A very finely carved OKINOMO Pot-Belly Pig, high-grade exotic wood, Meiji Period (1886-1912). This Okinomo is of course ideal for those born in the year of the Pig. The Pig symbolizes "Good Fortune & Prosperity". Excellent condition, size: L. 5.5 cm. (2 1/4")

Antique Japanese triptych woodblock print, meaning it is comprised of three separate sheets, depicting Akechi Mitsuhide in the final battle of Yamazaki in 1582. He is shown seated upon his horse, which has been shot dead with arrows, clutching his sword and gazing over the river at the approaching enemy forces in the distance. Four of his own soldiers are seen scattered around, either dead or dying, soaked in blood, suffering traumatic injury...

The largest piece I have ever seen by Miyanaga Tozan I, a fine baluster form celadon on a superb rosewood stand. It is 21-1/2 inches (55 cm) tall, 15-1/2 inches (40 cm) diameter and in excellent condition. There is a custom made copper insert for use with flower arranging. Due to size the cost of shipping will be accrued separately. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

A huge exhibition screen by Nakamura Masahiko (1897-1964) featuring a gagaku dancer striking a definitive pose before flaming phoenix on a background of mirror image five storied pagodas. Pigment on silk in a red lacquered wooden frame typical of the era. It is similar in content to his 1927 submission to the Nitten National Exhibition, and can be associated with that time...

An exquisitely formed Koro incense burner of a young oxherd astride his beast in raw clay and celadon glaze by Miyanaga Tozan I enclosed in the original signed wooden box dated 1925. The childs face is filled with serenity and wonder, as if he is looking up at the moon rising on a spring afternoon. Every detail is superb. It is 10-1/2 inches (26.5 cm) long and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

Chinese Shiwan (Shekwan) pottery model of a Daoist Immortal, holding a fan and seated on a large gourd. The figure resembles Li Tieguai, who ordinarily is depicted with his staff and often carrying a gourd which was believed to contain medicine powerful enough to revive the dead. The figure holds a fan, the main attribute of the immortal Zhongli Quan (Han Zhongli). The fan is believed to have the power to revive the dead. Perhaps the figure is an amalgam of the two immortals...

Oversized limited-edition Japanese "sosaku hanga" woodblock print by Tamami Shima (1937-1999) titled "April Forest." The bottom margin is pencil-signed, titled in kanji, dated 1962, and numbered 67/100. Paper: 22"V x 15 7/8"H (image: 19 7/8"V x 13 3/4"H). Very good overall condition. April Forest is written in pen verso (see enlargement 5). From a Scottsdale, AZ estate. Originally purchased from M. M. Shinno & Associates in Los Angeles.

A wily fox stands, head cocked to one side wrapped in the robes of a nun, something to be wary of this ceramic Okimono by Takahashi Dohachi enclosed in the original wooden box titled outside Dohachi Zo Hakuzoso, and signed within Kachutei Dohachi Zo followed by the artists stamp. It is 8 inches (21 cm) tall and in fine condition...

This is a samurai armor set (yoroi and helmet) for Boy’s Day in Japan. By displaying a set like this, the parents hope to inspire boys in their manliness, bravery, discipline and the honor codes that come with it.

Here on the lids, it is written the name of the owner and the occasion. It is to celebrate his first Sekku in the fourteenth year of Showa period (1939). On the reverse side of the lids, there are labels of Tanimoto Yousuke, the doll maker...

An early piece from the Mudai series by Takiguchi Kazuo enclosed in the original signed wooden box. Unlike his later works which featured stone-like glazes, this glaze is soft and crinkled on the surface, like an undersea life form. It is 15-1/2 x 8 x 10 inches (39 x 20.5 x 25 cm) and is in excellent condition. Kazuo is an exceedingly sought after Kyoto artist, one of the heirs of the original Sodeisha movement...

Lug handles hang gently from the side of this blue-glazed Hagi vase by Richard Milgrim enclosed in the original signed wooden box. It is 9-1/2 inches (24.5 cm) tall, 4-1/2 inches (11 cm) diameter and in excellent condition.
Born in New York in 1955, Richard travelled to Japan in 1977 where he spent a year researching various ceramic traditions here. Returning to Japan in 79, he apprenticed under Iwabuchi Shigeya, and began studying the Way of Tea at Urasenke...

Antique Japanese cloisonne oval-shaped container with fantastic designs outlined in wire of flying birds amidst scrolling vines and blooming lotuses, with draping blue and red panels, depicting a phoenix whose tails resemble fish fins or flower petals, and a red dragon with flames and smoke clouds against a sparkling background. The main body color of the cloisonne piece is a pastel speckled yellow and its inside is a pale blue. It stands on four brass legs and sits upon a carved hardwood stand...

Edo Picture Hanabusa-Itcho Very rare screen Kano group. This is ground strewn with gold dust coloration Two Panel Screen drawn by Hanabusa-Itcho.� This is placed in "Gakusou" No. 10 of the Kyoto National Museum publication in March, 1988.� "Gakuso" is a very specialized book...

A circular red lacquer incense box imitating carved lacquer. The lid decorated with a rakan riding on a kylin. Black lacquer to the interior and with an old label: "Laque de Nara / donné par M. Morita". Condition: rims with tiny losses, lid inside with a crack and glue residue, base with some wear. Dimension: diameter: 7.8 cm, 2.4 cm high.

An old Japanese saki storage bottle in good condition except for some manufacturing flaws which only add to its character and charm. They include firing cracks on the rim, a spot where it touched another bottle in the kiln, and some loss at the base which may have also happened during firing. These type of saki bottles were used as everyday ware by Japanese people and were not made for export. Desired by collectors they also make excellent vases. The bottle is stable and measures about 10.5â€...

Antique Japanese lacquer box for the storage of cigarettes, with a woven "basket" exterior and black lacquer interior. The lid has two mixed metal fans incised with an old immortal man and foliage. The box has a free-sliding drawer and its top has a metal ashtray lined with glass. It sits on a lacquer tray with mixed metal handles. Taisho period (1912-1925) Size: (box) 5.75" length, 3" height (tray) 8.75" length, 7.25" width

This is Sugido-e used in Kyoto Imperial Palace for Edo period. This was one of the collection of very famous kimono collector Shoujiro Nomura of Kyoto for the Meiji period. It is thought that this was drawn by Kano Eigaku of Edo period. He revived by a picture of the early period of Edo era in history. As for this, both sides reproduce design of the early period of Edo era together. Generally, Sugido-e has bad state. However, this is very good condition. And it is very important that the condit...

A huge ice-cold blue tinged slab by Suzuki Kenji enclosed in the original signed wooden box perfect for an aray of Sashimi! It is 66 x 28 cm (26 x 11 inches) and is in fine condition. The four half-round feet were added after the firing.
Born into a long line of Kyoto potters, Suzuki Kenji studied initially (as did his brother Takuji) of course under his father Suzuki Kiyoshi. He graduated from the Kyoto University of Fine Arts in 1957 where he studied under Kondo Ryuzo, Tomimoto Kenki...