Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 25 C.M. / Width 6.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 25 C.M. / Width 7 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 24.5 C.M. / Width 6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 26 C.M. / Width 6.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.

Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 23 C.M. / Width 6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

A very unusual three sided vase by Miyashita Zenji covered in pale glaze with vertical stripes of color enclosed in the original signed wooden box titled Deisai Kaki and titled kizashikaze (Sprouting wind). What makes this vessel quite unique is the use of vertical design. The majority of his work employs horizontal patterns, and it was only in his last years that he began exploring vertical motifs in full, however this piece dates circa 1995 so is a very early example of this ideal...

NUDE

Hand-drawn Japanese painting on thin silk backed with paper, Meiji-Taisho period, early 20th century, Japan, 39 x 28 cm (15.35 x 11.02in). Very early unique Japanese modern style with traditional Japanese technique and method combined with the taste of Western romance and decadence. Aged deterioration as is, and backing paper pasted on just one side among the four sides, as seen...

NUDE WOMAN

Charcoal on layered washi (Japanese paper) stuck on wooden canvas, 53 x 65.5 x 1.5cm (20.86 x 25.78 x 0.59in), by Eiki Tsukioka (1916-1997), as one of the leading Showa's Nihonga (Japanese-style painting) painter with very unique and alternative worldview, once as the pupil of a master, Seison Maeda (1885-1977)...

A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This pastoral scene from the Japanese countryside was captured over 300 years ago by painter, poet, and Buddhist monk Hyakusetsu Genyō (poet) and Kuge Yaou (painter) a monk of the Tenryu-ji sect.

Dharma heir to Chinese monk Gaoquan Xingdun, Hyakusetsu Genyō began his spiritual practice in the Rinzai sect under his teacher Hyakuju...

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in...

A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves.
The obi has been opened; a practice quite common in order to have the material cleaned. There is a paper (dry) cleaner’s tag on the obi.
Japan, ca...

OBJECT AS QUAD VASE

Such a unique supernatural creation composed of four pieces of Japanese Seto ware tokkuri (sake flasks) sticking to each other in a row in the kiln-firing as a coincidence, 19th century, approx. H 22 x 21 x 14cm (8.66 x 8.26 x 5.51in)


selected by titcoRet




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OBJECT MADE OF TIN AND BAMBOO

Applied from an old handmade dustpan made of reused tinware edged with bamboo. Showa period, 20th century, Japan. Hanged: approx. H 40 x W 39 x D 11cm (15.74 x 15.35 x 4.33in). Sign of use and dent as is. Washed in water well.


selected by hotoke




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A rush of water descends into mist between the rocky crags tinted with autumns color on this superb silk scroll by Ochi Shokan enclosed in the original signed double wooden box (niju bako) titled Shusei (Voice of Autumn). Top quality, it is mounted in striped silk extended with green and has large solid ivory rollers. The scroll measures 55 x 213 cm (21-1/2 inches x 7 feet). It is in fine condition. Ochi Shokan (1882-1958) was born in Ehime prefecture on the island of Shikoku and studied p...

OCTOPUS

Object made to be based on octopus. Used Japanese washi paper. Contemporary, Japan. H 18 x 16 x 17 cm (7.08 x 6.29 x 6.69in)


made by Jinta




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Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

A museum quality work by 19th century great Oda Kaisen featuring vines burgeoning with ripe fruit under the epitaph “Painted on a muggy date (possibly “by moonlight” as the term keigetsu refers) in 1840”. Ink on silk in brass colored Satin patterned with tendrils of mist and featuring white piping in the Mincho style and ivory rollers typical of literati painting of the 19th century. It is 18-3/4 x 72-3/4 inches (47.5 x 184.5 cm) and is in excellent condition.
Oda Kaisen (1785-1...

OFUKUSAN

Humorous Japanese *Ofukusan pottery figurine with such powerful face. Showa period, 20th century. approx. H 5cm (1.96in)

*Ofukusan – Iconic face of homely and cheery Japanese woman who brings many happiness


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully...