Homage to the beauty of nature, here the artist has taken a simple dried gourd and inlaid polished white shell flowers blooming on golden vines. A hole in the side allows addition flowers to be inserted, and the interior is lacquered black. He has left the frayed vine at the top untouched. It is roughly 30 cm (12 inches) tall and in perfect condition, enclosed in the original signed wooden box...

Edo Period (circa 1820) Japanese Sculpture of Tenjin, the Shinto God of Knowledge. It was housed and displayed in a Shinto shrine. This Tenjin is extraordinary. it was commissioned by a wealthy family and presented to the shrine as a gift. It is an amazing work of art and is complete with its platforms and accessories. Its color and lacquer work are sublime. He has crystal eyes which add to an unforgettable image. 34 inches (86.5 cm)h x 22 inches (56 cm)w x 13 inches (33 cm)d...

4 lacquered wood panels inlaid with metals and mother-of-pearl. Very old Japanese work. Decoration of rocks boldly drawn with power but elegance, decorated with plants. Whoever has painted such a high quality drawing is an excellent artist, certainly one of the best of his time...

LACQUERER'S TOOLS

Wooden bowl with the remains of coagulating black lacquer and the spatulas. 1970s, Japan. D 22 x H 10 cm (8.66 x 3.93in).


selected by Jinta




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LACQUERER'S WHEEL

Wheel for lacquering used by Japanese lacquer craftsman as a handmade professional tool made of wood, iron, and *cloth (*coating the top plate, though looks like wood), from Aizu area, Showa period, mid 20th century, approx...

The inro decorated with a dragon and Characters. The Ojime made of colored ivory. The boxwood netsuke depicting Daikoku, protector of the merchants. Japan, 19th century. The inro 12x4x1,5 cm, age wear and chips to the lacquer. The netsuke 4x3,5x3,5 cm. with good wear and patina. From a Dutch private collection.

A two drawer Japanese box done in a kinji or gold background with fine paintings of pine and flowers with a family crest set in the open areas of the piece. The box has metal fittings for the drawers and a handle to carry the chest. Often lacquer works with family crests were made for dowries for high ranking samurai families. Age: 19th century Size: length 10.75" width 10.75" height 10.25"

A small round gourd: polished, cut and decorated inside with delicate fronds in gold on black maki-e. This is superb. It is 3 inches diameter (7.5 cm) and in perfect condition, enclosed in a quality old kiri-wood box. .

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box...

A rich color profusion with well executed brush strokes done in a rapid fashion that demonstrates the power of a Japanese artisan. This truly unique Japanese brush and seal box is a must have for the serious Oriental arts collector; dated to the late Meiji period C. 1910, this box is in excellent antique condition, considering the delicate lacquer and paint job this box would be considered a rarity in both its beauty and condition...

A variety of saya lacquer-style samples enclosed in a set of stacking boxes titled Nuri-Hon. Thirty samples covering inlays, various techniques such as nejiri, powdered shell, byakudan, wakasa, and tsugaru techniques. Each sample is roughly 3-1/2 inches (9 cm) lng, the boxes 7-1/2 x 4 x 1 inches (19 x 10 x 2 cm). Very rare and overall in fine condition, dating from the later Edo...

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...

LANDLADY

Vintage hanging scroll with hand-drawn portrait of a certain Japanese landlady on silk, Showa period, 20th century, Japan, total: approx. 48.5 x 175 cm (19.09 x 68.89in)...

LANDSCAPE 1914

Antique Japanese oil painting on canvas, by an anonymous painter named 'N. Omure', 1914, with some aged vertical flaws just like being the parts of its landscape itself. 45.5 x 38 x 2 cm (17.91 x 14.96 x 0.78in)...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

The red walls of a mountain monastery appear between the precipitous crags on this large scale painting by Komura Suiun enclosed in the original signed wooden box c. 1920. The composition escalates, guiding ones vision past the lone occupant of the mountain monastery to the quatrain in the top corner. The mature technique of a master painter; it is performed with ink and light color on silk in a fine silk border with large, solid ivory rollers. The scroll measures 26 x 79 inches (65 x 201 cm)...

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Rare box with 3 compartments in lacquered wood from the beginning of the Edo period, end of the 17th century, beginning of the 18th. Decor of chrysanthemums in a landscape. Some flowers are encrusted in solid gold. The decoration is in lacquer in light relief powdered with gold and silver on a nashiji background. Details in Kirikane. The silver is strongly oxidized and has turned greyish-black as on all very old lacquers of this period. In the bottom of the box on the base compartment we can dis...