Perfectly shaped Kuro Kyo-Yaki Chawan from the Showa Period by great artist Rikobei Kiyomizu the 6th, made 50 years ago. It comes with his originally signed and sealed wooden box.

Rokubei VI (1901-1980) the eldest son of Rokubei V, graduated from the Kyoto City School of Art and Craft and Kyoto Municipal College of Painting before apprenticing with his father from 1925. That same year, he entered his first competition...

Tsuchiya Koitsu
Ushigome Kagurazaka.
Date: 1939.
Size: Oban. 17 x 11.375 inches.
Publisher: Doi Hangaten. Doi watermarked paper.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalog TK-DH-056.
Condition: Top back corners have tape residue. Faint toning apparent in margin to former matte edge.

1970's Japanese Cloisonne Enamel Shippo Vase with Flying Crane Marked "Made in Japan"

It is 7.5 inches (19.1 cm) tall by 5.6 inches (14.2 cm) wide. It is 1.4 lb.

It has tarnished metal, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Length: 3.7 cm (1.5 in)
Height: 2.9 cm (1.2 in)
Depth: 2.4 cm (1 in)

Japanese carved netsuke of a dog chewing on a sandal; natural material; inlaid horn eyes; some age lines present; good condition

Kawase Hasui
Spring Moon at Ninomiya Beach
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
This seal combination indicates an early postwar edition.
Reference: Hotei #273.
Condition: Toning in margin. Two back corners have tape residue.

PORTRAIT BUST OF A WOMAN

Ceramic. Signed as "KIMURA, July, 1967". Japan. approx. H 36 x 22 x 25cm (14.17 x 8.66 x 9.84in). *Other items in the photos are not attached.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

Inspired the works of Iizuka Rokansai, this open weave basket with richly toned dark red-brown split bamboo has a slightly tapering cylindrical body with an offset loop handle at the top. Signed with an incised signature on the bottom. Comes with a bamboo water container. Dates late 20th century. Measures 8” high including handle, 4.74” diameter. This basket had a very nice sheen to it that is not being captured by the photos. You will be pleased.

Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin...

Hiroshi Yoshida
Wisteria Garden
Date: 1935. This edition mid-century.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in Japanese in the image. Titled and signed in English at lower margin.
Reference: Abe catalog #199.
Condition: Excellent. Two original pinholes at top margin.

Kawase Hasui
Sacred Bridge, Nikko
Date: 1930s. This edition 1950s-60s.
Size: 6 x 4 inches.
Publisher: Watanabe Shozaburo.
Hasui seal lower left.
Medium: Japanese woodblock print tipped along its top edge to an original blank card.
Reference: Hotei Hp-40.
Condition: Excellent.

Ide Gakusui
Bamboo Grove
Size: 5.75 x 3.75 inches.
Date: 1950s-60s.
Gakusui seal lower left.
Publisher: Watanabe Shozaburo.
Woodblock print is tipped along its top edge to a blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Children on Stilts in Snow
Artist's seal not read.
Date: 1950s-60s.
Size: 4.75 x 3.25 inches.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.

Japanese woven bamboo flower basket with original bamboo insert. Beautifully made with a variety of different sized bamboo strips and in excellent condition, it measures 13” high, 4.75 widest, 3.5 diameter. Dates pre-1990.

A mid century Japanese single section Kimono chest called Isho Tansu made entirely of Kiri (Paulownia) wood. All original hand made bronze hardware. With 2 sliding doors that cover a large storage area, 3 small side by side drawers and 2 large drawers below. Side handles allow for moving this tansu from place to place. Constructed using hardened wooden nails and Japanese joinery.Age: Showa Era (1960's)

Dimensions: 33 7/8" Wide by 37" High by 16 7/8" Deep

Tsuchiya Koitsu
Lake Sai Sunset (aka. Mt. Fuji at Sunset OR Mt. Fuji from Lake Sai)
Date: 1938.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early postwar edition (1950-63).
Koitsu catalog no.: TK-DH-49.
Condition: Old tear repair at right margin and image edge. Paper is thinner in this area.

Kaneshige Toyo is no doubt one of the most important Japanese potters in 20 century and the first Bizen artist to be awarded with Living National Treasure title in 1956.
He is considered as the founder of modern Bizen pottery and at the same time he is known for successfully recreating the sheen of Momoyama Bizen pottery.

Width 5.7cm
Height 5.05cm
Weight 78g

In excellent condition. Supplied with original wooden box with leaflet.

Kato Juemon (1894-1974) Aka Oribe Chawan with box signed by Sen Soshitsu XV Grand Master (Iemoto) of Urasenke Tea School (b.1923)

Fine Red Oribe Chawan for tea ceremony made by Kato Juemon (1894-1974).
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is stamped on the bottom.
Juemon Kato (1894 (Meiji 27 year) - 1974 (Showa 49year)) is a renowned Japanese ceramist...

Deceptively simple and notoriously difficult to apply with the calligrapher’s brush in one fluid, arching stroke; the symbol of the ensō has long been associated with strength, elegance, and the simultaneous being and non-being of the universe. A closed ensō (such as the one featured here) is more closely associated with the idea of transcendent perfection, while an open ensō represents movement, fluidity, and attainment in the corporeal world...