A symbol of longevity and hope for happiness Minogame temple party headpiece. Gilt gold embossed details over leather hide. The detailed head resembles on of a dragon. Horsehair depicts the long flowing seaweed from the back of the turtle. Condition consistent with age...

This antique Japanese merchant chest (Choba Tansu) is a rare and exquisite piece of Japanese history. It was crafted using Paulownia (Kiri) and Cryptomeria (Sugi) woods. The chest features all original hand-forged iron fittings and hardened wood nail construction. Features 6 drawers and a lift-out door behind which business books and records were stored...

A rare Japanese Buddhist Bell from the middle of the 18th century in perfect antique condition with no flaws. It is made of alloyed copper.

Bells play a crucial role in a variety of Buddhist services and rituals; their sound is considered auspicious, and is believed to bring peace and comfort to all sentient beings, even those who are suffering in hell.

Size: 15,5 cm high, 7,7 cm width

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Plums blossom red on the dark surface of this traditionally shaped Mizusashi bearing the rare Ubagamochi Stamp impressed into the clay of the base. It is 18 cm diameter, 15 cm tall, and comes in an old custom made collectors kiri-wood box labeled Ubagamochi Mimitsuki Mizusashi...

A beautifully carved tray of overlapping leaves interspersed with clustered grapes by Ichikawa Shudo signed on back in a circular cartouche. In one corner an odd round tail leads us to a squirrel head popping through the leaves, as if one were looking up through the vines toward the sky. It is 46 x 35 x 3 cm (roughly 18 x 14 x 1 inches) and is in overall fine condition, There is a slight warp to the bottom of the tray, but it is still bery usable and there is no damage to the carving...

My favorite piece by this unique artist, a tall slab form vase wearing a sash of random words scrawled like some ancient graffiti riddle by Shigemori Yoko enclosed in a wooden box titled April Fool. This dates from early in her career, late 70s to early 80s...

An antique Japanese large Kyoto Todana Tansu (storage chest) made of Keyaki (Zelkova) and Hinoki) Cypreess) woods. Two large sliding doors opens to a spacious area for storage. Hidden mortise and tenon joinery with side slats incorporated for strength and support. Original bronze door handles with incised butterlies and flowers.

Age: Meiji Period (1880-1890)

Dimensions: 73" Wide by 30 5/8" High by 20 1/2" Deep

Boxwood okimono with horn and mother of pearl, portraying the moment of Daruma's awakening. The figure, sitting and stretching, has wide eyes and an open mouth. Under the base, the signature “Tomokata” is engraved on red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 14 x 7 cm. State of conservation: Very good

Cloisonné vase, with base and edge in silver, decorated with polychrome enamels held by a silver thread, depicting a pheasant on the banks of a watercourse surrounded by blooming cherry blossoms and chrysanthemums. The pheasant, chrysanthemums and cherry blossoms are three significant elements in Japanese culture, each of which carries with it a distinctive symbolism and importance. Origin: Japan Period: Meiji, early 20th century. Dimensions: 25 x 15 cm. State of conservation: Ve...

A pair of wild duck. Painted with ink and pigments on silk. Signed and sealed. It is attributed to Ishii Kinryo.

Ishii Kinryo(1842-1926) was a Japanese painter active during Meiji(1868-1912) - Taisho era(1912-1926)in Japan. He was a pupil of a prominent artist Furuichi Kinga(1805-1880) and Okamoto Shuki(1807-1862). Kinryo travelled all over the country and taught students at his art school after he got back to Okayama prefecture...

Shien
Temple in Snow
Date: 1930s-1950s.
Publisher: Watanabe Shozaburo.
Size: Approximately 6 x 4 inches.
Sealed by the artist at lower left.
Medium: Japanese woodblock print.
Condition: Near bottom small indentation in snow and lower margin bump.

Delightful pair of silver cloisonné vases covered with polychrome enamels on a dark blue background. Decorations with polychrome floral motifs with peonies and a pair of Japanese thrushes. The polychrome decoration is held by a thin silver thread that surrounds every single detail. Origin: Japan Period: Meiji early 20th cent. Dimensions: 15 x 8 cm. Condition: Very good

Very beautiful and rare large porcelain bowl with polychrome enamels with very finely made decorations of birds, florals and mountains, Fuji... The quality of production is remarkable and characteristic of Kyoto pieces where the decorations are made by the greatest craftsmen Satsuma vases in particular are the most sought after. This large cup has an unidentifiable stamp under the base. Diameter: 27,5cm height: 19cm.

Japanese wooden inro with two compartments depicting a carp with horn eyes, finely carved. From the mouth comes the cord that crosses the agate ojime and reaches the boxwood netsuke which depicts the story of Oniwaka Maru, the future Benkei, and the giant carp. Origin: Japan Period: Edo late 18th early 19th century. Overall dimensions: 7 x 5 x 3.5 cm Netsuke dimensions: 3.6 x 4.5 x 3 cm. State of conservation: Very good

Very decorative dish decorated in underglaze blue and polychrome enamels in the style of kakiemon palette of rocks and flowers on the front and dragons on the reverse. Period: 19th century. Diameter : 31,5 cm.

Japanese lacquer inro depicting a Daikokuten with his hammer watching children, next to a Matsu plant. Excellent quality decoration with relief details, shine and original patina. Polychrome wooden netsuke depicting a seated sage with a fan, painted ceramic ojime. Inro signed Kajikawa with the kao under the base. Origin: Japan Period: Edo mid-18th century. Overall dimensions: 9 x 4.5 x 3 cm. Netsuke dimensions: 4 x 3 x 2.5 cm. State of conservation: Very good

A sculptural vessel by Yamaguchi Michie enclosed in the original signed wooden box titled heel. This is a fabulous representative work by this artist, in her signature peach glaze, something a little bit zesty. Yamaguchi sensei will tell you she is captivated by the beauty of the female form, and she seeks to imbue her works with that feminie grace. It could serve as a vase or simply be displayed on its own as an obje't...

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.