A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Japanese shin hanga woodblock print titled "Omuro" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 15 (1940). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower left. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #240. Paper measures 10 3/4" x 16" (image size: 9 3/42" x 14 3/4"). Very good clean overall condition with full margins...

Ohara Koson
An Eagle on a Tree
Size: Approximately 17 cm x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 442). Tag at back.
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design not listed in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). The design is similar to K13.3 (Eagle on leafless tree) in the above catalog.

Bijinga - a painting of a beautiful woman depicts otogoze/otafuku beauty. Finely painted with ink and pigments on silk. The back ground of her is decorated with gold on fan shaped design. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition with age. Some insignificant light marks and a small scrach is present on the scroll end, otherwise it is in very good condition...

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

Black Bizen Guinimo and Tokkuri by Oiwa Tomoyuki enclosed respectively in their original signed wooden boxes. There is a wonderful dialog between the two pieces, the bottle blackened with dark dry ash buffeting the surface, while over the same darkness has been blasted molten ash on the cup, flowing around and beading on one side. The juxtaposition between the liquidity and dryness of the two, same colored, ash effects is delightful...

An exceptionally fine porcelain bowl made for presentation, kenjo-te. The centre of the dish is decorated with an unusual version of a Karashishi which would seem to be floating upon a feather set against a net like blue ground which has been produced using the shiranaku technique. It is strikingly similar to the karashishi and feather compositions that appear on Chinese porcelain of the Wanli era...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl...

Japanese early 20th century woodblock print of a BIJIN by ATARO. Fine color and impression. The print measures 8 1/2" wide by 13" tall.

18th Century, Japanese Boxwood Netsuke: Recumbent Dog

18th Century, nicely hand-carved Boxwood Netsuke depicting a recumbent Dog that appears to be pleasantly resting. Very nice stylized touches characterizes this netsuke made during the EDO Period of Japan. Unsigned. A bit larger than most netsuke of this type, with large himotoshi, common of carvings made during the 18th century, and beginning of the 19th century....

9 faceted sides rise up to the circular rim forming this deep bowl enveloping a jade pool by Yoshikawa Masamichi enclosed in the original signed wooden box titled simply Wan. The sides have been slabbed away forming 9 facets on 9 facets, resting on a seven sided foot. Defining each flattened surface are blue architectural lines. It is 13 cm (5 inches) diameter, 8 cm tall and in perfect condition...

Authentic Black raku piece is fired in charcoal for long hours, it's very difficult to make with quiet and simple taste. He has made it to make chawan and also now makes sake cup. Accessary: wooden box signed by artist. Size: 7.6cm(D) 5.8cm(H)

This celadon tokkuri with copper under glaze has made by aiming serene color. YouTube movie: https://www.youtube.com/watch?v=1EjRwXQ-YBg Accessary: wooden box signed by artist Size: 8.7cm(D) 13.7cm(H)

Authentic Black raku piece is fired in charcoal for long hours, it's very difficult to make with quiet and simple taste. He has made it to make chawan and also now makes sake cup. YouTube movie: https://www.youtube.com/watch?v=VjzNKb33E7E Accessary: wooden box signed by artist. Size: 8.0cm(D) 6.0cm(H)

Ido glaze is difficult for using, especially about "kairagi" round the bottom, Sugimoto is one of the masters with Ido pieces in Japan. He makes guinomi sake cup as a miniature of chawan. YouTube movie: https://www.youtube.com/watch?v=AFPW5Dt3vn8 Size: 8.8cm(D) 5.1cm(H) Accessary: wooden box signed by artist

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

Length: 17.2 cm (6.8 in)
Height: 7.9 cm (3.2 in)
Width: 4.5 cm (1.8 in)
Weight: 700 gm (1.5 lb)

Good quality Japanese bronze elephant from early 20th century; unsigned; good condition

Height: 12.8 cm (5.1 in)
Width: 7.2 cm (2.9 in)
Depth: 3 cm (1.3 in)

Fine Japanese Satsuma Kutani porcelain vase; two main panels, both showing figures in rural and domestic settings; borders and sides decorated with raised gilt diaper work and floral roundels; flared butterfly handles; signed