Liao Flask shaped like a leather prototype with a vertical spout and a loop handle on the other side, both rising from a tall ovoid body covered in a rich glossy amber glaze, stopping above the foot to reveal the buff stoneware. Size: 31.5 cm.high. Condition. No repairs. Normal kiln marks. Age: 10th Century

A fetching scene of colored washes very　much in　the Taisho style by important artist Ono (Ohno) Bakufu. Pigment on silk in superb Kinrande mounting. It is roughly 21-1/2 x 79 inches (56 x 200 cm).
Born in Tokyo Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectural Academy of Fine Arts. Often displayed at the Teiten National Exhibition, he is best known for paintings of fish, w...

A set of five yunomi cups and five matching plates enclosed in the original signed wooden boxes, each uniquely decorated with cobalt designs and striking gold patterns. The cups are 4 inches (10 cm) tall, the plates 5-1/2 inches (14 cm) diameter and all are in excellent condition.
Ando Hidetake was born third generation into a Mino pottery family in Gifu prefecture in 1938. He began an apprenticeship under Kato Tokuro in 1960. A testament to his skill, he was accepted for the first time ...

Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...

Beautiful Japanese antique 2-section Keyaki isho tansu (chest on chest for clothing). Wonderfully dramatic kayaki (zelkova) grain on front. Enhanced by the Original finish in translucent lacquer. Black iron hardware including warabite shaped drawer pulls, safe box in lower right hand corner with 2 small interior drawers. Round iron lock plates with mixed metal raised motif of implements of the Lucky Gods. Original condition and finish. Early Meiji Period (1868 - 1912) . Size: 47 1/2" hig...

19th Century Chinese Herb Medicine Bat Pendant & Beads

It is 17 inches (43.2 cm) long by 2 inches (5.1 cm) wide. The large pendant is 2 inches (5.1 cm) long by 1 inch (2.5 cm) wide. The small pendant is 1.15 inches (3 cm) long 1.3 inches (3.4 cm) wide. The bead is 6.12 mm-7.28 mm diameter. It is 45.4 gram.

It is in good condition with no repairs, or cracks, except flea bite chips and loss threads (as seen in the photos).

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Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of c...

A Superb Shigaraki Chawan by Sugimoto Sadamitsu enclosed in the original wooden box signed beneath by the artist and endorsed by Tea Master Tachibana Daiki of Daitokuji Temple. It is 4 x 5 x 3-1/2 inches (10.5 x 13 x 9 cm) and is in fine condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki. His Zen studies have refined the spiritual s...

Antique Japanese large scroll painting on silk of a buck and a doe. With incredible detailing such as the thousands of individual hairs on each deer, piercing eyes, long strands of grass with intermingled berry shrubs and blossoming flowers. Creating a tranquil nature scene. Signed "Toko" Tsuchinoto (boar) Aki. Taisho period circa 1920's. Autumn, Year 36 of 60 year cycle. Comes with original tomobako. Size: (entire scroll) 92"H x 33.25" W (artwork only) 56" H x 27.5" W

Late Ming Dynasty, ca. 1600

Glazed with turquoise, amber and green enamels, this laughing Buddha holds his large belly with one hand, and clasps a rosary in the other. The back is unglazed and a stabilized hairline extends from the foot to the top of the base. There is a collection inventory number incised on the rear base and there is a small chip to the foot. It is accompanied by a later carved wooden base.

Height: 11 in., Width: 6 ¾ in.

c. 1875-1900
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Height: 17 cm / 6.7 in
Diameter: 16.8 cm / 6.6 in
From a Kansas City, MO estate & private collection

A large and unusual late Qing famille rose stem cup, dating from the Guangxu reign. Marks around the stem and on the inside foot reveals it was custom-made as a sacrificial vessel for a 'Li' family's ancestral altar. The bottom mark, 'jiqian', means 'to remember the heaven...

19th century
Late Qing Dynasty
Porcelain with overglaze famille verte enamels
Diameter: 36.5 cm / 14.4 in
From a San Diego, CA estate

A large and impressive porcelain charger plate, made in the late Qing dynasty and bearing an iron-red Qianlong seal mark. Enameled in the famille verte palette, this piece is decorated with two sprawling dragons, bordered by a diaper-ground border divided by chrysanthemums. The most interesting feature is however the subtle but imp...

mid-18th century
Qianlong Period, Qing Dynasty
Porcelain with overglaze enamels
Length (handle to spout): 14 cm / 5.5 in
Height: 11.7 cm / 4.6 in
From a Portland, OR private collection

A mid - Qianlong period export porcelain teapot, potted in the most charming lobed melon shape with a spayed petal-like foot. The body is decorated with continuous landscape scenes showing everyday life along a river harbor, with men and women fishing, boating, crossing bridge...

1875-1908
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Diameter: 17.3 cm / 6.8 in
Height: 8 cm / 3.1 in
From a New Jersey estate

A lovely Guangxu mark and period porcelain bowl, enamel decorated with floral sprigs representing the four seasons: chrysanthemum, hibiscus, camellia, and begonias. The everted mouth is trimmed with a yellow archaistic border.

Condition: [Please examine all photos carefully, as they are pa...

c. 1900 - 1910s
Late Qing - Republic period
Porcelain with underglaze cobalt blue and overglaze enamels
Width / Diameter (at widest points): 30 cm / 11.8 in
Height: 14.5 cm / 5.7 in
From a Netherlands estate / private collection

A large, heavily potted late Qing - Republic period porcelain 'gang' or fish bowl, fully decorated with doucai qilong dragons amongst rolling waves. Two cobalt blue lion heads are attached to both ends. The reverse features a flat, ...

Late 16th century
Wanli Period, Ming Dynasty
Porcelain with underglaze cobalt blue
Diameter: 19.8 cm / 7.8 in
From a Soqual, CA estate

A late Ming wanli period blue and white plate, freely painted with a rather abstract landscape scene in the typical late Ming 'outline and wash' method. The charming border is comprised of floral sprigs interspersed with a squirrel, frog, and two birds. The glaze is exceptionally bright and glassy.

Condition: Excellen...

mid-19th century
Mid - Late Qing Dynasty
Porcelain with overglaze famille verte enamels
Height: 44.5 cm / 17.5 in
Width (at widest point): 21 cm / 8.2 in From a Madera, CA estate

A large and fantastic 19th c baluster or yen yen vase, enameled in the famille verte palette with eighteen different individual luohans and four unique depictions of Buddha. The attention to detail is superb, with each luohan sporting different colored-combination of clothes, facial feat...