Ohno Bakufu
Flying Fish (Tobiuo)
Series: Familiar Fishes of Japan (Dai Nihon gyorui gashu)
Size: Oban. Approximately 16 x 11.25 inches.
Date: 1938.
Edition: No. 260 (noted on back in pencil).
Publisher: Kyoto Hanga-in. Publisher's seals on back in English and Japanese.
Artist's signature and seal upper right.
Medium: Japanese woodblock print employing mica and gofun highlights.
Condition: Light toning to former matte edge. Verso toned...

This is a Japanese antique handspun & natural indigo dye cotton katazome kimono. This charming pattern of katazome kimono has no stain. There is one repair mark. It is glued when washing, so the feel is firm. Size:Length:130cm Width: 122cm (Length51.1inch Width 48inch)

An impressive pair of large red lacquer boxes beautifully decorated with hydrangea flowers and leaves. Both with "Made in Japan" paper labels and insurance identification/inventory labels. In very good condition with some minor wear, each measures 9 inches high, 12.5" diameter. Dates Showa, mid-century.

A deep oblong bowl decorated in abstract underglaze blue imagery with flashes of red by Shibata Ryozo enclosed in the original signed wooden box titled Sometsuke Aka-e Hachi dating circa 1995. It is 17 x 19.5 x 6.5 cm (6-1/2 x 7-1/2 x 3 inches) an is in excellent condition.
Shibata Ryozo (b. 1952) completed advanced studies at the Kyoto Municipal University of Arts in 1978 (his work was purchased by the university the previous year for its permanent collection)...

Ito Takashi
Mt. Fuji from Yamanaka
Date: 1952.
Publisher: Watanabe Shozaburo.
Artist's signature at lower left.
Medium: Japanese woodblock print.
Condition: Excellent.

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...

A rare sake set by Kamoda Shoji enclosed in the original signed wooden box titled Haiyu Tokkuri-Hai Hitokumi (Ash Glazed Flask and Cups, 1 set). The Tokkuri is 13.5 cm (5 inches) tall, the cups are 6 cm (2-1/4 inches) diameter and all are in excellent condition dating circa 1965.
Kamoda Shoji is without a doubt one of the most important and influential ceramic artists of the 20th century...

A serene image of the Goddess of Mercy Kannon found in a natural black stone from the Seta River inset into a hand carved hard-wood base and enclosed in a kiri-wood collectors box titled simply Setagawa-ishi (Seta River Stone). 19.5 cm (7-3/4 inches) tall and in excellent condition.

This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is literally smothered with intricate enamel and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had an amazing and nearly invisible rim chip repair.

This is a very rare Cloisonne piece from Kinuken or S Inaba. Kinukenwas one of the Meiji masters. We've never seen another. It was acquired from one of the best cloisonne collections in the world. It is probably a late Meiji, early Showa era piece. The plague has two sides and a footed gilt frame. Some of the gilt is worn, otherwise it is in perfect condition. Stamped S. Inaba on the frame. It stands 7 5/8 inches and is 7 5/8 inches wide...

This is a high quality and very refined pair of Japanese Cloisonne vases. Though not quite as prolific work as on some pieces, the quality is very high. With almost pitless enamel and a high highly sheen, these vases glow. Condition is excellent and these vases are 4 3/4 inches tall.

Kawase Hasui
Late Autumn Rain, Nanzen Temple, Kyoto
Date: 1951
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower right, indicating a first state produced between 1946-1957.
Size: Oban. Approximately 15.75 x 10.25 inches.
Reference: Hotei #562.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have tape residue. Slight fading.

A modern, tokkuri-shaped vase of heavily thrown Shino-ware with thick white, partly covering, glazed over which are powerful, brown splashes. The body with raised tapering bands that turn clock-wise. The piece was made by artist Tsukamoto Haruhiko (b. 1959).* Fully signed kiri-box with artist’s seal and signature. Made around 1980. H 15.5 cm. Condition: Perfect. * Tsukamoto Haruhiko was born in Mino in 1959, and is now based in Gifu prefecture...

Twelve Shinsho are guardian Buddhas of Yakushi Nyorai and they are 12 worriors and armoured. They have 12 animal symbols on the head. This one looks "Sarugami", monkey judging from the apprearance. Early 18th century. In good condition but some parts are lost. Height:29cm Width:12cm

Height: 17.8 cm (7.3 in)
Width: 7.7 cm (3.1 in)

Quality Japanese cloisonné vase; floral sprig; fine shading work; on a dark blue ground; good condition

Japanese antique giver of joy diety elephants, Shingon and Tendai sects, made of boxwood male and female elephants-headed with human body holding another. Well-carved, with inlaid eyes, hollow body. Giver of joy and prosperity. Small restoration.

Edo Period, circa 1800s
Size: Height 4" Width 2 1/4" Depth 2"

Closely resembling a historically important tea bowl made by one of the forebears of the art of tea and Raku pottery, Chojiro, this piece gives one a sense of the deep origins of tea culture.

Fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto...

A rare antique Japanese Niigata Kiri Children's Kasane Tansu (stacking chest on chest) made entirely of Kirinoki (Paulownia) wood. It features a stylized Chrysanthemum design on each plate which represents the Mon or family crest of the original owner and Gumbai handles. The iron fittings were all hand made and the chest was constructed using straight dovetail joinery and hardened wooden nails.

These children's chests are not often seen in Japan...