A very interesting and well-carved figure-group (okimono) on a fitted base depicting the ox-herding boy and his ox loaded with fire wood in naturalistic style. The head, hands, feet of the body as well as the leash and the bundle of fire wood carried by the ox have been made from tinted ivory, as has the plaque with the artist’s name. The rest of the group has been made from a dense type and beautifully veined Oriental wood...

Antique Japanese hibachi or coal brazier, constructed of heavy Keyaki (elm) hardwood with natural burl grain in a The frame of the brazier and drawers are done in kurogaki (black persimmon wood). The copper lining with original patina from oxidation.

Meiji period (1868-1912)

Dimensions: 27 1/2" x 16" x 13 1/2" H

This is a very unusual Japanese Cloisonne vase that looks more like a porcelain blue and white vase. The vase has a mix of silver wire and wireless enamel work. The vase is heavy and has a nice glossy sheen. The rims have an unusual dark chocolate patina to them. It stands 9 5/8 inches tall and is 6 1/2 inches wide. Overall condition is very good but there are two short lines in the narrow white area just above the scroll on the base.

Antique Japanese scroll painting of a monkey seated near a blossoming peony. Painted with great expression and much attention to the details of the face, hands and feet of the monkey. Every hair is carefully brushed. Painted in light mineral colors and ink on silk. Bone ends. Signed Mori Sosen (1747-1821) with seal.

Edo period (1603-1868)

Dimensions: Total size: 44" high x 18 3/4" wide (20 1/2" wide including ends. Size of art: 12 3/4" high x 14 1/2" wide.

Japanese two section tansu made of Kiri (paulownia) natural finish wood. With hand forged iron hardware incised with motifs of cherry blossoms and fans.

Meiji period (1868-1912)

Dimensions: 34 1/2" x 15 3/4" x 40 1/2"

Antique Japanese scroll painting, with an arrangement representing a bounty of good fortune. Fish top a bushel of rice and are tied with roped straw in an auspicious presentation meant to bring in a bounty of fortune. Adding to it, three of the Lucky Gods make an appearance in miniature, treating the decoration as if it were a boat or their ship of good luck. Sumi ink on silk. Dates from 18th century.

Dimensions: Total size: 44" high x 22 1/4" wide (24 1/2" wide including ends)...

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords...

Japanese antique scroll painting of the Lucky God, Ebisu. He sits on a rocky shoreline with his fishing pole in his right hand. Tucked under his left arm is a giant fish.
Ebisu is the Japanese god of fishermen and luck...

Antique Japanese scroll painting of a hawk standing on the branch of an oak tree. The hawk is detailed with great attention to every feather. Painted in sumi ink and light colors on paper. Signed Shunkei with seal, possibly Mori Shunkei (1775-1841).

Edo Period (Late 18th - Early 19th century)

Dimensions: Total 79" high x 27 1/4" wide (29 1/4" wide including ends) Art: 51 1/2" high x 21 1/2" wide

Antique Japanese small kobako (incense box) with inside tray. The outside is decorated with a scene of a garden fence, chrysanthemums, hydrangeas and daisies in gold lacquer on a nashiji ground. The interior is covered in fine nashiji. The small tray stands on tiny feet and has a pavilion scene with twisted pines all in gold lacquer on a matching nashiji ground.

Meiji Period (1868-1912)

Dimensions: 4" high x 6" wide x 4" deep.

Japanese 2 section Mizuya (kitchen chest of drawers) made with Hinoki (cypress) wood frame and Sugi (cedar) panels, with natural hardwood burl front drawers panels. The top section is configured with two small and three very small drawers below a large interior compartment. The sliding panels are decorated with carved wood accents and copper pulls with floral medallions. The bottom section holds the largest interior compartment behind sliding panels...

Japanese boxwood ojime bead carving of a skull, finely detailed with realistic cranial fissures, missing teeth, pierced eye sockets and nasal cavity, with tiny handmade chisel marks visible under the jaw. The ojime is a cord fastening bead, used to secure an inro container to the wearer's obi or sash.

Edo period (1603-1868)

Dimensions: 1 1/2" x 1" x 1"

Japanese gold lacquer inro with five compartments, decorated in low relief landscape scene of lakeside mountains, cottages, pagodas, pine trees, and bridges in gold lacquer and accents of silver. The reverse side shows a tiny man in a boat traversing the waters. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Underneath the bottom compartment is an artist's signature with red chop...

A round moon shaped Japanese kogo or incense box with sprinkled gold lacquer maki-e motif of an anthropomorphic rabbit pounding mochi. The rabbit wears a decorative robe with scrolling vine motifs. The interior of the box and foot are adorned with nashiji gold flake on black lacquer ground.

The subject comes from the tale of the rabbit who lives on the moon and prepares an elixir of immortality with a mortar and pestle similar to those used to pound mochi...

Japanese lacquer incense box with low-relief designs of plum blossoms in maki-e lacquer on finely sprinkled nashiji lacquer ground. The plum branch pattern is continuous along the sides of the box. The base and interior of the box are finished in fine nashiji lacquer, and the space where the lid and base join together is done with silver.

Meiji Period (1868-1912)

Dimensions: 3" x 2" x 1 3/8" H

Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes...

Rare large Japanese locking bar tansu made of solid gorgeous quartered sawn Keyaki (elm) hardwood. Finished in its original translucent lacquer finish with a black lacquer frame and dark red lacquer front, top, and sides...

A small Kutani porcelain pitcher beautifully painted in Mokubei style with two cartouches containing a mountainous landscape and a group of rakan among karakusa pattern. Base signed Kutani. Condition: little wear to enamels and gold, spout with a short firing crack (3 mm please see photo no. 9). Dimension: 9.5 cm high.