Antique Japanese kesa, Buddhist monk's traditional outer garment. Made from rich fragments of silk donated by wealthy devotees, kesa are traditionally made of square and rectangular swatches of material symbolizing the Buddha's patchwork garments. In contrast with this idea is the material itself, made of fine woven silks...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

Japanese Imari Porcelain Leaf Shape dish, late Meiji or early Showa, 1940, 6 1/4" x 6 1/2" wide, 3/4" high, very simple beautifully overglaze enamel Japanese Garden, Plum trees in early spring, Irish in summer, Chrysanthemum flowers in fall and Bamboo in winter, 4 seasons design above broad leaf on the bottom. The condition is good.

Tsukioka Yoshitoshi (1839-1892)
Moon and Smoke (Fire)
No. 22 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oan. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon
Carver: Yamamoto
Condition: Slight toning and fading.
- Rival fire brigade standard-bearers stand on opposite rooftops...

It is a privilege to introduce this incredible sculpture by the young female ceramicist Furui Akiko enclosed in the original signed wooden box titled Tsubomi (bud) dating from 2017. It is made up of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value.
Furui Akiko was born in Aichi prefecture in 1987...

Silk Meisen unlined kimono with geometric pattern. Double kasuri (wefts and warps) is dyed with stencil-resist-dye (Heiyo-kasuri). Mid 20th century. In excellent condition. 126cm x 148cm

3 pieces Japanese Kutani Earthenware Tea Set, Ca. 1940's, consisting of Tea Pot(8" high), Sugar with cover(7 1/4" high), Creamer(5 1/2" high) with beautiful floral branches and bird flying between enclosed panels with overglazed brick red and brilliant green color on the crazed glaze. Tea pot spout is glued small piece together around 1/2" area, handle of Sugar bowl is glued together. Marked on the bottom "Great Japan Kutani made".

Tsuchiya Koitsu
Twilight in Suzukawa
Publisher: Takemura
Date: 1930s.
Size: Chuban. Approximately 10.5 x 7.5 inches.
Koitsu's "Kiyoshi" seal at lower right. Takemura publisher's seal at left.
Koitsu catalog no.: TK-TM-75.
Medium: Japanese woodblock print.
Condition: Light foxing has been cleaned and stabilized. Repairs to paper thinning in sky. Two pinholes at top corners of image.

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord...

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm...

A good quality Japanese vase and cover decorated with scrolling Octopus-vine patterns almost entirely covering the body of the vase and cover. Probably Arita in origin. The vase dates to the early 19th Century and the late Edo period. The vase stands 26cm high, including the cover, and has a diameter of 15cm. The foot-ring measures 8cm. The vase weighs 1445 grams in total. The condition is good no cracks, chips or restoration to the body. There is a crack to the rim of the cover (see images)...

Kawase Hasui (1883-1957)
Spring in Daigo, Kyoto
Date: 1950.
Publisher: Watanabe Shozaburo. Black 6 mm seal at lower right, indicating a first edition (1946-57).
Hasui signature and seal at lower left.
Size: Oban. 15.25 x 10.5 inches.
Reference: Hotei #537.
Medium: Japanese woodblock print.
Condition: At the perimeter of the verso, a conservator has removed tape and reinforced the paper.

A bag made of deer skin with indigo dye hemp rope. It was used for coins which were distributed among citizens in Edo period. Paper moneys were issued later, in Meiji period (1868~1912). The first half of the 19th century. 26cm x 62cm

Japanese bronze incenser in the form of Hotei, one of the Seven Lucky Gods of Fortune. Hotei is clothed with open robes, holding a gunbai fan, seated on top of his large sack. Hotei's name literally means "Cloth Sack", for he can be attributed by the large cloth sack he carries with him during his travels...

Shoda Koho
Three Crows on a Branch and Moon
Date: 1910-20s.
Publisher: Hasegawa/Nishinomiya Yosaku.
Size: 8.5 x 3.75 inches.
Medium: Japanese woodblock print.
Condition: Excellent with point-sized spot at lower left.