19th Century Japanese Kutani Porcelain Covered Jar with Mountain Scene

It is 14.4 inches (36.5 cm) tall by 10 inches (25.4 cm) wide. It is 12.4 Lb.

It has been repaired (glued back) at a section of the lid. It also has manufacture chips, small indent holes at the body, uneven glazes, and skip glazes, rubbing of paint, dark spots, firing cracks at the inside, and surface wears and scratches (as seen in the photos)...

This is Japanese antique silk vest of the yosegire patchwork of the Edo era(1800-1867). It is dyer's Safflower dyeing itajime (katazome)and katazome and shibori. It is compose it of the silk of the silkworm of nature of three kinds of colors. It is very luxurious, and it is beautiful. It does not have a stain and damage. Both frames are open and partly connected. The crimson silk of the lining has the part that a color changed...

The immortal is powerfully carved in wood, probably cherry. Gama Sennin holds his stick in his hand and his toad on his shoulder. He is unusually tall. The sculpture is powerful, the folds of the dress are elegant and the expression is serene. Although Gama-Sennin is attested male there are rare examples of its female representation. The softness of the features make me think that this would be a woman...

Tenuki is depicted standing, his head covered by his huge scrotum. It is carved in a wood that seems to me to be cherry. The sculpture is simple and vigorous. The netsuké is ideally compact in shape. The patina of the wood is very old and beautiful. There is a 2 characters signature which I have not translated but can do on request. It is probably a well-known artist. I think beginning of 19°, but maybe before. Height: 55mm Very worn.

19th Century Japanese Satsuma Earthenware Vase

It is 8.3 inches (21.1 cm) tall by 5 inches (12.6 cm) wide. It is 1.4 Lb.

It has rubbing gold and paint, repairs at the feet, a small chip at the bottom rim, stains and surface wears and scratches (as seen in the photos).

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Edo Period (19c) Karatsu Guinomi (sake cup) from old Kansai pottery collection.

Karatsu pottery is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.
It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items.

Width 5.7cm
Height 6.7cm
Weight 89g

In excellent antique condition. No cracks...

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

This is benibana-dye (Natural safflower dyeing)-shibori and katazome yosegire kimono textile of the Edo era(1800-1867). It has a few thin stains. It has a small damage in several places. However, it is in a state good The red shibori (Tie-dye)is very impressive and beautiful. The pattern on the hem is a traditional Japanese treasure and has a very auspicious design. Size: Size: Length: 140cm (55.1inch) / Cuff to cuff: 123cm (48.4inch)

Large octagonal bowl made of porcelain, decorated in underglaze cobalt blue. In the center of the bowl a prancing tiger before a roaring stream, looking up towards the sky. Behind him bamboo and rocks. Left of the tiger there is a three-line poem about the tiger and the third moon (May or June).

The sides are decorated with four peonies and leaves draped in arabesques; the rim decorated with a border of key-fret motif...

This is Fukusa of beautiful hand embroidery made in Kyoto in the Edo era.(1800-1867) As for the embroidery, the thread which gold leaf was rolled round is used and is made all by hand. The surface does not have a stain and the damage. And there are a few stains to the lining. It does not stand out. This is embroidery of a lucky bird. Size:Length:71cm(27.9inch ) / Width: 67cm( 26.3inch)

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

They are carved from a single piece of wood. They are hollowed out on the back to probably receive a column. They had to be at the entrance of a temple and supported the portico. The wood is cracked and blackened by time. I think they are Edo period Japanese, but they may be earlier. They are two magnificent creatures with a powerful and fierce appearance. The fact that the wood is excessively weathered makes me think they were outside the temple, at the front door...

The size of Bowl: 7 1/2" Dia x 3 1/8" High. Most unusual and attractive Japanese Ko Imari Sometsuke Porcelain Bowl...

This is indigo dye cotton tsutsugaki textile futon cover at the edo-Meiji era. Very auspicious, brave hawk and pine tree design. The material is thick indigo-dyed cotton. The technique of indigo dyeing Tsutsugaki is very good and beautiful. It is unused and has no stains or damage. The state is excellent. It is a very valuable gem. Please add it to the collection. Four panels are sewn together. Size: Length 168 cm (66.1 inches) / Width 126 cm (49.6 inches)

Large suzuribako showing on its cover a mountainous landscape, crossed by a river, bordered by two houses and trees such as pine trees and cherry trees in bloom. It could be Okabe, the twenty-first of the fifty-three stations of the Tôkaidô. The bottom is gilded in the fundame technique, decorated with takamaki-e, hiramaki-e, hirameji and kirigane. The inside of the lid shows a lake landscape with very sinuous pines in takamaki-e and kirigane on a hirameji background.
Removable part, to...

Aka Raku Chawan named "Hanshan" made by Matsuo Fushunsai (1792-1830) who was the 5th generation head of Matsuo-Ryu Tea Ceremony School in Higashi-ku , Nagoya.
The box is signed by Matsuo 6th generation Iemoto Gyosai (1820-1856).

The rim is gently undulated moving to the plump body. The hills are lightly squeezed, and the whole shape is rounded as if it is a sphere. The surface has irregularities that allows to follow the trajectories of hand-modeling, and the dynamic scenery giv...

Decorated with a carp diving in waterweed executed in typically thick and strongly hued enamels. The back similarly decorated with oysters and weed, the centre with a large Kutani mark.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the ...

This is a Japanese antique rare Cherry-colored plant dyeing hemp roll fabric of meiji era.It's a very beautiful and charming color. There are no stains. There are 3 small holes, but overall they are in very good condition.Size::length:10m 17cm / Width:34cm