An early Arita porcelain dish, Kakiemon, 17th Century, circa 1655~1670.

The centre of the dish with a table display of bonsai-like foliage. The curved cavetto with plant-filled lozenges against a blue ground.

The mark within the foot-rim was used at the Chokichidani kiln and the Old Kakiemon kiln in the period 1655 ~ 1670’s...

Japanese antique indigo dye soft Choma Ramie tsutsugaki katabira kimono of echigo-jyofu.There are thin Stain and discoloration and small holes. It is a Kyoho era(1716-1736). Shochiku Umebun's bamboo is reminiscent of flowing water, and there is movement, and a delicate and flowing pattern is expressed throughout. Sprinkling sparrows here and there and adding moving sparrows to bamboo that looks like running water is a good combination of "bamboo sparrow" and "Shochiume" pattern...

Rare 17th Century Chinese Kangxi small peach bloom vase scholars object. Incredible speckled glazing revealing natural lighter of purple, off whites with a touch of green under tones. May have been used as a glaze example, kept with similar objects, each an example of glazing techniques. Inscribed with six character Kangxi signature

His reign lasted 61 years, from February 7, 1661 until his death December 20, 1722, making him the longest-reigning Emperor of China in history...

Antique 2-panels screen painting from the interior of a wealthy home in Momoyama Period Japan. Each of these two rectangular shaped panels is painted with a fan shaped reserve. The fan on the left panel is painted with a branch of blossoming white flowers, possibly dogwood and is shadowed by another blue and gold fan shaped reserve. The fan on the right panel is painted in ink with a bird on a branch and shadowed with a green and gold fan...

A fine Arita Export gourd-shaped bottle decorated in Chinese Transitional taste. Arita 1660 – 1680.

The enjoyment of nature.

The Catalogue of the Shibata Collection exhibits two similar bottles.

Another, a 39.8 cm tall example is illustrated in ‘Fine & Curious Japanese Export Porcelains in Dutch Collections’. Hotei Pub. 2003...

This is an awesome Gunto Imperial Japan Military Katana Sword in Black Koshirae fitting, made during the Showa period (1926-1989), by the Gunto swordsmith KANEHARU 兼玄: (Index of Japanese Swordsmiths by Markus Sesko), from the Seki School (Modern Japanese Swords and Swordsmiths, by Leon and Hiropo Kapp). The sword's nakago has been marked as shown in the photos. The blade has a bright and clean polish, and it is in excellent condition...

This is an awesome Eisho Era Signed and Date Long Wakisashi (Almost Katana length) Sword in Shirasaya fitting, made by SADAHIRO 貞弘 (1505 -1521) Eisho, Muromachi Period, Iwami Province, Japan. SADAHIRO 貞弘, as listed in page 99 of the Index of Japanese Swordsmiths by Markus Sesko, and shown as SA 23 in "Japanese Swordsmiths by W. M. Hawley...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics...

Tempestuous waves in fine gold lines splash between lightning shapes decorated with reed curtains on the sides of this singular lacquered wooden koro with woven silver lid dating from the Momoyama to opening of the Edo period, Later 16th to early 17th century. It is 8.5 cm (3-1/4 inches) high, 7.5 cm (3 inches) diameter. The worn base has been re-lacquered to protect the wood core from splitting or cracking otherwise is entirely original to the period.

A high quality Arita porcelain dish decorated with an auspicious pattern composed of a central motif made up of three shippo or cash symbols bound together by a stylised Peony leaf vine; a variant of the more usual ribbon tied cash see EW3193. The cavetto decorated with a Tako-karakusa ground and the rim with a diaper band. The reverse is meticulously painted with a band of stylised lotus pattern to the base of the footrim...

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters...

The shallow dish with a roundel containing a very finely painted coiled dragon, Danryū mon, within a double circle. The cavetto is decorated with a stenciled trellis or Chinese lie-wen design against a pale ruri background...

An early Arita porcelain bowl made for export to the Far East. The decoration is based on a Ming Chinese dragon & phoenix bowl, the interior with a fish rising from waves. Fuyoyama or Tengudani kilns. See Impey, ‘The Early Porcelain Kilns of Japan, Arita in the First Half of the Seventeenth Century. Clarendon Press, Oxford.1996’ where several sherds are illustrated. Circa 1650 - 1680. Found in Cambodia. Must be of the earliest wares specifically made for export.

Approximately ...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.7 cm diameter. Perfect condition.

Please study the ...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 22 cm diameter. Perfect condition.

Please study the ...

A Japanese Arita dish decorated with scrolling flowers, a central roundel of ( possibly ) passion flowers. The base with four spur marks and an apocryphal Chinese Ming Jiajing reign mark.Circa 1700.

Approximately 19.4 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

Please note tha...

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he...