A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. Arita, circa 1680~1700.

The back is entirely plain with four spur marks within the foot-rim...

An early Japanese blue & white plate produced in Arita at the end of the seventeenth century. The centre features a roundel carefully painted with a vase of flowers on a verandah. The unusual vase perhaps based upon a Dutch example...

Lacquered and painted wood travel coffer or cabinet with iron mountings and lock. Japanese work. The exterior is black lacquered decorated with gold and polychrome. Some typical patterns allow us to date it with certainty around 1580 more or less 20 years. Very rare specimen, few similar models exist. The lock is one of the very first executed in Japan because it was the Portuguese who brought the technique when they landed in Japan around 1550...

Height approximately 20.5 cm. This is glued between trumpet section and the vase body. There is added color to the connection line only, others are not there. Conditions as in the pictures. More pictures are available.

An Ai-Kutani plate, Arita circa 1700. Decorated in underglaze blue with various molluscs amongst seaweed clad rocks. The back is plain with three spur marks within the foot-rim. Overall the glaze has a blue tinge.

Approximately 18.8 cm diameter...

A 17th century Japanese porcelain plate plate for the domestic market. Arita 1670 - 1690. A goose on a promontory next to a crashing wave.

d = 19.4 cm...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 years ago. The poem on the scroll reads:

Solitary, with the color, of nothingness
A close to autumn, on a ring of mountaintops

The painter, Minenobu Kano (1662 - 1708), was greatly admired by the Ienobu Tokugawa shogunate who eventually promoted him to the position of inner-court artist...

Rare japanese urushi lacquer box of a calabash shape. Beautiful Hoteï sleeping on his bag on a black ground. Nashiji lacquer inside with two figthers. A rare border of checkerboard and mother of pearl inlays.

A fine Japanese porcelain plate, the centre painted with a pair of Ho-o birds perched on rocks amongst flowers. There are several versions of this design featuring different borders. This border is unusual, it features three Ming-style elephant headed dragons and a profusion of blooms. The back has a particularly delicate depiction of trailing blooms and an inner border of clouds. The mark is associated with the Old Kakiemon kiln, 1680’s.

Approximately 20.7cm diameter...

Rare bronze ewer Japan Muromachi period, cast in one part. Signature of the artist incised under the base. This type of ewer is very rare, we know only one other similar example, smaller and less elaborate which is housed at the Minneapolis institute (usa). Excellent state of conservation, beautiful original patina. H:290mm

A vermilion Negoro lacquered tray with fluted corners on an elongated stem with heavy round foot in black lacquer dating from the Muromachi period with the temple name Zentoku-in written in red on the base. It is 27 x 27.5 x 25 cm tall (10-1/2 x 10-3/4 x 10 inches). Originally undoubtedly square, the discrepancy in width is due to shrinkage against the grain over the centuries. It comes in a late custom made wooden storage box...

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha and two Bodhisattva attendants: Sanzon Bosatsu (with both hands holding a lotus blossom) and Seishi Raigo Bosatsu (with hands in gassho adoration mudra). The central figure, Amida Nyorai stands with each foot on a lotus blossom, floating on swirling clouds as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit)...

An Arita porcelain whistle in the form of a reclining Chinese boy. Decorated in Kakiemon-type overglaze blue, green and iron-red enamels. Circa 1680 ~ 1700.

A similar whistle is illustrated in Christiaan J. A...

A shaped Arita blue & white porcelain dish in the form of Mt. Fuji, circa 1680 - 1700.

A similar but smaller example is illustrated in The Complete Catalogue of the Shibata Collection, item 2276.

Approximately 16.5 cm wide. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

Please no...

An Arita small dish in ai-Kutani style decorated with a bird beneath a tree, all within a dog-tooth border. The plain back with an apocryphal four-character Ming Wanli reign mark. Circa 1700.

Approximately 16.9 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

Please note that all...

A Very rare an extraordinary antique Japanese Kuruma tansu (wheeled chest) made of kirinoki (paulownia) wood. Extremely rare design, Most possibly a tansu from the Akita Castle.
All original including the finish and hand forged iron fittings. Top hinged lid over a thin flat compartment, sliding door compartment locked door reveals inner drawers, bottom sliding door compartment has key that reveals small drawers. There are iron rope rings on each corner to help roll this chest form pla...

Rare lacquer box with nashiji background. Gold lacquer decoration in relief of pavilions in a lake landscape. Kirikane gold and silver, pine needles in yellow metal inlaid in high relief blackened by oxidation and dirt. Early Edo period, late 17°or earlier. Inside there is a tray. 18 x 10 x 8cm. A broken and badly glued interior edge (visible on photo). Sold as is, never restored nor cleaned. No lack. Very good condition considering the venerable age.