Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style—referring to the heavy influence from Korean forms and glazing—this exquisite Edo period Karatsu-ware tea bowl features a white stripe running horizontally along the outer surface of the bowl known as Hakeme...

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box...

A pair of antique Japanese folding keyaki doors with iron mounts. The door is constructed with mortise and tenon joints. The panels are divided into 7 parts framed with carved decoration and hinged with iron mounts. The carved decoration is finely painted with polychrome mineral pigment with gold gilt accents. The subject matter of the temple doors is a scrolling lotus motif and 8 phoenixes.
The phoenix represents power sent from the heavens to the Empress...

Spectacular Authentic Antique 19th century Meiji Period circa 1885 A.D. Japanese Satsuma Earthenware large planter-fish bowl.

The exterior is finely hand painted in raised enamels and gilded with two opposing large lobed panels depicting samurais, dressed in elaborated brocade kimonos, highlighted with gold and flanked by two vertical panels adorned with intricate geometric designs, and finished in raised enamel and gold...

A two section large antique Japanese Choba Tansu (merchant chest) with front and sides made entirely of Keyaki (Zelkova) wood with Sugi (Cryptomeria) interior and Kiri (Paulownia) interior drawer sides. It features mitered through mortise and tenon joinery and side horizontal support ribs for additional strength, durability and visual elegance. Behind the two sets of large sliding doors are areas for spacious storage while the small sliding doors hide two small side by side drawers...

An antique Japanese 2 section tall Kyoto Choba Tansu (merchant chest) made entirely of Hinoki (Cypress) wood. All original hand forged iron hardware with Warabite handles. Copper sliding door handles...

Antique Rare Ainu woven pouch, created by the indigenous people of northern Japan. The Ainu are well known for their especially beautiful attusi garments made of woven elm bark. This rare pouch is made of a variety of natural fibers, with reinforced corners and edges. The detailed patterns of the Ainu were past down through generations of women and were believed to protect the wearer from evil spirits. This pouch is beautifully constructed with another smaller woven pocket on the inside. ...

A fabulous 17th century Koro (Momoyama to early Edo period) covered in black lacquer inlayed with minute mother of pearl shippo designs around circular windows featuring floral motifs. The lid is solid silver, pierced with overlapping floral designs. The windows feature grape, plum, bamboo and other seasonal imagery important in Asian cultures. It is 11 cm diameter and in overall excellent condition considering the age.

Here we show you a real rare antique and authentic small wooden hand carved Buddha Statue in form of a Bodhisattva, called Myoken Bosatsu.

It was made more than 140 years ago in the late Edo Period. The eyes of the statue are made of crystal and that technique is called gyokugan.

Myōken Bodhisattva, or Myōken Bosatsu in Japanese) is a bodhisattva, who is the deification of the North Star. It is mainly associated with the Nichiren, Shingon and Tendai temples. T...

Antique traditional robe of the Ainu people of northern Japan. Attush (attusi) fabric was made of the inner fibers of elm tree bark (ohyo). The bark was harvested by the men but refined and woven by the Ainu women. This robe is edged with dark indigo-dyed cotton cloth. The back of the neck of the robe is sewn with a bit of lighter blue cotton fabric with a white paste resist pattern.

Age: late 19th/early 20th century

Dimensions: 54" high x 58" wide

, Sterling silver-enameled Austrian compact depicting a man helping a lady to play Flute, Enamel Guilloche, stamped Made in Austria STERLING. Dimensions 2.5 inches in diameter, Original make-up pad included. Condition Report: Excellent condition.

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side. The newborn will be held in the arms of his mother-in-law and accomp...