1900's Japanese Fukagawa Bowl with Iris Flowers & Koi Fish Marked

It is 8.67 inches (22 cm) tall by 15.5 inches (39.4 cm) wide. It is 14.7 Lb.

It has mild skip glazes and surface wears and scratches (as seen in the photos).

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Height: 12.5 cm (5 in)
Width: 8.5 cm (3.4 in)
Depth: 6 cm (2.4 in)

Japanese Gosu Blue Satsuma figure of a boy holding a fan; decorated with polychromed chrysanthemums and other florals; signed, including the impressed mark of Kizan on the base

Width: 21.3 cm (8.7 in)
Height: 3.8 cm (1.5 in)

Fine Japanese Satsuma dish by Fuzan; decorated with the finest of gilt and polychromed millefiori work; edged by a gilded Greek hatched border; good condition

Height without handle: 6.6 cm (2.6 in)
Length: 7.5 cm (3 in)
Width: 7.3 cm (2.9 in)

Fine Japanese Satsuma miniature teapot by Kinkozan; two fine panels of individuals in domestic settings surrounded by very fine gilt and stippled flowers over a deep green ground; signed Kinkozan under the lid; restored spout

Height: 3.7 cm (1.4 in)
Width: 3.6 cm (1.4 in)
Depth: 2.7 cm (1.1 in)

Quality Japanese carved netsuke of a man bathing; he has one wall eye and a tumour on his forehead; good facial expression; signed on the base of his wash tub; good condition

Japanese old toys. Painted with ink and pigments on silk. Signed and sealed. It is drawn on a special cloth like old cloth.

Suga Tatehiko(1878-1963)was a Japanese painter from the Meiji to Showa periods. He himself how to paint and also researched the true nature of the profession. He drew historical paintings and street customs in Osaka. He was awarded the Art Academy Imperial Prize in 1955 and bestowed Honorary citizen of Osaka City in 1962...

An unusual Edo period Oribe serving bowl, the color filled crackled glaze decorated with scrolling lines in iron and splashes of copper green. Both inside and out hash mars denote a bamboo fence with blossoms in the fore. A handle and raised architectural elements around the rim and rising to the mouth echo some western influence, possibly indicating original Christian use. It comes resting on a silk pillow in a age-blackened wooden box titled Oribe Katakuchi...

Namako mottled dark blue glaze covers the fractured surface of this guinomi sake cup by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. Each the space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron...

CARP STREAMER 3

Collage work made from big 5 meter-long ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old‘washi’ (Japanese paper)...

SUCH A BOARD

Like a two-sided abstract painting with such unidentified Kanji characters or symbols drawn unintentionally in Indian ink, based on wooden board covered with old used paper coated in ‘kakishibu’ (persimmon tannin). Early 20th century, Japan. 26 x 48 x 1 cm (10.23 x 18.89 x 0.39in)...

One of such rare antique Hagi Chawan with wonderful glaze and aesthetically pleasing patina from the early 18th century (Edo Period), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

It comes together with its wooden box and the authentication and appraisal of Soshu Mori, a former chief priest of the Daitoku-Ji Temple 大徳寺 Kyoto...

A large sculpture of interlaced coils containing a glistening membrane by Got Miho enclosed in the original signed wooden box from her Heartbeat of the Skin series. It is 14 x 35 x 15 cm (roughly 5-1/2 x 14 x 6 inches) and is in excellent condition, directly from the artist. When prompted about her message she said: I feel that there is something vaguely present that is never visible in my everyday life...

This cage of raw white porcelain by Goto Miho, like dried bones, contains a glistening membrane, a mysterious ceramic sculpture by this young artist from her Heartbeat of the Skin series. It is 14 x 15 x 16.5 cm (roughly 5-1/2 x 6 x 6-1/2 inches) and is in excellent condition, directly from the artist. When prompted about her message she said: I feel that there is something vaguely present that is never visible in my everyday life...

Intricate bronze hanging lantern with curling legs, buddhist cloud diaper patterns and different panels with plum blossoms and bamboo - auspicious symbols of happiness and good fortune. Needs to be repapered but is in great condition. Ca. 1930. 24cm in diameter x 24cm tall. Ask for shipping quote.

Stunning modern Kutani ceramic vase, Ca. 1980 from one of the contemporary masters of Kutani ware, Akira Sato. Born ca. 1946, he has won numerous prizes, including the first prize at the Kutani Yaki Craft Exhibition in 1985. With signed original box titled, "Iro Kaki" colorful flower vase. 18cm in diameter x 23cm tall. Ask for shipping quote.

A small object like bound chords in raw white porcelain clay by Goto Miho accompanied by the original signed wooden box titled Heartbeat of the Skin. The looping object bound tightly in the center stirs mixed emotions, both reminiscent of bondage as well as the celebratory twisted rope talismans displayed at New years and in front of holy places...

Autumn Landscape depicted autumn leaves and the mountain river. Painted with ink and pigments on silk. Signed and sealed.

Kawabata Gyokusho (1842-1913) was a Japanese artist active during Meiji – Taisho period, early 20th Century in Japan. He learnt painting under a prominent artist from maruyama school, Nakajima Raisho (1796-1871)...

A Mizusashi in signature peach colored glaze by Yamaguchi Michie enclosed in the original signed wooden box titled Momo-yu Mizusashi. It comes with a shiny black lacquered lid, which contrasts wonderfully with the matte pink glaze. It is roughly 20 cm (8 inches) diameter, 18 cm (7-1/4 inches) tall and is in excellent condition, directly from the artist.
Yamaguchi Michie was born in Aichi prefecture in 1964, and came to pottery at the age of 35, opening her studio in Nagoya in 2003. She ...