Pair of Meiji (1868-1912) Japanese Koransha Porcelain Vase with Shoulo & Bamboo Figures Marked

They are 9.5 inches (24.1 cm) tall by 6.2 inches (16 cm) wide. They weigh 5 lb.

They have surface wears and scratches, rubbing of gold and paint, firing cracks, skip glazes, and stains (as seen in the photos).

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A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies...

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition...

A wood plate used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:16.4cm, H:4cm

A wood bowl used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:15.8cm, H:6.5cm

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

A wonderful translucent blue celadon vase done in the classic style of Song Dynasty Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century, Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852-1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

Beautifully encapsulating the Japanese aesthetic of wabi sabi, this cast iron tea kettle has an elegance that far outshines more ornate versions of this ceremonial implement. Likely from Meiji, the craftsmanship is excellent, the overall proportions ideal, and the texture of the metal very pleasing...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father...

Iron tsuba inlaid in nunomé zogan (damascened) of gold of different colors. Japanese work from the Edo period 18°-19° century, the artist's signature should give a precise date of creation. The scene finely cut in iron shows us a medieval fight on a bridge, perhaps that of Uji near Nara...

Round chawan, bowl used in the tea ceremony, with straight sides and a foot with three incisions. The very fine clay has an incised décor of standing and flying cranes and three minogame, covered in a celadon green, translucent glaze with fine crackle.

Impressed seal next to foot: Akahadayama.

Akahada ware, Japan, prob. Meiji era, 1870s

H 2.8 x Diam...

Chawan, or tea bowl, for use in the the tea ceremony. Fine gray stoneware turned out rather thin of almost round shape, with a ‘soul’ in the bottom, standing on a bamboo shaped foot, a swirl inside the foot. Opaque yellow glaze with fine crackle covers the ceramic. Over the yellow a white slip hakeme brush stroke on the outside and on the inside.

Seto region, Japan, 19th century

H 3 x W 5.25 x D 5 in.

Two unprofessionally, but lovingly repaired chips at the lip...

Elegant and very unusual shaped Japanese bamboo Flower Basket Ca. 1925. A series of fine butterfly knots line the bamboo on both sides and the handle. The weave is a delicate warp and weft with tiny knots embroidering the edges of the opening. H: 35cm by W: 34cm. excellent condition. No signature.

Pair of zelkova elm temple 'Baku' bad dream devourers. 22cm long by 12cm tall and 7cm deep. Extremely well carved and very good condition. Ca. 1890 late Meiji Period. Ask for shipping quote.

An antique Japanese bronze Mongoose pair standing beside three Peony blossoms as they protect the prosperity the flowers embody. Originally a cherished fragment from a bronze vase, it was professionally museum mounted to showcase its beauty and refinement.

Age: Meiji Era (1868-1912)

Dimensions with stand: 12 1/2" Wide by 8" High by 5" Deep

An antique Japanese bronze Kirin standing over a Peony blossom as it protects the prosperity it imbues. Originally a cherished fragment from a bronze vase, it was professionally museum mounted to showcase its beauty and elegance.

Age: Meiji Era (1868-1912)

Dimensions with stand: 8" Wide by 6 3/4" High by 4 1/8" Deep

An antique Japanese temple fragment of the head of Amida Buddha in Hinoki (Cypress) wood. Hand carved in fine detail with a beautiful patina acquired over years of devotion and display.

Age: Edo Period (early 17th C)

Dimensions with stand: 11 5/8" High by 4" Wide by 3 1/2" Deep