This is a japanese antique tsutsugaki Indigo dye cotton thick noren textile of Edo period. This is Tsutsugaki Noren dyed with natural indigo used in merchant houses in the Shonai region during the Edo period.It is drawn with a very bold and beautiful composition.In the past, cherry blossoms represent "richness" for wishing for a good harvest, and "prosperity" because many flowers bloom all at once. Fans are said to be "spreading toward the end," and their spreading shape has long been treated ...

. The bronze is very thick yellow, the casting is made in several parts, the arms are cast separately and welded, the ribbons too. The finish is very neat. The old patina is beautiful. The base is cast separately, the walls are thin unlike the statue, but it is indisputable that the two were made together. On the base and at the bottom of the statue are incised characters that date it. I do not know what the exact time is, but I can do research on request. The glory is added later...

This is a rare antique Mizusashi (water jar) of Japanese Ofukei ware covered with black lacquer lid decorated with wisteria entwined with pine trees which was made in 18-19 centuries during Edo period (1603-1868)...

This is a sashiko socks made of white cotton that was made and used from the Edo period to the Meiji period. It is in good condition, but there are some stains. There is no damage. Length: 21.5 cm Height: 13 cm

Hitotsusage tabacco pouch with a netsuke. Unlike the tabako-ire, there is no kiseru case.

Netsuke of kagamibuta type, made of two parts: a silver plate with peonies decoration and an ivory bowl.
Leather snuffbox (pouch) with menuki (metallic decoration) of a silver dragon. On the pouch, painted decoration of a Hôô phoenix surrounded by flowers...

Height: 3.8 cm (1.7 in)
Length: 3.2 cm (1.3 in)
Depth: 2.5 cm (1 in)

Quality wooden netsuke of peasant sharpening his adz on a grindstone; finely carved throughout with a wonderful patina; signed Tomokazu

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords...

This is very rare tasutasugaki noren at the end of shogunate of Edo period(1860-1868). Design of freehand paste resist dyeing with kyara (fragrant wood) oil shop. It began to sell kyara oil in the Edo style period and Kyoto. bintuke abura(oil put up to hair)¡ The sumo wrestling taking uses it in modern days. This handsome tsutsugaki doorway hanging freehnd paste resist dyeing with cros¡. It consists of the indigo dye of the hemp spun by the hand...

This is a horse cover in Edo period. The carp climbs the waterfall. This design is hemp and tsutsuigaki. In surrounding light blue cotton, the design of katazomed and the wing is tsutsugaki. The part of the string is cotton and katazome. It spun by the hand, it drew by the hand, and it dyed it. It is a source dispelling technology. There is a thin stain. There is no damage. However, the state is very good. It is a valuable excellent article...

The falcon is represented resting on a branch. His expression is attentive and we can guess that he is hunting. The artist knew how to infuse him with all the ruthless savagery in his gaze. It is signed by Haru Mitsu. It is finely carved in wood, probably cherry,the pupils inlaid in black horn.I remember having read that this artist liked to exaggerate certain parts of the body of his subjects, here it is clear that the claws, eyes and beak are strongly exaggerated...

19th Century Japanese Kutani Porcelain Covered Jar with Mountain Scene

It is 14.4 inches (36.5 cm) tall by 10 inches (25.4 cm) wide. It is 12.4 Lb.

It has been repaired (glued back) at a section of the lid. It also has manufacture chips, small indent holes at the body, uneven glazes, and skip glazes, rubbing of paint, dark spots, firing cracks at the inside, and surface wears and scratches (as seen in the photos)...

This is Japanese antique silk vest of the yosegire patchwork of the Edo era(1800-1867). It is dyer's Safflower dyeing itajime (katazome)and katazome and shibori. It is compose it of the silk of the silkworm of nature of three kinds of colors. It is very luxurious, and it is beautiful. It does not have a stain and damage. Both frames are open and partly connected. The crimson silk of the lining has the part that a color changed...

The immortal is powerfully carved in wood, probably cherry...

Tenuki is depicted standing, his head covered by his huge scrotum. It is carved in a wood that seems to me to be cherry. The sculpture is simple and vigorous. The netsuké is ideally compact in shape. The patina of the wood is very old and beautiful. There is a 2 characters signature which I have not translated but can do on request. It is probably a well-known artist. I think beginning of 19°, but maybe before. Height: 55mm Very worn.

19th Century Japanese Satsuma Earthenware Vase

It is 8.3 inches (21.1 cm) tall by 5 inches (12.6 cm) wide. It is 1.4 Lb.

It has rubbing gold and paint, repairs at the feet, a small chip at the bottom rim, stains and surface wears and scratches (as seen in the photos).

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Edo Period (19c) Karatsu Guinomi (sake cup) from old Kansai pottery collection.

Karatsu pottery is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.
It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items.

Width 5.7cm
Height 6.7cm
Weight 89g

In excellent antique condition. No cracks. No chips. Supplied with two wooden boxe...

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern. Iyo-zome was very popular in...

This is benibana-dye (Natural safflower dyeing)-shibori and katazome yosegire kimono textile of the Edo era(1800-1867). It has a few thin stains. It has a small damage in several places. However, it is in a state good The red shibori (Tie-dye)is very impressive and beautiful. The pattern on the hem is a traditional Japanese treasure and has a very auspicious design. Size: Size: Length: 140cm (55.1inch) / Cuff to cuff: 123cm (48.4inch)