Antique Japanese blue and white studio ware porcelain container. Made with 6 sides and a flared base. The sides are decorated with a scene of misty mountains and a small village. Small figures in a boat pole along a river which runs under a bridge and weeping willows...

A large Kakiemon low bowl painted in underglaze blue with some light enamelling in yellow, green and iron red, somenishikide style made for the Japanese domestic market. The central reserve superbly painted in sansui landscape of mountainous cliffs overhanging a body of water with two small fishing boats. The cavetto of the bowl decorated with the shochikubai, the Three Friends of Winter. The reverse decorated with krakusa with chrysanthemum form blooms, symbols of longevity...

A very unusual octagonal dish in new style enamels dating to around the year 1800, featuring three figures, the main of which is a figure wearing a buttoned jacket and perhaps a klapmut style hat with distinctive slops, which identifies him as a seaman, rather than the more usual merchant; see last image no 6 a late 18th century print of a Sailor in “slops”. The tight curls of his hair betray his foreign origin, although he retains an overall oriental appearance...

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is...

An unusual early Meiji period medicine 2-tiered Kusuri chest. Made from 100% quarter sawn kiri (Paulownia) wood, and small hand forged iron pull hardware. Original warm red tones with brown undertones finish give the small chest a great sensibility. Total of 13 individual drawers, used to store and keep natural remedies, herbs and tonics.

Age: Meiji Period (1868 - 1912)

Dimensions: 12” Wide x 12” Deep x 17 1/2” High

A large Japanese transom temple carving framed in black lacquer with gold leaf edging. Temple ranma is masterful made up of a single slab of Keyeki (zelkova) hardwood, carefully carved to reveal there central blossoming lotus flowers along scrolling vines. Original finish showing off natural patina consistent with age. Few loses that have been sorted and stabilized with old repairs done at a high level. Ready to be mounted and installed...

A wonderful example of an original Japanese Armored Safe chest. Constructed of hand selected and quartered sawn keyaki (zalkova hardwood) and hand forged iron hardware / fittings. Thick hinged door opens to reveal 4 individual drawers with secret compartment located under the largest (bottom) drawer. Internal drawers are made of original light kiri (paulownia) wood.

Age: Edo Period late 18th Century

Dimensions: 19" High x 15 3/4" Wide x 18 1/3" Deep

Widely fissured pale green glaze covers the elegant form of this fresh water jar for use in the Japanese Tea Ceremony by Uraguchi Masauyuki enclosed in the original signed wooden box titled simply Seiji Mizusashi. It is 12.5 cm (5 inches) tall, 16.5 cm (6-1/2 inches) diameter and in excellent condition. It comes complete with the original black lacquered wooden lid.
Uraguchi Masayuki (b...

An exquisite chawan tea bowl by Uraguchi Masayuki enclosed in the original signed wooden box titled Seiji Hyosai Chawan (Shattered Ice Celadon Tea Bowl). It is 13 cm (5 inches) diameter, 8.5 cm (3-1/2 inches) tall and in perfect condition.
Uraguchi Masayuki (b...

This is a fabulous rare piece of Japanese Cloisonne. It is not signed but it could have easily been made Hayashi, Kinuken, or Miwa. It stands inches 6 inches tall and is in excellent condition.

Very rare Raku Kichizaemon IV Ichinyu (1640-1696) black Raku tea bowl.
Comes with an old signed box.

Having become Raku master at the age of 16, Ichinyu was significantly influenced by his father Donyu who died at 58. In general his works are powerful, large in scale but with thin surfaces and bold incisions made with spatula.

In later years he appeared to revert to the style of Chojiro, making compact tea bowls with smaller dimensions and few spatula marks...

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I...

This lovely little sake cup was made in Karatsu in Edo period (1603-1868)
From Japanese private collection

Karatsu pottery is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.
It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items.

Width 7.2cm
Height 3.7cm
Weight 68g

Excellent antique condition.
No cracks...

Kawase Hasui
Sacred Mount Fuji
Date: 1936.
Size: Koban. Approximately 7.25 x 4.875 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hb-s12
Medium: Japanese woodblock print.
Condition: Back top corners have tape remnants.

Beautiful Japanese kusuri medical tansu made of kiri wood (paulownia) and sugi side frames (Japanese cypress or cryptomeria). With warm original finish and hand forged hardware. Lacquer dark reddish, brown and mahogany tones that shows well in lighter and dark rooms. Total of 102 individual drawers.

Edo Period late 18th early 19th Century

39" High x 34" Wide x 9" Deep

Shoda Koho
Shrine Gate at Miyajima
From the Hasegawa Night Scenes series (No. 1251).
Size: Chuban. Approximately 10.125 x 7.5 inches.
Date: 1910s - 1938.
Medium: Japanese woodblock print.
"Made in Japan" stamped on verso.
Artist's seal at lower right.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku.
Condition: Slight toning.

A pair of wood and lacquered Niō, guardians of Buddhist temples, finely carved in polychromy with the muscles in evidence and the veins in relief. The Niō (Jp. = benevolent kings) are a pair of protectors – Agyō and Ungyō – who stand guard outside the gate of Japanese Buddhist temples, one on either side of the entrance...

This is an Edo period Japanese book reprinted in the Taisho period (1920).It depicts everyday life in Japan during the Edo period. There is some rubbing on the cover, but there are no noticeable stains or damage. Size:length:19㎝　/　Width:13.5cm / 10 pages