A ceramic box by Nishibata Daibi enclosed in the original signed wooden box titled Senmon Tobako and exhibited at the 53rd Nihon Dento Kogeiten National Traditional Crafts Exhibition. This piece was awarded at the prestigious event. It is 11 x 11 x 4-1/2 inches (28 x 28 x 11.5 cm) and is in fine condition. Nishibata Daibi was born in Tachikui Village, Hyogu in 1976...

Japanese Woodblock Print by "Nishijima, Katsuyuki" in Frame, Born 1945-, title is "Colorful Clothes", pencil signed on the lower area, 16" x 12 1/2" for Frame size, Image size 12 1/2" x 8 1/2", owner purchased this woodblock print in frame in Japan and kept it in their home until now, framed by Kanda's B.O.Q Gallery in Japan with black wooden rounded corner frame in double mat opening, non glare glass front...

Karhu, Clifton (1927-2007) was born in Duluth, Minnesota of Finnish descent. He was one of the most renown American woodblock artists to work in Japan. Round Format woodblock print depicting Medium:Woodblock Print, framed under glass. Date: 1983. Edition: 49/100. Size: D. 31 cm. Title: Nishijin corner. Signature: C KARH. Condition: Very good color, impression and state. Nishijin is a district in Kamiyyo-ku, Kyoto.

Japanese Woodblock Printer "Nishima, Katsuyuki", Born 1945-, frame size - 16" x 12 1/2" and Image size - 12 1/2" x 8 1/2", "Good Day"(title), already framed by Kanda's B.O.Q. Gallery, signed lower bottom area in pencil, owner purchased in Japan and kept in their home until now. Framed in double mat and black wooden frame with rounded corners, non glare glass front. Introduction of the "Nishijima" and Frame shop information is on the back board, very professionally framed...

Nishimura Hodo
Bridge in Rain at Night
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Light, horizontal crease in sky. Toning in margin

Nishimura Hodo
Summer Rain
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.

Nishimura Hodo
Hirosaki Castle in the Spring
Date: 1933.
Size: Oban. 15.625 x 10.5 inches.
Publisher: Takemura Hideo. Stamp in left margin and label on back.
Sealed by the artist at lower left.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Upper portion toned where not covered by former matte.
Note: RARE - The only other example we could locate is in the Honolulu Museum.

A large white bronze Koro by Tsuda Eiju exhibited at the 14th Nitten in 1982. It is published in the catalog for that year, and comes with the Nitten card upon which it is pictured. The creature is 45 cm (18 inches) tall, 30 cm (12 inches) wide and in excellent condition. Tsuda Eiju (1915-2001) studied under Tsuda Shinobu (1875-1946) eventually becoming his heir. He was accepted into and awarded at the Nitten National Exhibition many times including the Hokutosho prize.

A 7 tiered pagoda like Tower in red and black lacquer by Okada Yuji exhibited at the 13th Nitten National exhibition in 1981 titled Hokuto no Shirushi (Guide to the North Star). It is made of wood cores around a metal box, each “wing” covered in alternating layers of red and black with sheet suzu metal edging. On top is an acrylic panel engraved with a target finder-like symbol (guiding us North). It is roughly 60 cm (2 feet) square, 38 cm (15 inches) tall and in excellent condition...

The size of Fubako: 11 1/2" Long x 8 9/16" Wide x 2 1/16" High. This is beautiful and classy Japanese Shunkei Lacquer Fubako (stationary box) with fine Japanse Brocade design with flower and karakusa design. Inside has lavender color velvet inside cover as well as inside bottom. The condition of Fubako excellent. It never been used. There is no warping. No scratch and wear. It has the date on the back of box Showa 54. (1979) Sept. 6th. It said as the appreciation of many long years working...

Noel Nouet(1885-1944)
Kuromon, 1936. From the 24 Views of Tokyo series.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Doi Hangaten. Carver: Ikeda, Printer: Yokoi. Bears the Doi watermark.
An early edition of rarely seen design.
Medium: Japanese woodblock print.
Condition: Excellent.

Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition. NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire...

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold...

Noh theater mask, representing the character of Shintai, a youthful deity, with a rather soft expression. The mask is signed (see pictures). Painted wood, with metal eyes. Japan, Edo period early 19th century. Height: 21 cm. The mask is nicely mounted on a custom stand. Slight abrasion on the painting in some areas, otherwise very good condition.

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...

Noh theater wood mask representing the character of Shakumi, a middle-aged woman. The loose strands of hair give her the careworn air of one who has suffered and survived countless trials. Note the slight sag to her cheeks and the creases on either side of her mouth. She often appears in the role of a mother. Japan, early 20th century. Height: 21 cm. The mask is nicely mounted on a custom stand. A few signs of use, otherwise very good condition.

Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand. NOTE: According to legend, Yama Uba or "The Mountain Witch" is a demon from Japanese folklo...