A carved wooden mask dating from Edo period Japan, likely made as a talisman to ward off evil and bad spirits. It is of thickly carved wood, larger than life, and beautifully modeled. Originally the mask was covered in lacquer and the eyes were silver., remnants of color still visible in the folds and crevices. It is 31 x 25 cm (12 x 10 inches) and is in overall fine condition.

This Antique Japanese Buddhist large temple bell set is a rare and exquisite piece of art that will add a touch of serenity to your home. The set comes complete with a stand, cushion, and striker, all made of Hinoki wood and finished in a beautiful red Urushi lacquer that has acquired a warm patina over its life. The stand features gold gilt accents that add to its elegance...

This antique Japanese large flying dragon shrine corbel is a stunning piece of art that is sure to impress. The sculpture is made from one solid block of Keyaki (Zelkova) wood depicting a dragon that appears to abruptly change course in mid-air. The body has dramatic features that visually flow with this sculpture, making it a true masterpiece...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide

Herd of wild horses. Painted with ink on silk. Signed and sealed. Circa 19th C.

Some marks, insignificant light crease and foxing are present on the piece due to its great age, otherwise it is in good condition.

Painting: W17 3/8” x H13 1/4” (W44cm x H33.5cm)
Scroll: W19 1/8"x H44 5/8” (W48.5cm x H113.5cm)

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A fabulous porcelain incense burner in the shape of a boy playing the flute astride a large ox dating from the 19th century. The box identifies the work as Hirado ware. The quality is certainly of that level. It is 23.5 x 12 x 19 and is in perfect condition, enclosed in a period red-lacquered wooden box.
In Zen, an oxherd searching for his lost ox has served as a parable for a practitioner’s pursuit of enlightenment since this Buddhist sect’s early history in China...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

HAIL LOTUS SUTRA

Edo period, Japan. H 13.5 cm (5.31in).

Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra."...

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

DOROMENKO

Primitive Japanese earthen toy for children called 'Doromenko' (lit. 'Mud face') including rare motif like ghost, fox, fish, etc., 19th century, approx. 3-3.5 cm (1.18-1.37in)...

1900's Japanese Iron Mixed Metal Miniature Box by Komai Otojiro

It is 0.78 inches (2 cm) tall by 1.2 inches (3.1 cm) long and 1.6 inches (4.1 cm) wide. It is 54.6 gram.

It has tarnished, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

A radical Bizen Mizusashi with two lacquered wooden lids enclosed in a black lacquered wooden box with gold lacquer writing titled Samidare which is in turn enclosed in a kiri-wood storage box by the same title compartmentalized to allow the lids to be stored safely. Samidare is a poetic reading for Rain of the Fifth Month (June in the traditional calendar)...

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period. He was the younger brother of Kanō Tan'yū, who was to continue the line and become one of the foremost painters of the school. Together with Tan'yu, Naonobu completed a number of prominent commissions for the Tokugawa shogunate...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides. La...

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke. He originally se...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.