Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition.
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the better pa...

A traditional shape called Kinuta (fulling block) draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kinuta Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. A Kinuta (fulling block) is a small wooden mallet used to beat silk into a soft texture. It is a very traditional shape in Japanese pottery. This is 9 inches (23 cm) tall and in excellent condition. ...

Late 19th Century Chinese Famille Rose Porcelain Table Screen Signed

It is 11 inches (28 cm) tall by 19.5 inches (49.5 cm) wide. The plaque is 5.7 inches (14.5 cm) long by 3.9 inches (10 cm) wide. It weighs 3 lb.

It has hairline cracks, rubbing of paint, and surface wears and scratches. There is peeling of paint and chips at the wood frame (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and ...

Very large pear-shaped chaire. Very dark brown stoneware, thin walls, with thin glaze of oily colors and fiery brown-red running down. Ofuke ware, Owari Province (Nagoya), Japan, late 18th century.

H 4 ½ inches

Fine condition, old handwritten label, identifying the piece as Ofuke, dating it to 1780s.

Provenance: Private collection of chaire (collection no. 37); bought from E & J Frankel, New York, May 17, 1984; ex Vassar College collection; ex Pratt Institute collection (1906)

Tall and slender, almost cylindrical chaire. Brown fine stoneware with spiraling engraving on top, covered with olive green translucent glaze with fine crackle, and with a white and blue triangular patch dripping down. Seto region, Japan, 18th century.
Comes with wooden storage box.

H 6-1/8 inches

Fine condition

Provenance: Private collection of chaire (collection no. 17); purchased at Sotheby’s New York Important Japanese Works of Art, Sale 4599Y, May 6, 1981, Lot #314; c...

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai. This is very rare Tabanenosi pattern in a merchant's family after the ...

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history.

BonshÅ (Japanese: 梵é˜, Buddhist bells), also known as tsurigane (釣りé˜, hanging bells) or Ågane (大é˜, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer...

The elephant has a Buddhistic caparisoned dress with pearl harness, tassels, and scrolling patterned blanket. On its back is a removable bulbous vase form with flared neck (tianquiping) Incised with arctic motif. The elephants almond shaped eyes, diminutive tusk, pinched ears, with trunk swayed inward. The bronze is lost wax cast method. It has verdigris patina with a dry russet color.

The Ming dynasty was the ruling dynasty of China—then known as the Empire of the Great Min...

Antique Japanese bronze temple bell known as a "bonsho", with a handle of dragon heads called a ryuzu. Protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, with lotus shaped "tsukiza".

Bonshō (Japanese: 梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging bells) or ōgane (大鐘, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks...

Japanese 20th-21st century ceramic vase by HAYASHI SHOTARO. The large vase has a bamboo design on each side. A member of the prestigious DENTOKOGEIKAI for years, Hayashi has exhibited at major exhibitions throughout Japan. Comes with TOMOBAKO, original artist signed wooden storage box. The vase measures 13 1/4" tall, 12" wide and 8 1/4" deep. (kunesu)

Irregularly shaped cylindrical chaire. Tea caddy used in the tea ceremony during the colder months. Dark brown or black glaze with one thick splash of yellow and green glaze. Footring. Raku style. Japan, 17th/18th century.

H 3¾ inches

Firing crack at lip, several old gold lacquer repairs at lip and foot and bottom, all in all fine condition

This probably was a drinking cup (mukozuke) originally and was converted into a tea caddy at some point.

Provenance: Private collection of c...

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...

Antique Japanese cha tansu (tea display cabinet), fully carved all from boxwood, with motifs of various flowers such as peony and chrysanthemum, cranes, phoenixes, sparrows, and other small birds with clouds, carved branch "pillar" with cascades cherry blossoms, a highly ornate export furniture piece.

Meiji period (1868-1912)

Size: 37" L x 14.5" W x 57.25" H

This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture. This was used in a very rich merchant's fam...

A wearable bronze ring from the post Angkor Wat period. Size: Inside diameter. 2 cm x 1.9 cm. Condition: No repairs.

Rare Korean stacking chest, called an ichung-nong (two sections), covered in beautiful beige/green genuine shagreen (manta ray skin), antiqued brass hardware with butterfly locks, inlay of grey shagreen "double happiness" characters on either side of each set of doors, interior lined in old text pages. 19th century Chosun Period

Size: 23.5" L x 14" W x 36.5" H

Up for sale is an antique Chinese Qing dynasty embroidered dragon silk robe, Jifu, with nine 5-clawed dragons executed in couched gold wrapped threads; clouds, buddhist & Taoist auspicious symbols, bats, sea waves, and standing water ( Lishui) are executed in brick stitch; Overall is in excellent condition, no frays across shoulders' folding lines. Height is 54" from collar to hem, width across shoulders is 88", armpit to armpit is 23", across the hem is 38". Ask if you have any questions.

Antique Japanese golden bamboo usubata (flower arranging vase) shaped and grown naturally into its wonderful twisting form, with a short bamboo insert.

Taisho period (1912-1926)

Size: 7" x 4" x 11" H