Depicting one of the 24 Tirthankaras with his attendants. His eyes inlaid with silver or electron. Lots of wear due to extensive worshipping. Judging by the beautiful dark brown and green patina, this is an excavated piece. H. 13,5 cm (5,5 inches). Provenance: private collection The Netherlands.

Wonderful early sculpture, depicting a Chinese saint or deity. China, Ming Dynasty (1368-1644). H. 35 cm. Condition: expected age wear.

Large Qing dynasty scrolled painting on paper depicting the Bhaisajyaguru Buddha, also known as the Medicine Buddha or the Buddha of Healing, seated in the lotus position on a lotus throne holding a pearl in the left hand and making a mudra with the right hand. His robe is decorated with four-clawed dragons. A remarkably similar painting can be found in an exhibition of a private collection of Taiwanese traditional religious books and paintings on the web site of The Taiwan Institute for the Hum...

Beautiful Japanese bronze figure of a seated Jurojin, the god of wisdom and longevity. He is seated holding a fan and leans on a recumbent deer. Wonderful lines and use of color patina. Signed Tokumitsu. Taisho Period. With hardwood stand. Size: 8 1/2" high

Chinese carving of a recumbent horse with head over his shoulder, beautifully carved of very dark green jade, sitting on wooden base also carved to look like a rock. Mid 20th century. Total size with stand: 5 1/2" high x 7" long x 4" deep Size of horse only: 3 3/4" high x 6" long x 2 1/2" deep

From our Indian Subcontinent Collection, a good Kashmiri silver surahi (water flask), 19th century, of compressed globular base with elongated neck and attached stopper secured by linked silver chain, well-decorated with chased vegetal and floral designs typical for Kashmiri silversmithing of this period. Overall a very attractive example with elegant proportions and good presence.

Size and Condition: 9 1/2 inches tall, 5 1/2 inches in diameter at its widest point on base. Excellent co...

A Meiji scene of samurai preparing for battle, a noble women looking on with apprehension as a courier brings word from the battlefield. The lord fixes the knot on his helmet, preparing to rush into the fray. The scene is performed in pigment on silk, and we have had it completely re-mounted with a black frame reflecting the original style with sturdy cloth backing. Likely dating from the last decade of the 19th century, when the genre of Rekishiga was at its peak, it is stamped in the lower ...

Fine Monochrome ZEN ink painting and calligraphy depicting the serene Lord BUDDHA. Signed and with the artist's red seal on rice paper. By Monk Khemananda Bkikkhu, purchased at Gallery exhibition, Bangkok, Thailand, 1981. Size: 21 x 21 cm., sold without frame. The translation of the calligraphy reads as follows: " AM I THE BUDDHA WHO RENOUNCED THE ROYAL THRONE, MINDING MORALITY, MINDING AUSTERITY? NOT BUDDHA I AM, ONLY YOU NAMED ME SO. I PROCLAIM ALL OF YOU SHOULD BE CALLED TATHAGATA, THE THUS.....

Description:

A Longquan table screen was preserved in perfect condition.
It was heavily potted and shaped in good size and was decorated on one side with imprint of poems with real scholar taste.
Whitish incursions had happened to the glaze when body clay was revealed at the feet with applied darken brownish layers.

Date: Ming Dynasty. 15th/16th century.

Height: 14.7cm, Width: 12.3cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

In bhumisparsa mudra (calling the earth to witness). Carved in hardwood, then lacquered and gilded. H. 52 cm. Condition: wonderful original condition with expected age wear. Provenance: Dutch private collection.

A front Mandarin square dating from the second half of the 19th century. An insignia for an imperial censor, showing the white mythical beast "xiezahi" or "xiezhi" with its dragon head and single horn. Standing on a rock above deep water, the ground with auspicious emblems. Made of silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The background was probably covered by peacock feathers, rarely survived to the present days. Sewn together and lined with blue silk. Conditio...

Wonderful rare Japanese fully articulated dragon, made of silver with gold eyes, Myochin School, underside of his signed Myochin, comes with black lacquer stand, Meiji/Taisho Period. minor repair work (some pins have been replaced). Size of dragon: 31" long x 10" high

Chinese Song dynasty chrysanthemum form bowl with moulded radial grooves emanating from a circular center. The bowl is covered overall with an unusual glaze (possibly qingbai or celadon with significant burial adhesions) that stops well above the unglazed knife cut low foot. 4” diameter x 1 ½” high. Very good overall condition. The tiny areas at the rim where the glaze does not cover the body could be from the original production. This piece is from the collection of an American diplom...

This is tsutsugaki Fireman shirushi hanten coat in Edo period(1603-1867). It is very impressive hanten of the design of the dragon. The material is seems to be hand spun in thick indigo dye cotton. It is very beautiful.It is made of hand-spun and hand-woven and natural indigo dyed cotton. There is a stain. There is no damage. It is very good. size:88cm x 127cm (34.6" x 49,8")

Chinese Cinnabar Scholar Water Coupe, 19th Century

It is 1.8 inches (4.8 cm) tall by 3.1 inches (8 cm) wide. It is 0.15 Lb.

It is in good condition with no repairs, chips or cracks, except minor peeling of lacquer (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return...

Description:

A Longquan bird-feeder was in lovely size and was in shape of a lotus bud.
In favorite lake-green tint, the vessel was revealed at the bottom with rough-feel body clay.
It was preserved in very good condition with limited glaze frets happened during manufacturing or under incursions.
It was a rare piece from which some similar ones were in the collection of the Palace Museum of Beijing(see last two photos).

Southern Song/Yuan periods, 11th-13th century. <...

A small finely carved hardwood panel, with gold lacquered border, depicting a Scholar on a bridge in a mountain landscape and encased in a silver wire inlaid frame. The panel and frame were made during the reign of the Guangxu emperor (1875-1908). Condition - the frame has been crudely re-glued and would benefit from restoration； the panel itself is in excellent condition with no damages or losses. The frame - 22.3cm (8.8inches) high; 10.6cm (4.2inches) wide. Panel - 20cm high; 7.5cm w...

An exceedingly rare ancient Japanese Heian (794-1185) or Nara Period (710-794) Engraved Bronze Tortoise. The entire shell, front and back, has engraved artistic images of the people and symbols of the era. The tortoise is a symbol of wisdom, and is able to defend itself on its own. It personifies Water, Moon, Mother Earth, Time, Immortality, and Fertility. Creation is associated with the tortoise and it is also believed that the tortoise bears the burden of the whole world. This was quite ...