A wide hira-jawan decorated with inlaid white slip in the pattern of flowers and rope. The Mishima style of pottery is modeled after much earlier Korean forms—most notably Punch'ŏng. The gold repairs are extensive and skillfully applied, nicely complimenting the pale ash glaze and adding an extra dimension to this lovely work.

This piece is 5.6 inches in diameter (14.3 cm) and stands 2.3 inches tall (5.9 cm)...

Here we present our second Hagi Chawan from the famous Koraizaemon family. We already offered and sold a Hagi Chawan made by the first Saka Koraizaemon some month ago, please see item number 0211 on our website.

This chawan was made by the 6th. Koraizaemon Shinbei Saka (1739 - 1803), accompanied by a wood box with the certificate and appraisal of the 11th Saka Koraizaemon...

Sold! Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay during the Edo Period with strong black ink glaze and a rarely seen patina.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. The chawan has a very rare 'decoration' with hanging persimmons (hoshikaki) scratched into the engobe and a tea room window inside and a plum blossom painted under the clear glaze...

Dating from early-to-mid Edo the shape of this unique Karatsu piece is referred to as a “takadai-zara” in Japanese, or high-footed serving platter. Modeled on similar Korean pieces from the early Joseon Dynasty, the platter was made using coarse, unrefined clay with high iron oxide content. The clay which forms the bowl shows impurities, intentional pitting, and small stones peeking through the clay making for an interesting ceramic landscape...

Japanese Genroku Period Imari Tokkuri sake bottle in 4-sided rectangular form. From the early 1700's. Blue on white porcelain base with red and gold overglaze enamels in a floral design. 10 1/2" tall by 4 1/4" by 4 1/4".

An unusual Japanese Kyogen theater mask of a dog. Kyogen is a major form of classical Japanese musical drama that has been performed since the 14th century. One of the oldest major theatre art still regularly performed today. Overall in good condition with original finish. Mounted on steel plates and armature wire presentation.

Edo Period Circa 18th century.

Dimensions:6" wide 8" tall 4.5" deep.

Elegant and sophisticated Shino Chawan, wonderful dialogue of brown and cream Shino crackle glaze, made during the early to the mid Edo period.

It is decorated outside with the Imperial Seal of Japan, the Chrysanthemum Seal and inside with two stars. This design I have never seen on other tea bowls before.

No cracks or repairs, just aesthetic inborn kiln cracks. Gorgeous and rare.

Box and shipping included.

Size: 2,8'' height and 5'' in diameter

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

This is a beautiful and rare original antique Japanese Polychrome Woodblock Print "Itsutomi" Ukiyo-e by Utagawa Toyokumi dated 1793 or 1795, Edo Period, depicting a beautifully dressed and elegant Lady with her Shamisen instrument on the floor. Calligraphy markings/seal. Overall in very good condition with very small inconsequential tear on the outside (right frame, see photo). Size: 15.5" x 10.25" (39.5 cm. x 26.5 cm). This Woodblock has now been framed under glass.

Japanese Carved Volcanic Gray Stone Jizo, Bodhisattva Buddha is holding Lotus Bud, Edo period, before 1800, 22" high, 11" wide maximum, 9" deep. Old lichen is growing in some areas, and in good condition.

A beautiful Edo Period Scroll attributed to Kano Insenin Naganobu (1775-1828), depicting "WHITE KANA", 18th Century, Japan. Seal and Characters on bottom right. Provenance: From an old Berlin, Germany, collection belonging to a Lecturer. Good condition. Size: H. 180 cm. x W. 50 cm.

Manufactured specifically for export to Europe sometime during the first half of the 18th century. The cutout, rather small in this case, is to allow the bowl to fit comfortably under the chin when the barber is wielding the razor. Barbers at that time also provided a service to the medical profession by bleeding patients and these bowls are sometimes called 'Bleeding Bowls'...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-like aesthetic...

Exceptional Edo p. Japanese Screen, Demon War An exceedingly rare set of four dramatic paintings divided into segments depicting a variety of battle scenes and supernatural phenomena, each heavy pigment on paper canvas mounted on one of four panels of a gold screen bordered in mulberry. The scenes appear to comprise a fragment of the tale of Daikozan (Oeyama), a Kyoto tale where in a powerful demon was lured to drink, then cut to pieces in his stupor...

Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use...

A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

Antique Japanese bronze with gilt traces Quanyin statue, standing on a lotus pedestal.She holds a bottle in her left hand and a seashell in her right hand. With remnants of lacquer and gilt pigment.

18th century or later.

Dimensions: 12"H x 4" W x 4" D

Netsuke nicely carved to represent a man standing with a slightly mischievous expression and posture. Ivory, with a fine age patina. Japan, mid Edo Period. Height: 5.9 cm. Minute age cracks (absolutely no damage), slight erosion, otherwise very good condition.