.M. / Width 19 C.M...

A well done rare large carving of a stone sitting Han dog or lion. This stone dog was must probably used as a tomb guardian. Very Heavy. Size:H. 42cm -16.5 inches

A miniature neolithic pottery jar with fishnet pattern and outlined in black separated by fields of X patterns. Attached to the rim are two lug handles. Age:Hongshan Culture, 2nd half to 3rd millennium BC. Size: H. 9cm. Rim Radius 9cm. Condition: No repairs. Few chips from age.

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor repairs to the mouth rim it is in good condition. H. 13 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor chips it is in good condition. H. 22 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

Decorated woth a taotie mask at the end. Length: 18,5 cm. Condition: very good with a wonderful patina.

This rare group dates from the early Tang Dynasty. It's made of grey pottery and it has traces of painting ( see the back of the cart ). The ox is very well proprtioned and was made with an eye for detail: notice the ring in the nose and the tail curved around its body. The cart consists of three parts; the weels come off. The three pieces have been mounted on a professional stand. Dimensions: the ox : height 18 cm, length 24 cm, the cart: height 31 cm, length 23 cm, width 17 cm...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 33 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 34 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb. Please ...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 32 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought tree fat ladies that came from the same tomb. Please h...