Four volumes of sample books of mingei textiles which are all natural dye and handwoven from Aomori to Kagoshima prefecture. Some are designated as intangible national assets, however some haven't been woven anymore now, and some are reproduced. They include precious bast fibers such as fuji-fu (wisteria), shina-fu, kuzu-fu and so on. They also have natural dye textiles such as shikon-zome, akane-zome, indigo dye Arimatsu Narumi shibori, tsumugi and so on...

GANGI

Japanese folk wooden constraction tool to pat and even out the traditional thatched roof, 1960s, Kyoto, approx. 21 x 16 x 7cm (8.26 x 6.29 x 2.75in)


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鉄の高下駄 / TALL IRON CLOG

Single piece of tall iron clog for goby fishing at the shallows, 1960s, Japan, approx. H 43 x 29 x 24cm (16.92 x 11.41 x 9.44in)


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The size of vase: 8 5/8" High x 3 1/8" Dia top x 3 5/16" Dia bottom. This Shigaraki Flower vase is made by master ceramist Kusube Yaichi ( 1897-1984). It has very unusual and interesting Keshiki by Ash covered finish. It came with Kiriwood Tomobako. The top cover has Japanese writing, "Keijyu" (Celebrating long life, translation). "Kabin" (flower vase). Inside cover has Signature of "Yaichi Saku" (Yaichi made) with his chop seal. It also came with Tomonuno with Yaichi's "Ya" seal on it...

A 2 section Japanese Isho Biraki Kamo Tansu made of Kiri (Paulownia) wood. All original bronze hardware. Constructed using high quality Kiri wood from the Aizu snow country region of Japan known for their slow growth and dense grain. Upper section features 2 hinged doors behind which are 7 Kimono trays and three small side by side drawers. A secret interior wood latch locks the left and right drawers from opening while the left drawer has a secret drawer accessible from the back...

A vintage Japanese Kamo Isho Tansu (Kimono storage chest) in 2 sections made entirely of Kiri (Paulownia) wood. All original metal hardware including the stylized Gumbai handles and the Plum blossom arabesque door lock plates. Upper section has a pair of sliding doors behind which lies two small drawers, a split level shelf and a pair of hinged doors that hide 4 removable Kimono trays...

The size of Large Platter: 14 1/2”L x 10 7/8” W x 1 5/8” H. This is very attractive Japanese White Ceramic Large Platter with Sumi, Black writing Kotobuki or called Jyu (Long life, Happiness) Kanji letter with nice brush stroke. Kotobuki letter is under the glaze. The body of Platter is thinly made like ivory China. It has artist name "Touson" and his chop seal in the glaze. The condition of Platter is excellent. Platter has large crackle glazing finish as my photo close up showing...

A pair of abstracted foxes, sitting at their haunches, tails curled wound their feet, their heads turned upwards, gazing at the moon.
Brown patinated bronze with roughened surface.
Each fox signed on the bottom ‘Kozan’ in archaic script...

The size of Hagoita: 16" Long x 6" Wiidest, 1" Wide Handle, 3/8 "Thick,
Paddle, 1" High (Highest with Decoration.
This is best looking Battledore Hagoita seen in US Internet. Hagoita is made by Kiriwood (Paulownia wood). It is a girl from Kabuki or Traditional Theater Girl Figure. She has very fancy accessory on her hair with few layers of Brocade Kimono finely decorated in three dimensional looking. Paddle handle is decorated with Ichimatsu Pattern of gold, silver and black fabric...

Naoko Matsubara (Japanese-Canadian, born 1937 Tokushima, Japan)
Shrine Market (Tenjin-ichi)
Edition: 47/50
Date: ca 1960s-70s.
Print size: 38.75 x 27.0 inches.
Framed size: 44.5 x 32.75 inches.
Signed, titled, numbered, and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent...

An oil on canvas painting by famed artist Waki Shiro depicting the Moss Temple (Koke-dera) in Matsuo, Arashiyama. It is performed with unreasonably thick pigments and textures, rising 1/2 an inch (1 cm) of the canvas surface. This use of extreme texture was his signature style, and makes his work easily identifiable. The canvas is F4, 24.5 x 34 cm (9-1/2 x 13-1/2 inches) and it comes with the orginal frame.
Wake Shiro (also Wake Ciro, 1925-1988) was born in the last year of the Taisho ...

Kawase Hasui
Kinkakuji
Date: 1930s. This edition 1950s-60s.
Print size: Approximately 5.625 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Not sealed by the artist. Sealed versions exist.
This example may have been re-carved by Watanabe Shozaburo.
Medium: Japanese woodblock print tipped along its top edge to a 7 x 4.625-inch blank card.
Condition: Upper left corner has light crease.

Kawase Hasui
Pagoda in Snow.
Date: 1950s ~ 1960s.
Print size: 5.75 x 3.875 inches.
Card size: 7.125 x 4.75.
Publisher: Watanabe Shozaburo
Hasui seal lower right.
Medium: Japanese woodblock print tipped along its top edge to original blank card.
Reference: Hotei Hp-57.
Condition: Excellent.

From our family collection of Japanese art from Living National Treasures:

Perfectly shaped Bizen Chawan from legendary Toyo Kaneshige (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his partic...

Kihei Sasajima
The Buddhist Goddess Kisshouten
Date: ca. 1960s.
Publisher: Yoneda Minoru (impressed colorless seal at lower margin).
Date: 7 x 5 inches.
Medium: Woodblock print.
Condition: Slight toning. Margin trimming.

Kihei Sasajima
Shitenno Jikokuten (one of the Four Heavenly Guardians)
Date: ca. 1960s.
Publisher: Yoneda Minoru (impressed colorless seal at lower margin).
Date: 6.5 x 5 inches.
Medium: Woodblock print.
Condition: Toning in margin. Margin trimming.

DOLL HEAD

Soil, clay, and wood. 1960s, Japan. approx. H 17 x W 14 x D 11cm (6.69 x 5.51 x 4.33in). Condition is as is as seen.


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* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

Offering an incredible pair of original Sergio Rodrigues armchairs, known as the "Mouse" chairs. Book-matched Brazilian rosewood, with gorgeous dramatic patterns. Very much in the tradition of the American industrialist design, predecessor of mid century. Influence in the Eames chair. It is a chair that invites sprawling — perfect for the social milieu of the bossa nova and caipirinha cocktails; where a languorous afternoon spent chatting and joking is the apex of enjoyment. Overall excell...