A rich color profusion with well executed brush strokes done in a rapid fashion that demonstrates the power of a Japanese artisan. This truly unique Japanese brush and seal box is a must have for the serious Oriental arts collector; dated to the late Meiji period C. 1910, this box is in excellent antique condition, considering the delicate lacquer and paint job this box would be considered a rarity in both its beauty and condition...

A variety of saya lacquer-style samples enclosed in a set of stacking boxes titled Nuri-Hon. Thirty samples covering inlays, various techniques such as nejiri, powdered shell, byakudan, wakasa, and tsugaru techniques. Each sample is roughly 3-1/2 inches (9 cm) lng, the boxes 7-1/2 x 4 x 1 inches (19 x 10 x 2 cm). Very rare and overall in fine condition, dating from the later Edo...

A lacquer tray made for the Urasenke Tea School enclosed in a wooden box titled Kanshitsu Umehana Bon (Dried Lacquer Plum Blossom Tray) signed Konnichi followed by the Ka-o signature of the 15th Grand Master of Urasenke Sen Soshitsu (Hounsai). The 5 lobed tray is 26.5 cm (10-1/2 inches) diameter and in excellent condition, signed underneath Tatsu.
Kuroda Tatsuaki (1904-1982) was born into a family of Kyoto lacquer ware artisans; in his mid-teens, he began to study lacquer art on his own...

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...

LANDLADY

Vintage hanging scroll with hand-drawn portrait of a certain Japanese landlady on silk, Showa period, 20th century, Japan, total: approx. 48.5 x 175 cm (19.09 x 68.89in)...

LANDSCAPE 1914

Antique Japanese oil painting on canvas, by an anonymous painter named 'N. Omure', 1914, with some aged vertical flaws just like being the parts of its landscape itself. 45.5 x 38 x 2 cm (17.91 x 14.96 x 0.78in)...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

The red walls of a mountain monastery appear between the precipitous crags on this large scale painting by Komura Suiun enclosed in the original signed wooden box c. 1920. The composition escalates, guiding ones vision past the lone occupant of the mountain monastery to the quatrain in the top corner. The mature technique of a master painter; it is performed with ink and light color on silk in a fine silk border with large, solid ivory rollers...

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Rare box with 3 compartments in lacquered wood from the beginning of the Edo period, end of the 17th century, beginning of the 18th. Decor of chrysanthemums in a landscape. Some flowers are encrusted in solid gold. The decoration is in lacquer in light relief powdered with gold and silver on a nashiji background. Details in Kirikane. The silver is strongly oxidized and has turned greyish-black as on all very old lacquers of this period...

This is a large and extremely rare Japanese Cloisonne vase. Though unsigned this vase was clearly created by Ogasawara Shuzo. As the images show this is a fabulous example of Meiji Era art. The vase measures 15 1/4 inches tall and 8 1/2 inches wide. Condition is outstanding but there is a tiny short line, of about 3/8 inch near the base.

Large Japanese Showa period circular form burlwood tray with raised sides made from a single piece of wood. 15 7/8” diameter x 2 1/4" high. The raised sides are 3/8" thick. Weighs just over 2 lbs. Likely dates from the first half of the 20th century. Very good overall condition. From the estate of a collector of Japanese mingei in Phoenix, Arizona. The original price tag remains on the bottom.

A very fine and detailed large 18th Century Japanese KANSHI Scroll Painting on Silk, skillfully depicting to minute details Mountains, Landscapes, Temples, People and Animals. This rare and outstanding scroll painting bears a Chinese poem in calligraphy, artist: YANAGAWA SEIGAN's signature as well as collector's seal. Good overall condition. Size of complete scroll: height 271cm x 107cm. (106" x 42"). Size of painting including silk border: 190 cm x 106 cm. (75" x 41.5")...

LARGE ABSTRACT JAPANESE PAPER

Washi (Japanese paper) once used for grain storage, 1930s, Japan, approx. 150 x 150 cm (59.05 x 59.05in). Reversible abstraction unintentionally overwhelmingly collaged up without difficulty.


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully ack...

Large original Antique Japanese large low-fire ceramic mask of the Lucky God, Daikoku. His laughing face is round and painted with charming detail to his beards and eye brows. He is wearing his traditional hat that has been hand painted with great detail. One of the Lucky Gods, Diakoku is the God of Good Fortune as well as a god of the kitchen. It is possible that this mask may have hung on the wall in a temple's kitchen. Early Meiji Period (1868 - 1912) Size: 16 1/4" high x 19" wide...

A very large and elaborate Meiji Period Takeda Ningyo of a Kabuki actor in the role of the great warrior Akechi Mitsuhide, who rose from a lowly farmer to become one of history's greatest samurai. This Ningyo is in Excellent Condition and is complete, which is amazing considering its complex construction. It was made in northern Japan, giving him him a unique look, as most Takeda Ningyo were made in Kyoto. Total dimensions: h31.5 x w16 x d11 inches, h80 x w40.5 x d28 cm. Figure height: 14.25 inc...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions). This is very likely, ...