Original woodblock of a samurai by Japanese master and teacher Toyokuni Utagawa, 1769-1825. Signed in lower left, the print is float mounted. In very good antique condition, there is some worm hole damage along the right edge. Measures sight size 13.5 inches high, 9.25 inches high.

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki...

Pair of Kinko (soft metal, as distinguished from iron) menuki. The soft metal copper alloy with dark patination (perhaps shakudo) depicting a pair of shishi or dogs (these are more dog like than most shishi I've seen, which are often thought to be lions.) The dogs with hair defined with fine incising. Decoration in gold including spots and pupils on the dogs, the collars each with a bell, and sprays of flowers...

This is the clothes which a fire fighter of Edo period wore inside of Sashiko Hanten. This is the very rare item which the person of waterfall ascetic practices was drawn on to a back in Tsutsugaki. This picture does one of the famous programs of Kabuki in a motif. The cotton is spun by hand. And it is slightly thick. This has several places of fading and tears. This has small damage on a collar and a shoulder. However, I do not feel the state. Size 67cm x 90cm (26.3 "x 35.4")

This is an item used in a village headman for Edo period. As for this, cotton is spun by hand and is dyed with an indigo plant. This is that the theme of the pattern is happy. A pattern is round, and this is drawn. It is simple, and this is good-quality Tsutsugaki. This does not have a stain and damage. Size 180cm x 94cm (70.8 "x 37")

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). A fight of kawanakajima is a design. It is a very high technique. A samurai (takeda shingen and uesugi kenshin) and a horse are drawn and are also the uplifting feeling and the excitement which seem to begin to move shortly. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 92cm...

Mokkogate samurai sword guard (tsuba) made of shibuishi with gold inserts, with katakiri decor representing on one side a monk sitting and holding a brush and surrounded by clouds and on the other side a dragon emerging from clouds. The tsuba is signed. Japan, Edo Period, 18th/19th century. Diameter: 6.7 cm. the tsuba is offered in its original box. Very good condition. Provenance: Old Canadian collection. Auction sale Tajan, in Paris, December 14th 2015.

This is an amazing boro futon cover made of almost countless fragments which are hand-spun and natural indigo dyed cotton(katazome and shibori (Tie-dye) From Edo to Meiji era.In this boro, patched does a piece with a thick hemp thread and indigo dyed cotton thread of the Edo era.The stain & damage & discoloration used for a long time are very charming for that.It can enjoy both sides. size:Length 146cm (57.4inch) Width 90cm (35.4inch)

This is Yogi used in the Tohoku district of Edo period. This is Yogi which a rich landscape gardener used. As for this, a pattern of the lower part is a bamboo fence. This has the W kirimon which twined Tang grass around the upper part. As for this, cotton is spun by hand. The bamboo fence which this is the indigo plant light and shade, and was drawn is very unusually precious. And the bamboo fence is drawn from the left to the right with a curve to be sunk. It resembles Koetu-Kaki...

Japanese antique old Edo� era silk Tie-dye shibori benibana-dye kimonoi.It is a very good condition.It does not have a stain and the damage.size:Length 147cm (57.8inch) sleeve to sleeve 123cm (48.4inch)

This is Katsugi used in the latter half of the Edo era(1800 ~ 1868) in Tohoku. This is good-quality Katugi produced in a district for Edo period. This is Katsugi produced with a tradition of Kyoto in a district. This has Oomon to a shoulder center part. This was dyed with a natural indigo plant. As for this, the bottom part is colored into black. As for this, Katazome of the small build is expressed by three patterns. The part of the hem is Tsutsugaki, and this is expressed...

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive. There is not such a bold design elsewhere. This does not have a stain and a wound. The state is very good...

A framed Japanese woodblock print of children playing by ukiyo-e artist Keisai Eisen (1790-1848) . Oban size print, it is in very good antique condition consistent with age. Dates late Edo.

This is one of the more intriguing lacquer objects we have owned. Adorned with maki-e Aoe (hollyhock) Ka-mon on nashiji ground (also known as the Kamo Aoi as it was sacred to the Kamo shrine), family crest for prominent daimyo families including the Tokugawa and the Matsudaira during the Momoyama and Edo periods. Even the drawer pull is fashioned as an open worked shibuichi Aoe Ka-mon with the surprise of a textured, kinko (soft metal) raised backing only if you look for it...

This is Yogi which a rich merchant used in a district for Edo period. As for this, good-quality Tumugi-Silk is used...

An armorer's (katshushi) tsuba by Miochin Munekane (signed.) Of smaller size associated with wakizashi. Engraved katakiri-bori flowers and vine decoration (six petals on vine, possibly clematis.) Artist line active between 1818 and 1887. Ex Robert Haynes collection. Good condition. A larger, sukashi tsuba at least by the same line, also signed Miochin Munekane, is in the Brooklyn Museum. 2 9/16 inches (6.5 cm) X 2 3/8 inches (6.1 cm) and 1/8 inch (.4 cm) thick.

This is Kake-Fukusa used for Edo period. This is very superior in dyeing by Tsutsugaki and is luxurious. This is superior in processing in detail. As for this, Tsutsugaki and a luxurious combination of the embroidery are very impressive. Big prawns and the combination of Tbanenosi are motifs of the good luck.This has slight stain and damage on the back side, but hardly attracts attention. Size 76cm x 68cm (29.9 "x 26.7 “)

A large Tembo tsuba. The Tembo (or Tenpo) style evolved from the Saotome school and the sukashi decoration of Okiagari here (an especially nice feature) carries over. Okiagari are self righting toys and the subject was a symbol of inspiration to Samurai in aspiring to improvement and the right path in life. There is, on a curious level of interest, some minute trace of old gold decoration (long since worn off) on the surface of this tsuba. Though there are transitional examples, the present exam...