Description:

A Yaozhou incense burner or XinLu was intriguingly squeezed with five feet.
In saucer form, the body was decorated with carved motifs on the surface of the rim.
It was preserved in very good condition by nice glaze when sandy-tinted incursion were happened in portions.
One broken foot was caused during burial.
A nice restoration may do it's justice. But I would rather to leave it the buyer to decide.
It was a sought-after piece for a Yaozhou ware even if ...

Flying goma ash dusts the ribbon scalloped sides of this large Bizen vase by Matsumoto Katsuya enclosed in the original signed wooden box. The piece is 12 inches (31 cm) tall, 11 inches (28 cm) wide and in excellent condition. Born in neighboring Hyogo prefecture in 1942, at the age of 29 Katsuya apprenticed under Fujiwara Yu. He opened his own kiln in 1976. In 1982 he debuted at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition) and has consistently been exhibited there sinc...

A draping curtain of dark torn Bizen clay folds over the enigmatic form of this vase by Kaneshige Kosuke enclosed in the original signed wooden box. Texture varies from chattered extrusion to long, combed lines. Soft shades of color glow on the sides of the dark clay. The vase is 9 inches (23 cm) tall, 13 inches (33 cm) wide and in excellent condition, dating circa 1990.
Kaneshige Kosuke was born in 1943, third son of Bizen pillar Kaneshige Toyo. He studied from an early age with his ...

A thickly potted heavy dish profusely decorated in early 19th Century style with Famille Rose enamels. This item was made in China in the early 20th Century , possibly for the Malaysian market, during the Republic period (1912-1949). Condition - very good - there is wear to the gilding but no chips, cracks or restoration. 28.8cm (11.4inches) diameter; weight 1.2kg (2lbs11oz).

民国 粉彩花鸟大盘
一件胎体...

A splendid Chinese export silver circular egg cruet fitted with four egg cups and four spoons each decorated with bamboo. The cruet standing on 3 ball feet, the cups and spoons with gilt bowls. The cruet and cups with maker's mark "TC" standing for Tuck Chang who was active between the late 19th century and early 20th century in Shanghai. Condition: few traces of usage, few wear to gilding. Dimension: total height: 19 cm, cups: 7.4 cm high, spoons: 10 cm long, total weight: 386 g.

17th Century Chinese Bronze 3 Legged Toad with Immortal Water Dropper

It is 3.74 inches (9.5 cm) tall by 5 inches (12.7 cm) wide. It is 1.2 lb.

It is in good condition with no repairs, chips, cracks, or dents.

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Decorated with honeycomb motif. H. 7 cm, D. 15 cm. The glaze crackled due to age and with firing flaws. Miniscule rim crack. No damage or repair.

Decorated with horseriders. The glaze with age cracks and firing flaws. No damage or repair. H. 6 cm, D. 14,5 cm.

Decorated with flying horses. H. 7 cm, D. 14,5 cm. No damage or repair, only firing flaws, normal for the period.

A large carved hardwood bust of a dancer in traditional costume, signed Klung Kung, and made in Bali during the first half of the 20th Century, circa 1920 to 1950. Height 36cm (14inches); weight 2.5kg (5.5lb).

大型硬木雕巴厘岛舞女胸像 月1920-1950年间
一件大型硬木雕巴厘岛舞女胸像，舞者$...

A finely cast pair of bronze vases made in Japan, probably for export, during the Meiji period (1868-1911). Condition - excellent - no damages and no repairs. 24cm (9.5inches) high. Weight- 1.4kg (3lb1oz) each

日本产龙首耳铜瓶一对 约明治时期1868-1911
一对铸造精美的日产铜瓶，估为明治时...

A very unusual piece that I've never seen before. Possibly this lamp was made as an advertising piece for a lamp shop, or maybe it was used in an opium kit. The foot has decorations in reliëf, covered with enamels. H. 25 cm (10 inch), D. 21 cm (8,5 inch). Condition: two minor chips to the enamel. The glass seems to be original.

The cloisonné stand decorated with rat and vine motif (symbol of long life). H. 18 cm ( 7 inch), D. 10 cm (4 inch). Condition: one chip to the enamel.

With very fine engraving. The lid decorated with email cloisonné. H. 6,5 cm, W. 6 cm, D. 3 cm (2.7 x 2.5 x 1.25 inch) Minor chips to the enamel on the lid. China, 2nd half 19th century.

The pipe made of bamboo, the ends made of ivory. Engraved paktong saddle and a plain stoneware bowl with maker's mark. China, late 19th century. L. 49 cm (20 inch). Condition: age cracks in the ivory, wonderful patina.

Original psychedelic painting by Bucklee Bell titled “Hung Up”- acrylic on canvas, 40 x 40cm. 2007. About the Artist: Bucklee Bell was born and raised in the state of Florida, USA. His first awareness of personally meaningful art was discovering the works of Surrealists, in particular Salvador Dali, Max Ernst, Man Ray and Yves Tanguy. In 1966 he moved to San Francisco, California and from 1967-1970 was involved in the Underground Comix movement in San Francisco and Berkeley, Califo...

Original psychedelic painting by Bucklee Bell titled “Purple Haze”- acrylic on canvas, 40 x 50cm. 2008. Inspired by a Jimi Hendrix song with the same name and something else I'd rather not discuss. About the Artist: Bucklee Bell was born and raised in the state of Florida, USA. His first awareness of personally meaningful art was discovering the works of Surrealists, in particular Salvador Dali, Max Ernst, Man Ray and Yves Tanguy. In 1966 he moved to San Francisco, Califo...

A small Paktong Ink Box with engraved landscape decoration, made in China during the Republic period (1912-1949) or earlier. The copper base bears a shop or retailer's mark which reads "Yong Fa Chang". Condition - there are small surface bumps and marks (please view enlargements) and there is wear to the base. 4.4cm (1.75ins) square; 2.4cm (0.9ins) deep.

民国 白铜山水纹小墨盒
一件白铜山&#...