Japanese framed woodblock print by Utagawa Hiroshige (1797-1858) of an Oban Tate-E size and format (common sizing / vertically printed), from the series Gujusan Tsugi Meisho Zue. Signature and seal in bottom left with calligraphy seals. Bright coloration in blue tones.

Size: (entire frame) 16.75" L x 20.75" H (artwork only) 9.5" L x 15" H

Japanese framed woodblock print by Utagawa Hiroshige (1797-1858) of an Oban Tate-E size and format (common sizing / vertically printed), from the series Gujusan Tsugi Meisho Zue. Signature and seal in bottom left with calligraphy seals. Imagery of far off boats heading into shore.

Size: (entire frame) 16.75" L x 20.75" H (artwork only) 9.5" L x 15" H

A beautiful Annan tea bowl with silver repair (gintsugi) and fine sense of "aji" bestowed by age. Ornately decorated with flowering chrysanthemum, the skillfully applied silver repair to the bowl implies that it was treasured by its previous owner.

Annan-Yaki, is a tradition of pottery brought to Japan from the Annan province of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea dev...

Japanese early 20th century cloisonne vase by the Tamura Cloisonne Company. The blue colored vase has a large and beautiful yellow rose blossom. the silver toned metal rims appear to be chrome. The vase measures 9 7/8" tall and 6" in diameter. The vase comes with TOMOBAKO, the original artist signed wooden storage box.

Japanese 20th century bronze vase by MIYATA RANDO. The vase is of oval form and has 4-leaved design done in relief on front and back. Comes with TOMOBAKO, or original artist signed wooden stoarge box. Stamp of artist, RANDO on base. 9 1/2" tall by 3 1/2" wide at its widest.

Unusual Antique Japanese framed photograph of two young girls in kimonos heating a kettle over a hibachi (brazier) for tea, with lovely hand-tinted red and blue areas, by Kusakabe Kimbei titled "Girls at Home". Early Meiji period (1868-1912)

Size: 16.5" L x 14.5" H (entire frame)

Paul Jacoulet
Korean Baby in Ceremonial Costume, Seoul (Bébe Coréen en Costume de Cérémonie, Séoul)
Date: September 12, 1934.
Size: Approximately 18.75 x 14.0 inches.
Jacoulet signature and watermark with fan seal.
Edition: 316/350.
Reference: Print #4 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Some fading. Small, faint spot in upper background.
- Jacoulet's first study of a child.

Magnificent tureen decorated with floral patterns. The handlles in the shape of gilded lion masks. The lid crowned by a gilded Foo dog. Dimensions: 34x22x26 cm. Condition: a 7 cm hairline in the bowl, otherwise perfect.

An iconic representation of this artists work, a large hidasuki Tsubo of red clay marked with burnt straw by Isezaki Mitsuru enclosed in the original signed wooden box titled Bizen Tsubo. It is 9-1/2 inches (24 cm) diameter, 10-1/2 inches (26.5 cm) tall and in excellent condition.
Isezaki Mitsuru (b. 1934) was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery. In 1998 Mitsuru was named a Prefectural Intangible Cultural Property for Okayama...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style—referring to the heavy influence from Korean forms and glazing—this exquisite Edo period Karatsu-ware tea bowl features a white stripe running horizontally along the outer surface of the bowl known as Hakeme. This type of white slip brushing serves as a high-contrast background for the iron spotting and pigmentation brought ou...

This piece features a warm golden crackled glaze with several patches of lighter pigmentation and a number of gold and silver repairs. The inside of the bowl is especially inviting, showing a magnificent patina developed over many decades of use. The outside of the bowl displays Chrysanthemums (Kiku)—long considered an auspicious symbol of longevity and rejuvenation in Japan and used as a family crest for the royal family—and what appear to be Wild Ginger (Aoi hana)—symbolizing protection ...

Antique Tibetan bronze figure of the Buddhist deity Kubera, lord of wealth, protector of the physical world. He lounges with piles of gold around him. In one hand he holds a mongoose, the enemy of the Naga (malevolent snake people and guardians to vast treasure), and a sweet morsel in his other. This form of Kubera is very well hand-cast with natural wear and patina.

19th Century

Size: 2.5" L x 2" W x 3"H

A stellar Oribe vase of spirally torn clay by Kato Toyohisa enclosed in the original signed wooden box titled Oribe Kaki. It is 11 inches (28 cm) tall, slightly oblong at 9-1/2 to 10-1/2 inches diameter (24 – 27 cm) and is in excellent condition.
Toyohisa was born in 1962. His work is both original and fresh and his challenging pursuit of Mino ceramics is evident in both his contemporary pieces and his traditional ones. He first exhibited at the Asahi Ceramics Exhibition in 1983, and w...

An exquisite platter on two legs by Aoyama Tetsuro enclosed in the original signed wooden box. The rush of white and and soft blue across the surface is reminiscent of the “Ma”, or blank space of an ink waterfall painting. It measures 41 x 40.5 x 10 cm (16 x 16 x 4 inches) and is in excellent condition.
Aoyama Tetsuro was born in Gifu, home of the Mino potteries, in 1946. He apprenticed under Kato Jin in 1961, moving out on his own in 1973. He has exhibited at the Nitten, Nihon Shin...

Chinese wood carving of Quan Yin, the compassionate female bodhisattva. With pigments of red, black, and gilt lacquer. She stands posed with her arms crossed, holding a scroll close to her chest.

Republic period circa 1920

Size: 9" x 7" x 26" H

A small, charming Korean single section cabinet. Three drawers with persimmon panels line the top of the cabinet, with a set of double doors below, on decorative iron hinges incised with sand dollars, and a central filigree edged lock. Within are two small drawers and a large open compartment. The very bottom of the piece has a front drop down lid with roomy open storage inside. The edges of the piece feature iron braces with floral motif studs.

19th century

Size: 25" L ...

A Tibetan silver and mother of pearl conch formed as a central Buddhistic portrait. It is unusual in its style and is a beautifully embossed and attractive item. Age: 19 C. size: 10 cm x 9 cm. condition: very good indeed, no restoration, a slight abrasion to the edge of the pearl shell

A very good sized sculpture of Pedanda, a Brahman priest of the highest caste. This is a traditional sculpture, not a piece for tourists. It's made of hard wood, very intricately carved and has a subtle polychrome. H. 51 cm. Condition: expected age wear and a few age cracks. Please refer to the detailed pictures. A similar figure is in the collection of the 'Tropenmuseum' in Amsterdam. Provenance: Belgian private collection.