Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform...

A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately. Yamashita Joji (b. Tokyo, 1947) lives in Okayama, but began his artistic career in the Vancouver Art School in Canada...

Wow I need that! is all I could say the first time I saw this piece by Furutani Taketoshi while visiting the Churokuen Kiln early this year. The tendrils of natural ash glaze wrap around the simplified form like the roots of some ancient Shinboku (God Tree). It is unpretentious, but stands out clearly as a masterpiece by this very talented young potter. It comes enclosed in the original signed wooden box titled Shigaraki Shizen Yu Yohen Hanaire (Shigaraki Natural Ash Glazed Kiln Altered Vase)...

A breathtaking work by Hashimoto Tomonari, deep space covered in random clouds and explosions of color like some precious treasure, the origin of life, from another world. It is roughly 24 cm (9-1/2 inches) diameter, 34 cm (14 inches) tall and weighs 4.2 kilograms and comes enclosed in a signed wooden box from the artist this year.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood...

A spectacular Oni Karatsu Vase by Inoue Toya of the Kyozan Kiln enclosed in the original signed wooden box. It is 10 inches (25 cm) tall 6 inches (16 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai. In 1969 he opened his own kiln...

A spectacular 19th Century Japanese Bronze Horse, with a wonderful dark caramel brown patina, featuring a classic Japanese wave design in the mane and tail. This important bronze is a masterpiece of the finest quality. 21 inches (53.5cm) wide x 18 inches (46cm) high.

A gorgeous Jubako stacking box of lacquered wood decorated with burgeoning grape vines in powdered gold maki-e dating from the 19th century enclosed in the original wooden storage box. Inside oxidized vermilion grants a sense of celebration, while the outside covered in polished black is the perfect back drop to the shimmering gold decoration. Assembled it is 24 x 26 x 31 cm (9-1/2 x 10-1/4 x 12 inches). Overall it is in very good condition, with some minor dings in the edges typical of use...

This is one of the most significant Japanese satsuma pieces ever created. This is a museum piece with fabulous workmanship in combination with a very large size. This bowl truly has a volume 10-20 times bigger than a normal 5 inch Yabu Meizan bowl. It measures 7 inches tall and is 9 ¾ inches wide. It is also heavily made weighing about 4-5 lbs. The bowl features 6 different exquisitely decorated panels in polychrome and gilt. These panels depict people, birds and landscape scenes...

A cormorant cries out to the sea on the lid of this fantastic suzuri bako writing box enclosed in a red lacquered kiri-wood box. Inside the birds mate looks up from among gold flecked lotus leaves growing wild along the waters edge. The box contains the original tray with stone, the edges of which are flecked with gold. It is in excellent condition but for on ding to the inside of the base, lower left, and one in roughly the same position on the lid...

Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is attributed to Marurei, one of the most important Ningyô artists. He now has Japanese National Treasure status. This handsomely adorned military horse is displayed on a Boys Day stand...

A breathtaking work by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Sakura-mon Kaki. The unabashed use of gold on this piece is extraordinary. Quite large, it is 39 cm (15-1/2 inches) tall, 27 cm (11 inches) diameter and in excellent condition. This is a step beyond even for an artist known for his bold patterns and designs; this would make a powerful centerpiece for a collection of contemporary Japanese pottery.
Miyake Yoji was born in Shimane in 1950, H...

Although I do not often use the term, this is a masterpiece by Iga artist Banura Shiro enclosed in the original signed wooden box. Even under the glaze the texture of the clay is clearly visible, rivulets of green glass arching around the body with slashes of color over the red terracotta. It is thin walled and quite light beguiling the size. The Tsubo is 15 inches (38 cm) tall, roughly 13-1/2 inches (35 cm) diameter and is in excellent condition. Due to size the cost of shipping will be acc...

A fantastic large tsubo vase by ceramic artist Teramoto Mamoru (1949-present) enclosed in the original signed wooden box. In spite of its size (almost 15 inches (37cm) tall), it is surprisingly light, and the colors are phenomenal. The slightly grooved surface is scored with primitive lines arching upward, filled with slip before firing. The artists signature is on the base of the piece, which is about 15 years old. Mamoru was a student of Matsumoto Saichi of Kutani, and has received numerou...

Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959

His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.

Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji. He struck out on his own in 1985 and sinc...

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan.

It comes with an old wooden box with appraisal, a silk pouch (shif...

This is an amazing small cloisonne vase. It is only 5 inches tall but has as much fine work as a great 12 inch vase. The rims are silver. It is not signed but the enamel colors and wire designs in the flowers appear to be the work Hayashi. Condition is excellent.

An ancient pine and youthful bamboo rise in gold against a striking red background on this scroll set by Hirai Chokusui dated Mid-summer of Taisho 2 (1913) an enclosed in the original signed double wood box titled Ro-matsu Fu-chiku (ancient Pine, Wind in the Bamboo) Kindega Kenpon Sofuku (Gold Painted Silk Pair). The elegant scene is painted with gold on the finest red silk with gold border extended above and below with a deep solid Ichionji of burgundy wine wrapped in a field of azure washed ...