Rare Antique Japanese Negoro red lacquer tiered stand. Five arched cabriole legs below the hand carved apron, the feet ending at a floral step base. Overall condition is very good and consistent with age.

Edo Period (circa mid 1800's)

Dimensions: 12" w x 14 3/4" h

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Kaki glaze with wax-resist pattern of bamboo leaves on snow. Nuka glaze interior. H.3.125"(8cm) x Dia.3"(7.5c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares...

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Nami Jiro white glaze with brushwork of bamboo on snow pattern. H.3.25"(8.25cm) x Dia.3"(7.75c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares...

Lovely Shigaraki Tsubo with natural glaze patterns produced naturally in a wood fired anagama or climbing kiln. White feldspar long life stones give Shigaraki clays their distinctive character. 16" high by 11" in diameter. Great condition. Ask for shipping quote.

Rare Japanese Yonazawa Keyaki (zelkova) burl front tansu with original golden honey lacquer finish. The round lock plates on each drawer feature the emblem of the Taira clan, whose mon is the swallowtail butterfly or ageha...

A fine Kakiemion dish painted in sometsuke style with a Fuyo-de pattern with four landscape vignettes in European style adapted from a Delft original attributed to Fredrick van Frytom (see image no 6) which in turn provided elements of the so-called Deshima or Scheveningen with contrasting panels of stylised Peonies, Botan karakusa. A central motif of wreath form composed of Pomegranates...

A nagazara or long dish of bean-pod form, a very unusual shape, decorated with auspicious un-ryu, dragons and clouds, in its central reserve, surrounded by Matsu-fuji, entwined Pine branches and Wisteria vine, a traditional Japanese motif associated with longevity. The reverse decorated with further auspicious Dragons and precious objects, cash and scrolls with flaming pearls...

A good Kakiemon long dish, nagazara, of a wide boat, sanpan, shaped form decorated with stylised lotus karakusa. The reverse decorated with Karakusa motifs and a Fuku in seal characters within a double square. An identical dish is illustrated in the Shibata Collection, see volume 5 no 154, there dated 1690-1710. The dish is in good condition no cracks, chips or restoration. It measures 20.8cm long and is 14cm wide, standing 3.8cm at the rim. It weighs 365 grams...

Kawase Hasui
Farmhouse in Snow
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

An organic form like some wavering anemone built from tiny curls of rolled ceramic bound together with slip by female artist Furui Akiko enclosed in the original signed wooden box titled Sou Katachi (Following the shape) dating from 2017. It is built of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value. It is 12-1/2 inches (32 cm) long and in new condition...

Japanese iron teapot, or tetsubin, all hand-cast iron in the shape of a Japanese house. The teapot is adorned with leaves and gourds on a thatched roof.

Dates Taisho Period c1920

Dimensions: 8" X 7.5" X 10" (with handle)

Kawase Hasui
Snowscape
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-71.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: One small dot above Hasui seal.

Japanese dish or bowl, Ko-Kutani revival from the Meiji period, late 19th century. Enameled in purple, yellow and green with a wave-line border surrounding a motif of poets (?) and a weeping willow in a mountainous seascape. Dark brown rim, the back with Kutani mark in green. Diameter "8 ½ / 21.5 cm. Condition: the back with some rubbing marks and a glaze bubble (cf. pics).

Geisha and Lanterns
Date: Early postwar
Print size: Approximately 6.75 x 3 inches.
Publisher: Takemura Hideo. Seal at lower left.
A Japanese woodblock print tipped along its top edge to a filled out holiday card.
Condition: Tiny spotting in the yellow.

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.75"(9.5cm) x Dia. 6.25"(16cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.125"(8cm) x Dia. 6.0"(15.5cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Old (1930's) Japanese Sterling Silver Box with Flower Signed

It is 1.2 inches (3 cm) tall by 4.5 inches (11.5 cm) wide and 3.1 inches (8 cm) long. It is 252.6 gram.

It has tarnished silver and surface wears and scratches...

This is the Tsutsugaki curtain used in the Edo period. This was made in the Kyushu region. It is made of fine cotton that is hand spun. This is a person expressing a wooden raft that flows through the river in the season when the cherry blossoms fall. This pattern is a pattern called flower raft. This is a very idyllic depiction of the boatman's expression. The design of the boatman on the raft to go down the river where the cherry blossoms are falling is very elegant and beautiful. This can ...