A Chinese Zhangzhou Triple Chrysanthemum Blue and White Plate. Circa, 16th-17th Century, Ming Dynasty. Found in the Philippines. Plate decorated with encircled triple chrysanthemums at the center and its inner rim with a bordering pattern. The exterior is decorated with encircling lines. A similar example can be seen in the book 'Zhangzhou Ware found in the Philippines "Swatow" Export Ceramics from Fujian 16th-17th Century' by: Rita C. Tan, on page: 56;16. See photos provided for this r...

A Chinese White Glazed Yuhuchunping Vase with Flowers in Biscuit. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Featuring a pear shaped body rising from a short straight foot, tapering to its shoulders onto a long waisted neck and flaring out to its mouth. The vase is adorned with cloud patterns and flowers in biscuit and is covered overall in a white glaze, except for the foot-ring. Measurements: height (11.5"inches). Condition: in perfect condition. No chips, no cracks,...

A porcelain jarlet with underglaze Cobalt blue decoration. Ming Dynasty ( 1573 - 1622 ). Diameter : 6,2 cm. H.: 4,6 cm. Condition: Perfect.

A late MING blue & white SWATOW ware decorated with a phoenix in cavetto and a border with auspicious symbols. The back side also has some painted decor. It has a thick, shiny glaze and also shows some unglazed spots. The back side has some sand/grit deposit which is a typical characteristic for Swatow wares, Very good condition, no cracks, hairlines nor restorations. Size: 7.5" inches (19 cm.) diameter. ca. 1600

A Chinese Longquan Celadon Brush Washer. Circa, 15th Century, Ming Dynasty. Found in the Philippines. Dish with petalled interior walls and a bamboo exterior decoration and is covered in a grass-green colored celadon glaze. Its base has an unglazed ring. Measurements: diameter (5"inches) across. Condition: the dish has two hairline cracks. Feel free to contact me at theorientalroomph@gmail.com for further inquiries, price offers, additional photographs, or for payment and shippin...

A Chinese Blue and White High-Footed Cup. Circa, 1464-1487, Chenghua, Ming Dynasty. Found in the Philippines. Featuring a vegetal motif on its exterior and the interior is decorated with a bordered central flower head and patterns around the rim. Its base is fully glazed, except for its foot-ring. Measurements: diameter (9.4cm) across. Condition: there is a small rim frit but is overall in very good condition. No cracks, no restorations. Photos by: The Oriental Room® Feel free...

A Chinese Blue and White Miniature Guan Jar. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Its tapering body is horizontally joined in two sections with a bordering underglaze decoration of acanthus leaves running along its shoulders and panels above its foot. Its base is fully unglazed. Measurements: height (2.5"inches). Condition: in perfect condition. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, pr...

Ming Dynasty, Chongzhen period, 1628 ~ 1644.

The twelve sided dish with brown-dressed rim is decorated in enamels that appear to be an attempt to reproduce doucai wares. The decoration features a bee, a monkey, a bird and a deer in a landscape.This forms a rebus on the auspicious line ‘feng hou jue li’, “enfeoffment and emolument”.

A dish of the same design and size is included in the catalogue of the exhibition “Transitional Wares and Their Forerunners”, The Oriental...

A very rare Ming Dynasty, Chenghua period porcelain Minyao ( peoplesware )bowl with an underglaze blue Chenghua Palace bowl motif. ( 1465 - 1487 ).The design of this bowl is based on 'palace bowls' with Chenghua reign marks, of which an example in the Ataka Collection is illustrated by T. Nakano, The Panoramic Views of Chinese Patterns, Tokyo, 1985, pl. 109, and another in Selected Ceramics from the Collection of Mr. & Mrs. J. M. Hu, Shanghai, 1989, p. 52, no. 19. Two sixteenth-century examples ...

A fine and rare MING DYNASTY JARLET with craquelé light brown glaze and splashes of blue and white glaze here and there. The base is also glazed except for the resting ring on the base. Found in the MUSI RIVER, close to Palembang City, which was the Capital of the SRIVIJAYA KNGDOM and which had a vast trade network with China and Siam. Condition overall good, one inconsequential chip on the lip of the top ring. Size:height 13 cm x 13 cm. diameter at the center. Rare Collector's item!

AMIDA NYORAI

Japanese Edo-period's gold-painting of the statue of Amida Nyorai (Amitabha Tathagata) on paper (though mounted for a scroll as originally) arranged with frame recently. Frame: 39 x 54cm (15.35 x 21.25in), Paper: 16 x 35cm (6.29 x 13.77in). Some peelings, but in fine antique condition as it is.


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Chinese Amethyst semi precious stone lamp finial, 2" high, 1" x 3/4" wide, 1" high for Amethyst stone, the condition is good.

Description:
A well-modelled cat shown coiled on a circular base which surrounded by Bo-Shan(mountain ridges) with head turned and resting on its back, the tail emerging in the center and three paws together at the front.

Comparing to the pieces we’ve usually seen in obvious bronze material and was gilt on the surface, this tiger weight was calcified totally and was covered with the burial BaoJiang(the mineral coatings).
Obviously had been excavated for a long time and had been...

Description:

A metal alloyed Monk figure was heavily cast.
By well carved flouring lines on the robe, the deity was in serene mood in meditation posture.
It was preserved in very good condition with darken patina, rust surface.

A similar porcelain Ding piece of Song Dynasty can be a counterpart in the last picture.

Date: Song/Yuan periods, 12th/13th Centuries.

Height: 6.5cm, width:6cm.
Weight: 348grams.

AMERICAN HOUSE

Vintage oil painting on canvas, with idyllically rustic scenery of somewhere in the United States, by a Japanese painter, Mizukami Keiji (1915-?), October, 1950. 53 x 45 x 2 cm (20.86 x 17.71 x 0.78in). Some stains, mold, and paint-peelings due to aging as is.


selected by hotoke




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This handled American coin silver cup was made by William K. Vanderslice in San Francisco, CA, circa 1870, consisting of a simple tapered cylindrical form with rope banding around rim and base. Vanderslice was an early California silversmith, working in the mid 19th century. He became widely acclaimed for his fine silverwork. This cup is marked with his name, San Francisco, makers mark and Pure Coin. The cup measures 3 1/2" high, 4 5/8" across including handle, and weighs a little over 5 troy ou...

A highly original work by Iga potter Nakata Atsushi. The description on the box reads “Mentori Chawan” in this case “men” meaning side, or edge, and “tori” meaning to shear off, or to remove. The name describes how various surfaces of the tea bowl have been shaved off at angles to create this compelling form. As can be seen in the images above, the shaved edges are highlighted by alternating dark and light surfaces with different glazing techniques.

Born in Toyama Prefec...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...