A pair of large Japanese porcelain dishes, beautifully decorated in five colors: underglaze blue, overglaze black, -green, -aubergine, iron red and gold. Showing an asymetrical design of a courtesan with her servant under a cherry tree, the right side with flowers. The back with auspicious emblems, the base with spur marks and an underglaze blue apocryphal "Ming Jiajing" mark. Provenance: Swiss private collection. Dimension: diameter 27.5cm, 3.5 cm high. Condition: partial some wear tho the colo...

Frank Brangwyn and Yoshijiro Urushibara
In the Docks
Series: "Ten Woodcuts" No. 8.
Paper size: Approximately 11 x 9.5 inches.
Image size: Approximately 8.5 x 7.0 inches.
Date: 1924
Edition: No. 80 of 270 (250 +20 artist's proofs).
Yoshijiro produced this woodblock print from a watercolor by Brangwyn as part of their famous collaboration.
Publisher: John Lane: The Bodley Head Limited, London.
Sealed by Urushibara.
Medium: Japanese woodblock print....

An Edo period image of plums blossoming on thick branches by Kitayama Kangan. Ink on paper in a patterned cloth mounting with beige piping in the Mincho style so popular int eh 19th century and featuring bone rollers. It is 21-1/2 x 78-1/2 inches (55 x 199 cm). Some minor loss to the piping at the top of the scroll, otherwise in surprisingly good condition.
Kitayama Kangan (Ba Moki, 1767-1801) was the grandson of a Chinese émigré. He studied painting under his father Ba Doryo (Also us...

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

An exquisite vessel by Bizen legend Yamamoto Toshu enclosed in the original signed wooden box titled Bizen Meipin. The form is perfection, covered with a dusting of ash revealing a flame colored eye on one side, everything about the proportions timeless. This is a piece I could wax on for hours about, but will leave that up to the viewer. It is 8 inches (20.5 cm) tall and in perfect condition.
Yamamoto Toshu (1906-1994) began working in a pottery at the age of 15. 12 years later (1933)...

An antique Japanese Ko Tansu made of Kiri wood (paulownia). Charming round lock design, overall with 6 drawers and safe door compartment with two drawers behind. Good condition overall.

Date: Meiji Period (1868-1912)

Measures: 19.25"H x 21.5"W x 12"D

Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4"). The print was never framed and is in excellent overall ...

Early 1800's underglaze cobalt blue decorated Chinese tea bowl stands. The center of the dish is open with a raised collar and the opening designed to accommodate a footed tea bowl. The underside is decorated with concentric rings and three stylized bats. The side of the foot ring is decorated with auspicious symbols. In very good condition showing very little sign of wear. They measure 4 inches diameter, interior diameter 2 1/8" and 1 1/8" high.

Ohara Koson (Shoson)
Crows in Moonlight
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S5.3 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A couple of very faint spots in white sky at lower right.

An antique Japanese Shinto Shrine (also known as a Kamidana, Yashiro or Omiya) housing the deities Ebisu and Daikoku. The shrine was made from Hinoki (Cypress) and Suginoki (Cryptomeria) while the deities were hand carved from Tsugenoki (Boxwood).

Ebisu is characterized by the lucky Sea Bream (Tai) fish that he holds under his arm. Sitting on a rocky shore, he looks to the water as a protector of fish, fisheries, seafood, fishermen, sea merchants and anything else that is related. Daik...

Unique handworn / polished natural burl wood brush rest in the shape of a mink okimono. The low long shape makes for an ideal brush rest for an calligrapher. Warm tones of red, orange, and black blended together with a original patina built over time.
Comes with original tomobaku (fitted kiri wood box).
Scholar’s objects were, in a sense, the luxury goods of their time, but rather than wealth what they really represented was the physical embodiment of the scholar’s int...

This is a beautiful and colorful Table Screen with a Circular Famille Rose Porcelain Plaque. It is placed on a dark rosewood Stand decorated with openwork design of floral and foliage scrolls. The plaque depicts a detailed and colorful enameled painted scene of Birds and Flowers. Artist signed. The table screen measures 22 inches (57cm) tall, and 15 inches (38cm) wide. The round porcelain plaque measures 11 inches (30,5cm) in diameter. The wooden stand, plaque frame, and porcelain plaq...

Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.

Length 13-1/8 inches

Tiny chip at leaf edge. Fine condition.

Pale jade spots dot the incised surface of this unusual vase by Nagae Shigekazu enclosed in the original signed wooden box retaining the Shiori and Shifuku. The vase, if not for its distant, moon-like quality, has a very pop-art-presence, blending both the austerity of Japanese traditional aesthetics with contemporary art. Fun and moving; a haunting pleasure. It is 14 inches (35.5 cm) tall, 5 inches (13 cm) square at the base, 7 inches (19 cm) wide at the rim and in excellent condition.
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This past summer I had occasion to visit Richard Milgrim in his Mountain Studio and asked him to pair some sake cups and Tokkuri for us. It is a rare opportunity to have an artist personally select pieces which he feels work together. This set is making use of his signature Concord glaze (Konko-yu) from America, with clay from Japan, while the cup is also using a variant of that glaze Black Concord (Konko-guro). The Tokkuri is 9 cm (3-1/2 inches) diameter, 12 cm (5 inches) tall. The rim of the...

A fine cricket cage, composed of a body made from a gourd and a rim and lid made of ivory. The lid itself is nicely carved to represent a lotus and foliage around surmounting an openwork geometric design. Its silk case, partly damaged, is joined to the cage. China, 19th century. Length: 7.8 cm. Very good condition.

A leather or skin bag with original wonderfully cast brass fittings, both ends of the chain in the form of a singha head, the mythical beast, totem for all Batak People. Shamans "datu" kept magical substances in these bags. Please compare to the "salipi" in the collection of the "Musee du Quai Branly" in Paris. Condition: wear to leather and few small holes. Dimension: leather bag: c. 30 high x 31 wide x 10.8 cm deep, chain: 2 x 44 cm long.

Beautifully plaited bamboo basket by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. Signed on the reverse with an incised signature by the artist: Kyokusho Saku or Made by Kyokusho (Iizuka Kyokusho, the go or art name of Iizuka Sounsai, active early 20th century). Late Taisho – early Showa era, circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" t...